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黄ザ丸
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黄ザ丸
@Kizamaruuu
Hi! Dragon enthusiast here! Wishing to draw or write a story or ten!
England, United Kingdom Katılım Temmuz 2013
295 Takip Edilen128 Takipçiler
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The people of Myanmar have lived in almost complete media silence since the coup took place. As violence continues to spiral, and the Junta's bombing campaign kills largely civilians. Really wish it got the coverage that it deserves.
Chindwin News Agency@TheChindwin
The junta soldiers have launched an alarming attack this morning, setting fire to an entire village near Pakokku Airport in Pakokku Town, located within Myanmar's Magway Division. As a result of the arson attack, hundreds of residents from Hmyolukan village have been compelled to evacuate their homes amidst the ongoing violence perpetrated by the junta soldiers, which has led to the complete devastation of the village. Video/CJ
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And I did not intend to send a message to aspiring manga artists around the world telling them to pursue diversity.
Over the past ten years, I have spoken with many aspiring manga artists outside of Japan.
To a degree that might even seem surprising within Japan, many of them set their sights on Weekly Shōnen Jump.
But is that wrong?
Should they instead aim for a variety of Japanese manga magazines and pursue diversity?
Are they making a mistake?
Of course not!
In my view, aspiring manga artists around the world are not at fault.
Of course, people may make personal mistakes,
and they will bear responsibility for those themselves.
But as a broader, statistical phenomenon, aspiring artists, mangaka, and creators in general are not to blame.
Human beings are, by nature, incredibly diverse.
That is simply how we are.
The free thinker naturally possesses diversity.
However, “commercial manga” created freely by individuals does not automatically become diverse.
Diversity does not emerge simply by gathering many individuals together—it must be intentionally cultivated and protected.
We have already seen cases in Japan, Korea, and other countries where companies said,
“We have a great platform! Gather many creators, let them do whatever they want, and simply share the revenue share,” and yet diversity ultimately collapsed.
We have seen it happen.
Why is it that, even when many creators were gathered and given freedom—and all started out diverse—the result was a rapid loss of diversity?
Why?
Creation demands great sacrifice, and artistic creation in particular is not something one can achieve after watching a few tutorial videos for a couple of weeks or months.
It requires dedicating one’s life—continuously moving forward and refining one’s craft.
If a creator cannot earn a living from their work, the consequences are severe.
In many cases, not only their own life but also the lives of their loved ones(like the whole family) can fall into hardship.
The poverty and disregard one must endure during the learning process can be overwhelming.
This is especially true in countries where the per capita income is below $30,000.
I myself lived as an aspiring manga artist in South Korea when its per capita income was below $10,000.
So I understand that suffering.
Now imagine that, after enduring all of this, you finally have a chance to earn money through manga.
At that moment, can you truly choose to create something entirely your own, saying,
“If I make money, I make some money—if not, I’ll starve”?
Do we really need to demand that level of courage from individuals?
Most people cannot.
Naturally, they study the success of other creators and hope to earn at least something themselves.
This is diligence.
This is effort.
This is doing one’s best.
In many ways, it is also a very human way to live.
It only becomes a problem statistically—when it negatively affects a nation’s IP industry and the growth of the business as a whole.
Diversity is not something that individuals can be expected to pursue on their own.
It must be a goal intentionally set and supported by nations or by business entities. 1/4
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@horikoshiko ありがとうございます for sharing your art! Mister Horikoshi!
You've seem to have been working hard on your art during your break! Studying something new?
日本語
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"Mom, adopt a child. You and Dad are still young enough. You’ll raise them..."
Ukrainian Defender Vladyslav Kaspruk, call sign "Casper," was his parents’ only child. He was six days short of his 24th birthday.
On June 16, 2025, in Sumy region, his vehicle ran over an explosive device. Five Defenders were inside. Two were killed - among them Vlad. Three of his brothers-in-arms were wounded.
Even before the full-scale war, Vlad had signed a contract with the border guards. When the assault unit was formed - for the most dangerous sections of the front - he volunteered without hesitation.
He evacuated the wounded and the fallen from under fire in Donetsk, Kharkiv, and Sumy regions.
After the funeral, his parents remembered his words: "Adopt a child..."
In the autumn, they completed training to become foster parents. In January, they were offered two children - a little brother and sister. The girl is five. The boy is six.
The children are already home. They’ve started kindergarten.
"Is that Vlad? Where is he?" they ask, looking at his photo.
"That’s your big brother. He isn’t with us, but he sees everything," their mother replies.
After Vladyslav’s death, his brothers-in-arms told the family they still had his cat. His parents traveled to Sumy region to bring the animal home. Now Khytryi (Sly) lives with them.
There is also a dog from Kharkiv region - missing one paw. Vlad had cared for her too.
Source: We Are Ukrainians / Facebook

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@ChibiReviews Keep in mind even Mister Horikoshi was unsuccessful twice before he made a hit, and it turned out to be something he loved!
In Kawaguchi's case, I don't know if these manga were wished for, but there was a lot of effort made, I worry Kawaguchi will lose hope.🥺
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