Knowledge of London

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Knowledge of London

Knowledge of London

@Knowledgepoint

Life is like a camera. Just focus on what's important & capture the good times, develop from the negatives and if things don't work out, just take another shot.

London, England Katılım Aralık 2009
374 Takip Edilen35K Takipçiler
Knowledge of London
Knowledge of London@Knowledgepoint·
Then & Now: High Street, Cromer, Norfolk, C 1900. I know I'm not in London, but even on my holiday I can't stop working. Looking at a Framed picture in a shop window and seeing those happy children's faces looking down from the upstairs window, I wanted to share the same view 126 years on.
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Today is the Veterans annual day out to Worthing, with the London Taxi drivers, which have taken place every year since 1948. I used to go every year until I retired several years ago. This is a picture on the beach from my last trip. My thoughts are with you all.
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Knowledge of London
Knowledge of London@Knowledgepoint·
Going back to the times when on a hot summer day, these water taps were on many streets and parks. We never needed plastic bottles which time cannot decay. Bring back the free water fountains to keep us cool.
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Knowledge of London
Knowledge of London@Knowledgepoint·
On the day 13 July 1955 Ruth Ellis was executed. The last woman hanged in the U.K
Knowledge of London@Knowledgepoint

Ruth Ellis, the last woman to be executed in the United Kingdom, was granted a posthumous conditional pardon on July 8, 2026. The Ruth Ellis Story: Ruth Ellis was born - Ruth Neilson in North Wales on 9th October 1926. Her real surname was Hornby, purely for professional reasons her father changed his last name to Neilson. During the blitz in 1941, the Neilson family moved to London, where 15-year-old Ruth took a job as a machine-minder in the OXO Tower factory in Southwark. With her peroxide blonde hair, she became an instant hit with servicemen on leave in London looking for a good night out. She soon discovered working as a dance hall hostess was far more rewarding and enjoyable than working in a factory. By Christmas of 1943, she found herself pregnant by a man she fell in love with, a French-Canadian soldier know to her only as Clare - his surname was never revealed. When he said he would seek permission to marry her from his C.O she discovered he was already wed and had three children back home in Canada. Her daughter, Andrea Clare Neilson was born on the 15th September 1944, a month before Ruth’s 18th birthday. In 1950 she married George Ellis, a dentist. They were soon to part when she became a club-manageress and call girl. Not long after that, she met David Blakely, a racing car driver, who, she at first did not like. She thought he was too flashy and arrogant, coming from a well-to-do family. At first, he was besotted by her good looks and offered to marry her. In 1955 they moved into 44 Egerton Gardens, together as man and wife, although she continued with her lovers. This led to bitter quarrels and eventually to a breakup. In this highly charged situation, their roles reversed, from Blakey’s dependence on her to Ruth’s reliance on him. When he finally left for good Ruth became jealous. She searched him out to an old girlfriend of his Carole Findlaker, who had married Anthony Seaton Findlaker, also a friend and mechanic of David’s. He moved into their second-floor flat with them at number 29 Tanza Road, in Hampstead. By now Ruth was becoming very angry and wanted David back at all costs. On Easter Sunday, April 10th 1955, overcome with a jealous rage, Ruth took a taxi from Egerton Gardens to the Findlakers flat at 29 Tanza Road. As she arrived, David’s car drove off. After paying off the taxi driver she walked down to the nearest pub The Magdala, where she found David’s car parked outside. Ruth stood and watched by the side of the pub, she was holding a .38 Smith and Wesson revolver, she was also wearing a pair of black-framed glasses. She was seen by customers pacing up and down outside and peering through the window. Around 9.30pm David and his friend, Clive Gunnell emerged from the pub. As David searched out his car keys, Ruth pulled out the gun from her handbag. A total of four bullets tore through David as he fell face down in a pool of blood, with Ruth standing over his body. A plain clothes policeman who was drinking in the pub at the time walked up to Ruth. She said; ‘Will you call the police?’ He replied; 'I am the police,' he then took possession of the gun. At her trial in July 1955, Ruth Ellis was asked what was her intent when using the gun. She replied; 'I intended to kill him.' It took just 14 minutes for the jury to find her guilty. Hundreds of strong petitions for a reprieve were handed to the Home Secretary, but on 13th July 1955, Ruth Ellis was hanged at Holloway Prison.

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Knowledge of London@Knowledgepoint·
At Weymouth House, Hallam Street (W1), American broadcaster Edward R. Murrow lived during the height of WWII. He regularly walked out into the falling bombs of the London Blitz to deliver his iconic, spine-chilling live radio sign-on, "This is London," directly to millions of listening Americans. m.youtube.com/watch?v=wJzZeB…
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The Abbey Road Conspiracy: The famous white Volkswagen Beetle (LMW 281F) featured on The Beatles' Abbey Road album cover was originally owned by a nearby resident who lived in a block of flats across from the recording studio. Because the owner was away on holiday at the time of the photo shoot in August 1969, the car couldn't be moved and inadvertently became a pop-culture icon. Here is what happened to the car: The vehicle is currently owned by Volkswagen. The car was sold at auction in 1986 and was later acquired by VW at a subsequent auction in 1999. It is on permanent display at the Volkswagen Group Museum in Wolfsburg, Germany. The reason this car became an icon: The license plate sparked a famous "Paul Is Dead" conspiracy theory because he was walking barefoot, (shoes and socks are removed to make the person's feet easily accessible for end-of-life anointing or rituals) with the reg number "28IF," suggesting Paul McCartney would have been 28 if he had lived.
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New York Post
New York Post@nypost·
Mick Jagger says fans don't want political lectures at concerts after Bruce Springsteen's anti-Trump speeches trib.al/X6RL4vJ
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Knowledge of London@Knowledgepoint·
@NancyWindsorUK I'm the same age as dear Ann (78) a very different set of rules when growing-up. She was a super trooper R.I.P Ann
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Nancy Windsor
Nancy Windsor@NancyWindsorUK·
I’ve decided that I need to be more ‘WIDDY’ from now on. Not afraid to stick to my principles, not afraid to speak out regardless of what people will think of me. Thanks Anne for being a beacon of light on the world. 🩵
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Knowledge of London
Knowledge of London@Knowledgepoint·
Remember when video recorders cost an absolute fortune. I bought a Toshiba Beta about 1973 at this kind of prices and with a 3hr 15min blank tape at £12.50. With an internet price equivalent search it gives an unbelievable quote: £529 video recorder in 1973 would cost between £6,500 and £8,300 to buy with today's wages and buying power.
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DCArt
DCArt@DavidCoxArt·
@Knowledgepoint Have a look at this label attached to a bottle of Graham's port. It was salvaged from my late parents' house a few years ago. (They weren't big drinkers!). The closing date was 31 Jan 1983.
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Sarah Louisa Collins
Sarah Louisa Collins@SarahLouisaColl·
@Knowledgepoint Our first video recorder cost me over £700! My CD player I have now I got from a local shop for £36 about 15 years ago.
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Knowledge of London@Knowledgepoint·
@thespafixer A technocrat told me Betamax was the better quality, so I took their word. The problem there wasn't the same choice of films to rent. Us Betamaxers became the brunt of jokes a bit like the Skoda back in the day. Now look how Skoda are one of the best value cars you can buy.
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Steven Sykes
Steven Sykes@thespafixer·
@Knowledgepoint Oh is that so? I remember that Betamax was originally the way to go and then VHS overtook it, but I didn't know quite why. Thank you. Do you remember when there were different regions for videos? If you bought one abroad it wouldn't necessarily play at home!
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The 1960s, 1970s and 1980s Revisited
@Knowledgepoint It's really interesting though, when you think of the price. What a lot of dosh! Mum rented one in 1983, and that was just before I left home. Did I want freedom or access to a VCR? It was a struggle, but I chose freedom! 😆
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Knowledge of London
Knowledge of London@Knowledgepoint·
@GregSmi61359918 TV was a problem in the days of the valve, when you switched on it took a short while to start and when you switched off you would wait for the little dot to disappear from the screen. Those were the days🤣
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Greg
Greg@GregSmi61359918·
@Knowledgepoint Still insane same with a colour TV, hence most people rented. My parents only switched to renting a colour TV around 1975 ish.
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Knowledge of London
Knowledge of London@Knowledgepoint·
It has been difficult to see the for hire sign since the TX1 1998 - due to what they claimed was a safety feature, due to the couple of inch lip at the top which shielded it from the sun. So yes a design fault. The only danger I ever had with the older cabs was the automatic car wash, where the brush bent the sign skyward. 🤣
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Martin Lewis
Martin Lewis@MartinSLewis·
In a rush between meetings today, usually walk but needed a black cab. Must have tried to flag about 20 with what looked like the 'yellow light' on, but it wasn't. Is this just me or is it design error on modern cabs. It's hard to see the on off state, especially in sunlight.
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Knowledge of London
Knowledge of London@Knowledgepoint·
The Hidden Ears of Covent Garden: Walls Have Ears. Much like the famous "Seven Noses of Soho," Covent Garden has its own set of hidden curiosities. Look closely at the walls along Floral Street to spot realistic plaster casts of human ears, created by artist Tim Fishlock. You can find two hidden, life-sized ears made from casts of his own ears and glued to the wall as hidden street art.
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COPY CATS: The Law Society building on Chancery Lane, has some fine railings with some splendid lions, which sit on top of them. These lions however, are copies of the original ones which Alfred Stevens did for the British Museum, but are they all they appear to be? The main railings and gates of the British Museum were erected in May 1852; that summer a miniature railing ornamented with twenty-five lions was erected to mark the limits of the Trustees' property. When the museum authorities planned their forecourt, they commissioned Sydney Smirke, the younger brother of Robert Smirke (the architect of the British Museum). Sydney was unable to resolve the difficulty of modelling a lion 24 inches high within a base 14 inches square, the commission was given over to Alfred Stevens, who was well known for his sculptural metal-work, whose designs were highly acclaimed at the Great Exhibition of 1851. Stevens realised that only a seated lion would fit the required measurements and that lions never sat in this position. Rather than admit defeat he borrowed a friend’s cat to model the body and added a lion’s head on the top. The miniature railing was dismantled at the end of 1895, to make room for pavement improvements. Eight of the twenty-five lions were placed in various parts of the Museum, while the remaining seventeen were put into storage. In 1899 twelve of these were removed to St Paul's Cathedral, together with their connecting lengths of the railing, to stand around the Wellington Monument, which Stevens had designed in 1856. In 1937 two lions were deposited on loan at the Dorset County Museum in Dorchester, where they are still on display. One lion is in the Natural History Museum, the whereabouts of the remaining two are unknown. Stevens always spoke of the finished work as his "cat" and it was only in recent years that his secret became known.
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