Meltdown

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Meltdown

Meltdown

@MeltdownVV

I play games, and share art. I LOVE POKEMON and sometimes gacha games.

USA Katılım Ağustos 2015
3.4K Takip Edilen144 Takipçiler
Meltdown
Meltdown@MeltdownVV·
@BastionPhoenix Not gonna hold you, that firecracker dragon concept is top tier content. Very well done on both.
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Poke Dan
Poke Dan@PokeDan_Art·
Lucky Seadragon! 🍀🐉 #WIP People believe their leaves can bring good luck, but given this Dragon's nature, getting one is a really hard task! 🍀 Inspired by clovers, halimeda ghost pipefish, and leafy seadragons! 🍀 Available soon! #Pokemon #Fakemon #Art
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Giodude
Giodude@Giodude1580·
Fossiline Rts are always appreciated ^^ #fakemon
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goatku 🍃
goatku 🍃@AshSatoshi4ever·
who all would you think will be ash ketchum's elite 4 members
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eles 🫥
eles 🫥@enjinshoe·
what does. what does this mean
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Meltdown
Meltdown@MeltdownVV·
@pkmn_realidea Okay noted! That’s awesome! Now, real quick… let’s have a conversation about Lisa.
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Elena
Elena@pkmn_realidea·
✨Developer notes for Pokémon Nova✨ This project is NOT a roguelike. I've seen people assume it is for some reason?? It's an OPEN WORLD game with a linear story progression with its own version of gym leaders (rank leaders) If you enjoyed Realidea System, you will LOVE it
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mastadonXkasai
mastadonXkasai@LeJeanX3·
Commission for @Clairvoyant_Cat "VI is a quiet mouse girl and essential crewmember of the Wonderland Pirates. An experiment of Vegapunk, she maintains a stoic, detached demeanor that masks a fierce loyalty to her crew. With the ability to manifest doorways from thin air and bend space to her will, VI serves as the ship's silent protector—always ready to open a path forward when things look dire."
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QOBROSI
QOBROSI@Qobrosi·
{LORE} Long before most trainers ever set foot in those mountains, there was a cave that did not echo like ordinary stone. It listened. Deep within it lived the Musical Unowns—ancient beings shaped like forgotten symbols, yet here they had evolved into something stranger: living musical notation. Each one carried a tone, a rhythm, a fragment of melody. They did not speak. They resonated. When they gathered, the cave itself became an instrument. And for a long time, they were alone. Until the day a wandering trainer arrived with a Pokémon unlike any other. Meloetta stepped into the cave first. She sang—not because she needed to, but because she loved the sound of her voice echoing through the cave. Every note she released came back softened, multiplied, wrapped in gentle echoes that made her voice feel like part of something larger than herself. The echo felt like companionship. Like the cave was singing with her. Then, surprisingly, faint melodies began to answer. The Musical Unowns were communicating. One by one, their forms ignited with tone and frequency, each Unown adding its own note to hers. What began as Meloetta exploring the cave’s echo became a duet… then a chorus… then something far greater. The cave filled with the layered harmony of the Musical Unowns, so rich it seemed to bend light itself. The trainer stood still in amazement, watching as Meloetta’s echoed song intertwined perfectly with the Unowns’ resonance. For the first time in ages, the cave was not just reflecting sound. It was creating it. Over time, the bond deepened. Meloetta returned again and again with the trainer, and each visit refined the harmony. The Unowns learned emotional cadence through her voice—joy, sorrow, hope—all shaped by how the cave returned her singing in endless, beautiful reflection. In return, they taught her forgotten tonal structures that seemed to exist outside normal music. From this union, something extraordinary awakened within Meloetta: a Resonance Form, born not from battle, but from perfect synchrony between living melody and ancient sound. The trainer soon realized that the Musical Unowns, despite their power, had spent their lives alone in darkness. They deserved somewhere joyful—somewhere filled with light, music, and life. Together, the trainer, Meloetta, and the Unowns searched for a new home and discovered an ancient abandoned resonance theatre hidden beyond the mountains. Though ruined by time, the theatre still carried incredible acoustics, its halls designed long ago for songs that could move the soul itself. Day by day, they rebuilt it together. Meloetta filled the halls with song. The Unowns resonated through the broken chambers, restoring harmony to the old stone. The trainer repaired what he could, turning the forgotten theatre into a sanctuary once more. The Musical Unowns loved it. For the first time, they no longer had to hide in darkness. Music, laughter, and resonance filled every corner of the theatre, and together they renamed it the Chamber of Echoes. And for a time, it was peaceful. The trainer and Meloetta often returned, bringing balance to fractured places, soothing storms of emotion, and calming conflicts in distant towns through melodies carried upon the wind. But harmony, once discovered, can also be exploited. One night, far away, Meloetta heard a song in her sleep. It was faint. Wrong. Familiar—but twisted. It came from the Chamber of Echoes. She awoke instantly and hurried there with the trainer. But when they arrived, the sanctuary was no longer peaceful. A malicious team had discovered the Chamber of Echoes—a group that had secretly searched for the Musical Unowns for years. They believed the Unowns’ resonance could rewrite emotion itself and bend reality to their will. They were not studying them. They were forcing them. Trapped and overwhelmed, the Unowns were being driven to produce a corrupted melody—one designed to distort perception, manipulate emotions, and unravel reality itself. The sound was no longer harmony. It was control. The Chamber trembled as the corrupted chorus spiralled violently out of balance. Meloetta rushed forward, singing desperately to stabilize them. The trainer fought to stop the attackers and reach the source of the corruption, but the Unowns were already too overwhelmed—confused, terrified, and surging uncontrollably between obedience and rebellion. The Chamber of Echoes began to fracture. Cracks of light and sound tore through the theatre walls. Reality itself stuttered beneath the collapsing melody. Then it happened. A catastrophic burst of resonance erupted from the Unowns—a final, involuntary convergence of every note they had been forced to produce. The explosion shattered not only stone and sound, but memory itself. When the silence finally returned, the Unowns were gone. The Chamber of Echoes lay in ruins. The trainer collapsed, badly injured amongst the shattered stone, while Meloetta knelt beside him, weak and trembling. She began to glow gently. With the last of his strength, the trainer spoke. “Leave… before they capture you.” Meloetta hesitated, tears falling silently. But the trainer gave a faint smile. “You have to remember the world… even if it forgets you.” Then he was gone. Meloetta escaped into the broken world above. But something had changed. Her Resonance Form disappeared. And more painfully… so did her memories. The Chamber of Echoes. The Musical Unowns. The songs they had shared. Even the trainer’s face slowly dissolved into silence within her mind. All that remained was music without origin… and a sorrow she could not name. And somewhere within the world, in the ruined Chamber of Echoes that no longer sang, something like a forgotten melody still waited— trying to be heard once more. #pokemonㅤㅤㅤ
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Squidamii
Squidamii@Squidamii·
Suddenly it’s not fictional anymore, huh?
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Rainy 🌧️✨【StarlightRevo】
TO ARTISTS: ✦ Have a clear TOS so both you & the commission can refer back to it if needed during any of the process ✦ Communicate with people who paid you ✦ Give them honesty ✦ If they a commissioner is treating you well & with respect, then you do the same to them ✦ Do NOT take more commissions than you can feasibly get done within the time frame you set: ━ It's not fair to anyone who puts trust in you & it puts stress on yourself which will compound problems ✦ Do NOT keep accepting more commissions when you have a massive backlog: ━ This makes people you have taken money from feel even more ignored ✦ I recommend not accepting ANY PAYMENT for a commission until you are about to start it. ✦ I also recceomnd only accepting half of the payment for larger commissions over $100 as it will remind you that you will be gettin more money AFTER you finish the art: ━ It's a psychological thing that if you have already been given the "reward" for doing something, most people then don't want to do the thing they were supposed to do. So knowing you will be getting MORE after it's done will make you focus on the project getting finished ✦ Whether or not you like it, ACCEPTING COMMISSIONS IS A FORM OF BUSINESS: ━ You are being paid by someone, getting their hard earned money to do a service. Either complete the service or give the money for the service you didn't complete BACK. It doesn't take a business degree to understand that concept TO COMMISSIONERS: ✦ Be respectful to those working on your art. ✦ Ask how long a commission will take before paying or accepting any terms. ✦ KEEP TRACK OF WHAT ITEMS YOU HAVE COMMISSIONS AND FROM WHOM: ━ This way you know how long that commission has gone un finished. I personally like to use a google sheet to track commissions and their progress ✦ Protect yourself by looking up how long you have to get a refund if you suspect you are being taken advantage of: ━ Most Credit or Debit cards allow chargeback for only a couple months after purchase ━ PayPal tends to be 180 days (roughly 6 months) ━ It can vary so look that up and keep track of how long your commissions are taking to get done. ✦ If your artist stops communicating with you. Make an honest attempt to send them a message letting them know you plan to charge back. If you aren't given answers or if they give you more excuses then make sure to follow through on your end with the chargeback ✦ It if your right to get the work you paid for or your money back if they can't complete it. Simple as that. I've both been an artist who accepts commissions & a commissioner who is paying someone else to make a project for me. I've been on both sides & I know that each situation is very different. I just want to see less people feeling scammed (Both artists or commissioners cause it does happen on both sides), more positivity in artist / commissioner relationships, and an overall sense of trust to be restored. I hope people on both sides can find some of my experiences & advice helpful! ✨
Rainy 🌧️✨【StarlightRevo】@RainyRentyn

How does this keep happening??? - An artist starts taking commissions - They take on too many... - Artist is also always posting about how they are also out of money too... - Patient commissioners are too patient and let the artist go without much communication or "bothering" - Lots of time passes... sometimes a YEAR or more without the work being done - Commissioner starts reaching out but often gets ignored or if they do get a response its "soon it will be done" - Doesn't get any response until they make a call out post - The artist then has to write a huge post about how they are overworking themselves to finish everything or giving refunds... If you're an artist, learn to communicate actual answers... not just tell people what they wanna hear. It hurts to upset people, but it's worse to ruin your reputation because you want to make everyone happy but you legit can't cause you over booked yourself. Most people will be understanding if you are honest. Also some advice, don't accept money for a project until you are STARTING THE PROJECT. If you are a commissioner, I know what ts like to not wanna rush somoene, but stand yp for yourself. No art should be taking over 6 months to do after you have paid unless its a huge project that has been explained as needing to take that long. This type of situation cant keep happening. It sucks for everyone involved.

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Kyomu
Kyomu@kyomu_utsuro·
I can't name another profession other than "artists" that can this comfortably and brazenly demand "patience" from customers in a transactional work relationship. Creative work is not an excuse for lack of professionalism. It's a job just like anything else. If you agreed to get paid to deliver, you do it. Get off that high horse. Society's kneejerk virtue signaling of treating "artists" like some sacred beings that are beyond reproach is honestly sickening. I think people need to realize that your respect for art itself does NOT mean that you need to create a special privileged class in the workforce that you can't criticize. If you ever complained to an employee of anything or contacted customer service, you should be comfortable doing the same to artists and hold their services to acceptable standards.
Mini Mouse 🩵🎀 Villain Vtuber🔞@_Minimaali

Please never commission me if you are so impatient that you'll do a paypal charge back if it's not done In a week 💀 Art takes time and actually tons of mental energy I feel like no one talks about. It's not some simple task but a process of multiple choices and decisions.

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