Mary M. Walsh Art Advisory

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Mary M. Walsh Art Advisory

Mary M. Walsh Art Advisory

@MaryMWalsh

Mary M. Walsh Art Advisory, LLC

Greater NYC Katılım Mart 2009
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The Rolling Stones
The Rolling Stones@RollingStones·
For Marianne 💛
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alain servais
alain servais@aservais1·
Sotheby’s C.E.O. Charles Stewart announced in an internal memo that Nathan Drahi, son of Sotheby’s owner Patrick Drahi, will assume the role of global head of business development on February 3. By @artmarket
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Councilwoman Vickie Paladino
Councilwoman Vickie Paladino@VickieforNYC·
Hey, New Yorker writer, where were you when the statue of Thomas Jefferson was removed from City Council chambers, the statue of Teddy Roosevelt was removed from the Museum of Natural History, and monuments to George Washington and other figures were vandalized... all right here in New York. I'm sure you were arguing passionately against the erasure of those towering figures of American history with the same moral outrage you're mustering for a still-living political General with no real achievement to his name who'll barely be a footnote in twenty years. No? Oh okay, so nobody should listen to a single thing you say on the matter.
Susan Glasser@sbg1

The pulling down of portraits and forced erasing the past is a reminder—check your 20th century history about what kind of regimes do this stuff…

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Brian Boucher™️
Brian Boucher™️@briankboucher·
Two lawsuits against the Broad center on a COO who fired staffers, one brand new, one reportedly a beloved ten-year veteran. They allege wrongful termination based on race and sex, discrimination, a hostile work environment based on sex, and retaliation. news.artnet.com/art-world/wron…
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Mary M. Walsh Art Advisory
Mary M. Walsh Art Advisory@MaryMWalsh·
Smithsonian Closes Diversity Office After Trump’s Executive Order. The museum’s move followed a similar one last week by the National Gallery, as museums try to comply with an executive order that called diversity programs “illegal and immoral.” nytimes.com/2025/01/28/art…
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Getty
Getty@GettyMuseum·
What happened on the day the Palisades Fire broke out? How staff at the Getty Villa sprung into action: gty.art/4jypCkC
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Richard Morris
Richard Morris@ahistoryinart·
Around 1917, Isaac Israels was loaned two of Vincent van Gogh's paintings by Jo van Gogh-Bonger, Theo van Gogh's widow. The two pictures, 'Sunflowers,' and 'The Yellow house in Arles,' were incorporated into Israels' own work which features ephemeral moments from everyday life. Jo van Gogh-Bonger was argubly the person most responsible for securing Vincent van Gogh's legacy; she had hoped to marry Isaac Israels but broke off the relationship when she realised he wasn't interested in marriage.
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Adam Partridge
Adam Partridge@apauctioneers·
Absolutely devastated, a brilliant man and dear friend with the most amazing knowledge and wonderful sense of humour, always happy to help 💔
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michael baggott@baggottsilver

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michael baggott
michael baggott@baggottsilver·
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The New York Times
The New York Times@nytimes·
Breaking News: The Louvre Museum in Paris will move the Mona Lisa to a new exhibition space, President Emmanuel Macron of France announced as he unveiled sweeping plans to renovate the world’s biggest and most visited museum. nyti.ms/40DtOH9
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Archaeo - Histories
Archaeo - Histories@archeohistories·
While Goodyear reasoned that the glowing tires would provide an additional layer of safety because they were more visible in fog and poor weather, they oftentimes had the opposite effect. Since they looked like something straight out of science fiction, other drivers would dangerously hit their brakes or turn their heads to get a better look. Although the tires never went into production, one set made it into the hands of Jim “Street” Skonzakes, who poured $75,000 (or about $750K today) into creating the tripped-out Golden Sahara II in the early ’60s. The second iteration of a George Barris custom that started with a 1953 Lincoln Capri, the Golden Sahara II wore gold paint mixed with pulverized fish scales, was adorned with gold-plated ornamental work, and featured TV, (non-working) telephone, and a bar in back. It was equipped with state-of-the-art features like remote control start, sensor-based automatic emergency braking, and the ability to drive with one hand by using a “unitrol stick” that controlled both steering and braking. Those new-fangled Goodyear tires, which Skonzakes referred to as “glass,” were the cherry on the sundae. In 2018, Golden Sahara II sold at auction in unrestored condition for $385,000. “We refer to the car as a laboratory on wheels,” Skonzakes told television host Garry Moore on I’ve Got A Secret in 1962. “Everyone seems interested in a futuristic car, and the Golden Sahara is a very successful car at auto shows. People appreciate it.” When the Golden Sahara II was restored following Skonzakes’ death in 2018, Goodyear contributed to the restoration by re-creating a set of urethane tires. While the originals could be filled with air, the new ones are completely solid, meaning the car is only drivable at low speeds. Goodyear held tight to the idea that its Neothane tires would one day become as common as their black rubber counterparts, but that didn’t happen. After 10 years of work, engineers threw in the towel. Keith Buckley, senior engineer at Goodyear Tire & Rubber Co., said in a brief phone interview with the promise of a longer conversation that never materialized—that the new-fangled tires were doomed for several reasons. For one, while the low melting point made them easy to manufacture, the same low melting point also made them susceptible to melting while braking. And while the idea of changing tires to match your mood (or your wife’s outfit) seemed like an amazing idea at the time, each tire weighed about 150 pounds, meaning there was no such thing as a “quick change.” “Cost was the big thing, but they weren’t practical either,” Buckley said. “The Neothane didn’t have the grip of standard tires, which made them more dangerous in rainy conditions. And it wouldn’t take long before they were covered in road grime, which negated the illumination—and that was their big drawing card.” That’s still their primary source of fascination, even if they’re just a footnote in automotive history.
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Mary M. Walsh Art Advisory
Mary M. Walsh Art Advisory@MaryMWalsh·
On the 'whirling dervish', inspiration for much artwork.
Archaeo - Histories@archeohistories

The Sufi Dance - Whirling Dervishes, an important cultural and spiritual tradition among the Sufi group. Besides, this dance is a significant attraction to visitors and other outsiders because, to them, watching Turkish dancers spin is breathtaking. However, Rumi’s whirling dervishes is not just a source of entertainment for the devoted members of the Mevlevi Order of Islam. To them, whirling and spinning is a customary meditation practice. It is also a worship ceremony that aims to reach Karma, the source of all perfection. The dance is unique to dervishes because they let go of their ego and personal desires to get involved fully in the music. It seems easy to do when watching, but you need a lot of practice to be an expert. There is a long history of the origin of the whirling dervishes. The Mevlevi Order, a Sufi order whose origin is in Konya, was founded by followers of Muhammad Balkhi Rumi (Mevlana Celaddiin-i Rumi). Rumi was a Persian poet in 13th Century AD and an Islam theologian. The Mevlevis remembered their God by whirling. Whirling is moving in a circular motion in speed and force, resembling the Mevlevis dance. Dervish is another name for the Mevlevis Order. Therefore, since dervish danced by whirling, the dancers were called whirling dervishes. The Mevlevi Order was established 750 years ago, and its traditions are mostly related to the teachings of Rumi. Rumi’s other name is Mevlana, the most celebrated poet in Turkey and Iran. He is also respected in Sufi Islam. The Sema ceremony was characterized by the whirling and spinning dance, a characteristic of a Whirling Dervish. The dancers’ goal was to achieve a state of Sufism, which gives them inner power and peace to connect with the world. Whirling Dervishes was introduced 700 years ago by the Mevlevi Order of Islam, which was established by Rumi’s son, Sultan Veled, with help of Husameddin Chelebi. Sultan was an excellent leader of the Mevlevi Order, and his extraordinary leadership saw its growth and spread to other cities. For example, Mevlevi spread to countries like Syria, Egypt, Lebanon and Palestine. Before his death, Rumi met Shams al-Din of Tabriz, a mystic who changed his life. According to him, the mystic was a representative of perfection, and although he had a devoted group of followers, he started following Shams. Rumi’s students and followers watched him ditch his values and rituals in disbelief to follow Shams al-Din’s. They were angry and attempted to break the mystic’s hold over Rumi. The students succeeded by killing Shams al-Din in 1247, which affected Rumi and went into mourning. At the end of his mourning period, Rumi introduced new ideas about celebrating God’s love. And that was the birth of Sema ceremonies. The Dervishes dance in long white gowns and full skirts and cover their heads with tall hats. When they cast the tunic off during the ceremony, it is an indication that they are turning their backs on the world to draw closer to God. The sheikh of the dervish lodge wears a waist-length woolen jacket to represent Islamic law. The conical hat, which can be brown, grey, or black, represents the tombstones of their egos. In the early years of the Mevlevi Order, men and women gathered to pray, share spiritual conversations, and whirl together. Later, the men started isolating the women to dance separately, forming their groups. Things have changed, and today, only men can be whirling dervishes according to traditions. However, some places like Istanbul allow women to dance with men. 🎥© karabasivelidergahi (IG) #archaeohistories

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DW News
DW News@dwnews·
The London-based Wiener Holocaust Library has been published online for the first time, making more than 150,000 documents detailing Nazi Germany's genocide of six million European Jews available to the public. dw.com/en/survivors-m…
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Christopher Barnard
Christopher Barnard@ChrisBarnardDL·
New York Magazine literally cropped all the black people out of this cover photo and then complained that “the entire room is white”
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CJ Pearson@Cjpearson

🚨🚨This is insane. I hosted this event and @NYMag intentionally left me out of their story because it would have undermined their narrative that MAGA is some racist cult. They also didn’t include the fact that @WakaFlocka and @Gervontaa were also there. You don’t hate the liberal media enough.

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