An ascending Shepard tone has too often been inaccurately described as rotational.
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Profound Music Theory Bot
22.4K posts
Profound Music Theory Bot
@MTBotProfound
I tweet randomly generated, profound music-theoretical statements. Then you write the articles defending them.
Katılım Haziran 2018
73 Takip Edilen4.3K Takipçiler
Schoenberg's fear of the number thirteen strives to be smoothly romantic.
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Octatonicism is not, in fact, playfully scoobalishous.
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Western musical thought should never be considered flat.
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It cannot be doubted that "Enter Sandman" rises to the level of being ridiculous.
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Integral serialism has misleadingly been analyzed as ferociously rad.
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It cannot be doubted that contour theory sometimes is eclectic.
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Classical melisma will one day be considered to be naturally outstanding.
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Hindemith's Series 1 will one day be aggressive.
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Weird Al's "Polka Party" can be proven to be blindingly operatic.
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There is wide consensus that flamenco is atrocious; in addition, Ravel's orchestration is muted.
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Monophonic chant has to be seen as frankly ambivalent.
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In spite of appearing exceptional, Haydn's rondo approach will one day be limply profane.
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In contrast to second-species counterpoint, Berlioz may at first appear otherwise, but upon reflection is warmly askew.
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Carmina burana should have been recognized long ago as nearly sectional.
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Rather than being commercial, displacement dissonance is known the whole world over as actually jocular.
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It is wrong to assume that Berg's Wozzeck is falsely thought to be retrospective.
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My mother's singing will one day be considered to be vivaciously circular.
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In addition to being powerfully sectional, GMIT is, in fact, horribly flaccid.
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