Dr. Lisa Moravec

First digital proof of my book forthcoming with @routledgebooks "Dressaged Animality: Human and Animal Actors in Contemporary Performance" (August 2024). routledge.com/Dressaged-Anim…

Apparently my book has, finally, after months of more waiting due to financial support, been published -- the open access ebook is now available here. taylorfrancis.com/books/oa-mono/…

change of date and location: Tuesday, 26 Nov gold.ac.uk/calendar/?id=1…  Correct information: - **Room:** RHBD 2104 Chesterman Meeting Room - **Date:** Tuesday, 26/11/2024 - **Time:** 16:30 - 18:30

Very excited about this upcoming event where I will present my book "Dressaged Animality: Human and Animal Actors in Contemporary Performance" @GoldsmithsUoL gold.ac.uk/calendar/?id=1…

The last performance which I co-curated around the Rose English exhibition @MdMSalzburg takes place on 7 November. After Esben Weile Kjær, Nina Beier/Bob Kil, and Raphaela Vogel/Daniel Roth, Philipp Gehmacher shows "The Things of the World (For Rose)". museumdermoderne.at/en/events/deta…

Tune in the 'expert talk' podcasts or join the symposium at the Academy of Fine Arts Vienna, focused on artists' archives and estates (curated for Vienna's international gallery festival, Curated by). curatedby.at/focus

Our exhibition catalogue on Rose English's performance work is out @distanzverlag, featuring essays by Connie Butler, Nicole Haitzinger, myself, Marijana Schneider, and Amy Tobin.

Happy Birthday to Karl Marx’s Capital Volume I, published on 14 September 1867. davidharvey.org/reading-capita…

What a pleasure to present my paper “Women’s Politics and Art: ‘Feminist Animalities’ in Kunst mit Eigen-Sinn (1985)" at the conference “Re-Evaluation in Feminism and Contemporary Art” @MiddlesexUni. A rich day of grappling with persisting issues of feminist practices& criticism.

Looking forward to speaking at the conference, "Re-Evaluation in Feminism and Contemporary Art" at Middlesex University in September nparadoxa.wordpress.com/?fbclid=IwY2xj…

New text is online @spike_art. Some thoughts on the William Forsythe show, "Choreographic Objects", @MAK, Vienna, via #impulstanz 2024. spikeartmagazine.com/articles/revie…

@brechtfast XD

They just couldn’t stop at Marcuse

@Georgie_Guy thank you Georgina.

@Lisa_Moravec Wonderful Lisa! Congratulations!

I am more than excited that my long-term research and critical engagement with Rose English's interdisciplinary, horse-focused performance practice is now partly public in the form of this exhibition museumdermoderne.at/en/exhibitions…

What would it mean to treat the body like a DIY robot? Ahead of her #ImpulsTanz performances at @mumok_vienna, @geumhyung_jeong undresses her interest in control with Lisa Moravec. spikeartmagazine.com/articles/inter…

@ProfJenHarvie @brechtfast wohuuuuu : )

Congratulations @brechtfast !

Happy Labour Day! In the late 18-century the 8-hour working day was considered an ideal. In 1936, women demanded a 30-hour week in NY. And where are we at now, with increasing automatisation? The four-day workweek is still largely considered unrealistic.

@somethingmodern @CSSDLondon great news!

New site for the Centre for Performance, Technology, and Equity (PTEQ) at @CSSDLondon with funded collaborative PhD studentships in Digital Communities & Creative Health, Accessible Archiving, Digital Cultural Heritage, Creative Technologies in Public Arts cssd.ac.uk/research/centr…