Faerie Liquid 🎗️
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Here we go again. Another day, another pompous open letter from a parade of faded rock stars & virtue-signalling has-beens, all piling on to the sacred cause of “No Music For Genocide” & demanding a boycott of Israel at Eurovision '26. @paulwellerHQ @idlesband @MassiveAttackUK @PalomaFaith @KNEECAPCEOL @ScreamOfficial & a 1000 other enlightened souls have bravely taken up their guitars & laptops to declare that the real villains of the world are the Jews who dare to show up at a song contest. How touching. How principled. How utterly predictable. Let’s pause for a moment & recall 7 October '23. Israeli youngsters at a music festival slaughtered in cold blood by Hamas terrorists who raped, burned & mutilated their way through the crowd while filming it for social media. The worst, wait, only massacre at a music festival. Silence. Not a peep. Not one letter. Not one tweet of outrage from Weller or IDLES’ righteous feed. No tearful Instagram stories from Paloma. No furious statements from Massive Attack about the genocide of Jews at a peace concert. Nada. Apparently dead Jews at a festival are not the sort of genocide that bothers these sensitive artistes. They were rather relaxed about it. Some may even call it selective blindness. But let a Jewish state respond by trying to dismantle the death cult that started it all & the airwaves fill with anguished howls about “genocide”. Suddenly Eurovision is the hill these ageing rebels choose to die on. Israel must be excluded, the Jews must be shunned, the music must be kept pure & free of any Israeli taint. How noble. How consistent. How revealing. And where, pray tell, was this towering moral courage when Iranians were being gunned down in the streets for daring to remove a hijab? When Christians across the Middle East & Africa were being slaughtered, when Yazidis were enslaved & raped by the thousands? Crickets. Not a sausage. Funny that. It seems the only time these “activists” find their voice & their solidarity is when Jews are involved either as victims who must be ignored or as defenders who must be punished. Dead Jews? Tragic but, you know, complicated. Jews fighting back? Unforgivable. Israeli musicians at Eurovision? An outrage that requires immediate artistic excommunication. The hypocrisy is so rank it could curdle milk. These are the same people who spent decades lecturing the rest of us about tolerance, anti-racism, all while quietly nursing a very particular form of bigotry that somehow always ends up targeting the world’s only Jewish state. They wrap it in the language of human rights, of course. They always do. “No Music For Genocide” sounds so much more palatable than “No Jews On Our Stage”. Primal Scream, Massive Attack, IDLES, the whole lot of them: a collection of has-beens & never-quite-weres clinging to relevance by attaching themselves to the fashionable cause of the hour. They couldn’t organise a decent protest against actual slavery or the daily execution of gay people in half a dozen countries, but they can certainly muster a thousand signatures to keep an Israeli singer out of a glitzy European song contest. Priorities, after all. The message is clear enough. Jewish blood at a music festival is acceptable. Jewish participation in a music festival is an abomination. And they expect the rest of us to take their moral posturing seriously. Spare us. The stench of selective outrage, performative compassion & barely concealed Jew hatred is overpowering. These artists have not discovered a sudden passion for ‘palestinians’. They have simply found a socially acceptable way to indulge the oldest hatred of all. Eurovision '26 will survive without them & their tedious letters. The rest of us will continue to notice exactly who stays silent when Jews are slaughtered & who finds their voice only when Jews refuse to die quietly. Vile, snivelling, selective has-beens the lot of them.










