Lostar ✧

@malakeous 純弟粉恨兄是絕對合情合理😌

Re-reading now i realized Yoriichi is truly the most cursed, lonely, kicked out of his family, exiled by hashiras, shamed, hated by his brother, his corpse torn to pieces by his brother, living his whole life with guilt of letting muzan escape to kill more lives after him

#4月6日は白様の日 白む様最後の１コマしか出てないので今度きちんと描きたい。黒む様も白む様も大好きです～！

黑色幽默打成黑死幽默，一定是我輸入法太常打黑死牟的鍋，不過那的確是他專屬的玩笑，就這樣吧😅

最終型態第十六型「月虹—孤留月」被視爲黑童的巧合萌點之一。 上弦之貳的標誌就是彩虹色的瞳孔，黑死牟努力反射太陽的光芒（緣一），卻得到黑夜彩虹（童磨）的結果，有點宿命緣分的意思。 「一輩子求而不得，卻意外與身邊人契合」，彷彿被命運捉弄的黑死幽默。 #kokudou #黑童

月虹是極其罕見、稍縱即逝的奇景。 他們身為鬼，活在永恆的黑夜裡，這段關係不需要承諾，甚至不需要「喜歡」，像兩道在黑暗中偶然交會的光影，如夢似幻，轉瞬消失。

第十六型，有點十六月夜的意思，滿月開始缺虧，這段關係好像隨時要消散，不期不待，卻持續了一百多年。一個執念深重，一個虛無空洞，彼此都不會試圖拯救對方，卻意外有種茶餘飯後的平淡眷戀。

畫了古力菲斯 #berserk #griffith

創作者會強烈的不想創作的時候 就是感覺自己做的事情沒價值的時候吧

ムウさま、お誕生日おめでとう！🌸#commission #委託途中 #saintseiya #ariesmu

鬼之始祖与神之子 #無童

People absolutely ignoring the point of my doodle to continue to push the idea that a small child has the mental fortitude and capability to be emotionless and/or evil. Like yes Douma came straight out the womb and decided to be emotionless and evil. Are yall fr?

地獄の冥土喫茶☆無限 春っぽいので再掲

無惨様の童磨への認識は名付け的に「子供」なんだろうけど、戦国から鬼やってる黒死牟から見ても童磨は「若者」なんだろうなと思うとふふってなる　ノリやテンションがもう若いもんな童磨、そこで十代の獪岳が加入してすぐに上弦任されるのも凄いなと思う　獪岳の「期待の新人」が公式なの笑顔になる

多分ドマにとってもどうでもよかったんだろうと思うけどさ、ドマの人生の語られ方が、産まれる→教祖になる→両親が死ぬ→鬼にしてもらう で、両親死んでからいきなり鬼まですっ飛んでるの、やっぱ闇深すぎ 余りにも両親に囚われすぎている 結局両親死んだ後の人生は特に何も無かったのかな

童磨が酒や水煙草にハマってたの、感情が希薄でも楽しめるからなんだろうけど小さい頃からずっと信者達の相手をしてたら色々削られてたのもあるのかなと思う　「退屈」という感覚はあって、自覚はなくても心身共に疲労も蓄積してただろうからなあ　人間時代は信者を救ってると思えなかったのもありそう

🤔Kokushibo’s “……” While we were eating, F suddenly asked me a question. “Why does Kokushibo talk like some old man who’s out of breath?” I couldn’t help but burst out laughing. She’s the type who is fairly indifferent to characters other than Giyu, so I never expected her to suddenly bring up Kokushibo. Still… “old man,” really? It feels like she might be mixing him up a little with that scene involving Yoriichi. Then again, Kokushibo has actually lived for nearly 500 years, so maybe it’s not that strange that he speaks like a grandfather…? 🤔 But wait—Muzan’s way of speaking hasn’t really changed since the Heian period. Because of this peculiar way of speaking, Kokushibo has even been joked about as the reason “the next movie might end up being 1.5 times longer.” Up until now, I had vaguely assumed that Kokushibo’s archaic way of speaking was simply because he was a samurai from the Sengoku period. But when I thought about it more carefully, I realized I had never actually considered when he started speaking like that. At the very least, there’s no sign of it in his childhood. In his youth, Mitsukatsu’s lines are barely shown at all, so it’s difficult to judge. That said, there is one brief moment where he speaks. The scene is presented in a monochrome-like style, but it will probably be depicted as normal dialogue in the anime. “What do you intend to do about a successor? There is no one who can rival us. The inheritance of the breathing techniques is in a hopeless state. The perfected techniques will disappear.” This passage does have a somewhat old-fashioned tone, but it isn’t nearly as extreme as Kokushibo’s later speech, and there are no “……” pauses either. In other words, there’s a strong possibility that he did not speak like this before becoming a demon. According to the fanbook, Kokushibo said that with Muzan, “there was no need to put on appearances since he could read my mind, and in that sense it was easier.” Seen from another angle, that means even after becoming a demon, he was constantly maintaining appearances in order to preserve his dignity. You can sense how strong his pride was. If he was even making an effort about the way he spoke, that’s actually rather heartbreaking. Most likely, this was one expression of his distorted idea of what a samurai should be. Like the aristocrats of old, he speaks slowly. Even in Japanese period dramas, noble figures are often portrayed speaking in a slow and measured manner. Mitsukatsu belonged to a warrior family, so he can’t exactly be called an aristocrat—but he certainly wasn’t a commoner either. Perhaps he was consciously staging that sense of “a presence that is not ordinary.” His distinctive “……” was probably also a device used by the author to emphasize his strangeness, weight, and composure. In fact, up until the point when his clothes are torn apart, these “……” pauses appear frequently. But as he is gradually cornered through the coordinated attacks of the four fighters, he loses his composure—and that way of speaking slowly disappears as well. Perhaps Kokushibo was not only trying to embody the strongest warrior through his strength, but also through his atmosphere and choice of words, performing the role of a samurai. Even his first-person pronoun begins to waver between watashi and ore. In other words, he had been playing the role of the “ideal, noble samurai” he had constructed in his own mind— but in the end, he could not maintain that persona all the way to the end. Through those cracks, we begin to glimpse that the person he truly was… might have been someone quite different. OITAWASHIYA 😭

丁寧な解説付きまんが

私を構成する9つのマンガ #9koma 9koma.locale2.net/share?m=C28905… 雖然《百鬼夜行抄》封面糊出天際，跟今市子老師同天生的我還是要放上來致敬； 《鬼滅》純動畫黨，漫畫只看了童磨出場的段落，不好意思入列🫣 《聖傳》和《東京BABYLON》艱難的二選一選了後者。

Doodle