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☠️ 配信まであと𝟏𝟎日⚔️ 予告編はもうチェックした？ お気に入り登録は済み？ 本気で戦い・愛し・救う── “圧強め”＋観るたびクセになる 海賊ニューヒーローをチェック！👀 「サンドカン - 英雄の目覚め -」シーズン1 5/2(土) #Hulu 全話独占配信 #海外ドラマ #CanYaman

Many people are curious, and I’m here to answer. You might be wondering why Can Yaman isn’t entering the Hollywood TV series and film industry directly from the US. I’ll give you a very simple answer. 1) Whilst he is a truly famous actor in Europe, his popularity in North America is, unfortunately, not as fierce or strong as it is in South America, the Middle East, Europe and Asia. 2) Most film and TV production companies in the Hollywood industry operate within a system that includes specific talent agencies. Whilst they can generally filter and select actors based on their profiles within that system, it is more difficult to reach global leading men like Can Yaman who are not present in the US market. 3) America generally tends to look down on talent from Europe at first glance. No matter how globally renowned you are, you must still audition. (You’ll be shocked to learn that even names like Henry Cavill and Tom Hardy auditioned, despite being popular in Europe before Hollywood.) Can Yaman, however, does not choose this route because capturing the global market directly outside the system is more profitable. Can Yaman is an excellent leading man, but he is one who prefers to work in the most profitable sectors in line with his goals. When you star in high-budget productions in Europe, you’re marketed directly to the global audience. In America, however, this is handled by the platform that holds the broadcasting rights. #CanYaman #Sandokan

🇮🇹🗞️| Stefano Leoni, king of #Sandokan's special effects with #CanYaman: "Tricks are like hair transplants. You can't see the best ones» Key extract: “Can has an impressive physicality, he manages to sustain very long scenes in sequence plane, without detaching. With others at a certain point you realise that you have to settle for avoiding misunderstandings. He, on the other hand, is a machine: on the set you have to maximise, every minute wasted costs money». Stefano Leoni —————————————————— Full article: If Salgari did it with the pen, Stefano Leoni did it with the mouse. One put in black and white the epic of Mompracem's tigers without ever setting foot outside his house in Corso Casale in Turin; the other brought them back to life in version 4.0 with special effects and artificial intelligence in Milan, now an undisputed branch of the Malaysian jungle. If the myth of Sandokan has returned to vogue on the small screen, the credit goes among others in fact to Leoni, 50 member of Edi Effetti digitale italiani, 130 employees and collaborators, a leading Milean company in the visual effects sector. We started working two years ago - he says -, the effects supervisors are among the few to take care of the entire gestation of the film together with the director and the screenwriter. We begin to explore the situations of the story, so as to provide the first indications of time and costs to the manufacturer. Then the script is laid out and you start shooting». Net of some (real) panoramas of Thailand and the island of Reunion, much of the Indochina jungle was transferred to the Boot: "Many of the chaks were given between Formello, the Selva park and Lake Vico, even temporarily transferring them with tropical palm trees - explains Leoni -. We instead recreated the port of Labuan and the sultan's palace in Calabria, in Tropea». Those who think that visual effects are entirely created bidimensionally at the table are very wrong: "Computer graphics are grafted on physical elements actually shot - explains Leoni-. We are going to create digital pre-visualisations of what will be the final scene before it is shot, so as to give visual references and real volumes to the director, the actors and the director of photography». Like the real silhouettes of cobras and tigers moved by stuntmen, useful to make the heir of Kabir Bedi, Can Yaman, understand in which direction to look and move in the combat episodes: "In the end we replace everything with the digital - he continues -. Luckily Can has an impressive physicality, he manages to sustain very long scenes in sequence plane, without detaching. With others at a certain point you realise that you have to settle for avoiding misunderstandings. He, on the other hand, is a machine: on the set you have to maximise, every minute wasted costs money». A titanic job, if it is true - and it is true - that each of the 25 frames that make up an instant shot is worked by amalgamating the aesthetics of old rooms with modern computer graphics technologies. «The true mastery of visual effects is to "dirty" the result so as not to make it too perfect, because it would seem fake - he adds -. It is necessary to amalgamate analogue and digital elements, working on grain, chromatic aberration, shadow. This for every single frame. The best visual effects, unless they are the direct protagonists of the film, are like hair transplants: to be said to be successful, they must not be noticed». milano.corriere.it/notizie/cronac…

Il 25 aprile, a Palermo, nell’ambito dell’evento ON AIR – TV Series, Films & Live Stories, si terrà un talk esclusivo con #CanYaman, protagonista dell’incontro “L’Ospite: il Bello”. Partecipazione è gratuita previa registrazione sul sito ufficiale. festivalonair.com

🇨🇿 📺 | Oneplay Czechia - following the release of series #Sandokan - The Pirate Prince starring #CanYaman, the series has now landed at no 1 spot on largest streaming platform in the Czech Republic. The platform has ~ 1.4M subscribes and is around 500k ahead of Netflix.