Lan 'Merlandese' Neely III

A Puzzle Game for Introverts! SOCIAL CATERPILLAR is out now! 🐛 STEAM: store.steampowered.com/app/3514940/So… 🦟 ITCH.IO: merlandese.itch.io/social-caterpi… 🐝 BANDCAMP: merlandese.bandcamp.com/album/social-c… #indiedev #puzzlegame #introvert

Steam Spring Sale Neil Watts from 🌕TO THE MOON is a character option in 🐛SOCIAL CATERPILLAR, so we thought... why not make a bundle about it!? Check out the Inner Dive Bundle! store.steampowered.com/bundle/70547/I…

@joshscorcher What's the second biggest?

"Prove the existence of heaven and hell while systematically ignoring the biggest evidence that heaven and hell exists." Come on, Patriiiiick.

Last Word by Twelve Tiles (@Merlandese) store.steampowered.com/app/355530/Las…

The KOMODO Spring Steam Sale is here! Get up to 85% off across the entire KOMODO catalog of games and DLC! store.steampowered.com/developer/KOMO…

@XENONAISELSTEIN Huh she doesn't know he was the last airbender

Today my English teacher marked a word wrong on my essay bc she didnt know 'angst' was a real English word

Can you help a bunch of mining dwarves optimize their trickiest train routes? thinkygames.com/features/upalu…

Here's a trophy for anyone who left their room today 🏆 We solved puzzles to get through social interactions in Social Caterpillar: youtu.be/KnOSPDpZuLU

@Beo_Arctodus What you call contrivance I call premise The entire arc of her character is built on being a prodigy that grew arrogant because so much power came too easily. This is a setup that is easily digestible in any other circumstance, buy gets written off as contrivance for Korra

That's not strength that's a contrivance

@Zaheerchist @Carl_Nwakakwa It's exactly this. If Korra were a hot-headed young man, his journey to eat humble pie would be accepted. But because she's a she, people hate it.

@Carl_Nwakakwa ATLA was perfect? Sure, but sorry to break it up for any hater out there, Korra IS one of the most well written characters of all times, you just cant understand(and wont try) a female character NOT WRITTEN to be pleasant, "oh we like Kyoshi" Kyoshi has 3 minutes of screentime

This whole ATLA vs. TLOK debate serves as a very good reminder that most people DO NOT LIKE CHANGE AND PROGRESS and prefer things to stay exactly the same, and these two shows teach us the exact opposite, that change is essential and necessary for us to grow and evolve as people!

Over a decade of people calling Korra a Mary Sue only for the discourse now to be about how she's loses so much

@fumikoded For me, thinking seriously about anything means not being black and white about it

You cant be lukewarm and go "i think these particular games are art". Either you think seriously about the medium and understand every videogame is a piece of art or an attempt at it regardless of quality or you just see them as products not unlike toys

@loveiceprincesz People will hop in here to try and point out all the times Um Ackshually Korra Lost A Lot and then tomorrow will go back to posting how she's a Mary Sue who never fails.

Aang fought Jet, a character with no bending, and lost, y'all wouldn't let Korra get away with this.

@RhockoHarrison You lack wonder

Problem with this, beyond the fact that it feels more like standard hydrokinesis as opposed to bending, is that it's just water arms. Katara can easily do this. It's not a creative power use.

Hit best-selling indie darling Fleuret Blanc*

At a pub drawing the Judges from Fleuret Blanc from memory

@GameChangerSam Here's a fun take: the copaganda show is actually selling out by supporting Dropout, and conservatives should be furious

😈

Getting upset at Dropout's Rookie cameo is the least useful avenue for that energy let's be honest

@Woodlandbuckle Funny yelling was definitely a trend of the time, but I think the point is prescient. Until BotW came along, this franchise, and many others, were often trading away interaction for more "cinematic" moments, for better and worse

Every “modern gaming is bad” is just this

@egoraptor I thought the hyperbole was fun. And also, OoT being a masterpiece doesn't change the fact that you were fairly prescient about the advancing trend of franchises trading away agency to pursue being "cinematic" In any case, fun video, I enjoyed it

This clip is a great example of why I didn't want to continue making Sequelitis. I had an interest in game design, and I had an interest in publicly talking about it, but my thing was comedy, and cartoons. So that's how I did the show... as a cartoon comedy. My schtick was loud characters, and chaotic shouting. Every topic in Sequelitis was shouted at full volume. Every little design choice I thought was smart was "fucking genius" and every minor annoyance I had was a full on meltdown rant. Some things I complained about didn't even piss me off, I just thought they were interesting to bring up. But I exaggerated them for the sake of comedy because I didn't really know how to make them funny otherwise. And I'm sure because I was young and insecure, I had a morbid desire to shake things up... Ocarina was an untouchable game, a 10/10 across the board, and I think being provocative about that appealed to me back then, too. But I love Ocarina. I grew up with it. I genuinely did want to have a discussion about the things that didn't age well, because I think that's interesting. I think we can learn a lot from that. But I dunno... I just don't think I felt confident enough to talk about it with the appropriate tone, so I hid behind what I knew: a cartoon character that shouts. This carried into Game Grumps... I had been doing Game Grumps for like 3 years when I released the Zelda video. I think the lines blurred for the audience because at that point I was "Arin Hanson," not Egoraptor. But Arin on Game Grumps is also a character. If I'm getting frustrated and shouting at a game on the show, it's for the bit. It's a show. Heightened emotions. And the go-to bit for me was saying "this game sucks, it's bad" and going on rants. The intent was to play the buffoon. But I think people just thought that was me. And that's fine. I don't blame them. It is "me," there's always some truth behind that sort of stuff. And I think it was extra confusing because I WOULD just be normal sometimes on the show. But you may notice recently I've very deliberately changed how I handle those bombastic moments on Grumps, where I point the finger inward now. "I suck, I messed up, I can't believe I didn't see that, what an idiot, etc." I just didn't like the bad energy I was putting out there. I hated that people saw me that way. It disturbed me that people told me "wow, you're actually really nice" all surprised when they met me in person, as if they assumed I'd rip their head off. And look, I'm not gunna pretend I'm an angel on the show now, the schtick of "buffoon that is easily angered" comes very easy to me when I'm performing, so I still utilize it constantly. But I usually find a way to channel it inward and be the butt of the joke, instead of just radiating it outward. It's funnier that way. I think I just assumed this was all obvious. You see how I tweet. You've seen interviews. I don't talk like I do on the show, or in my cartoons. I like being supportive of people and I like discussing things. I don't shout in my normal life. So when I see people characterizing me as this idiot who has no patience and sucks at playing Zelda... it sounds so silly but it just honest to goodness hurts my feelings sometimes. I love game design! I love video games! But, I get it. All you can see of me in my shows and cartoons is this loudmouth asshole who says your favorite game sucks. Like, fuck that guy, right? I think that's valid. I think you're right to feel that way. I think I was playing fast and loose with this character and I was being flippant about how frustrated it made people. I regret that. I suppose I should have thicker skin about this. And yeah... it feels so benign in the grand scheme of things. Who cares if people are circulating an 11 year old clip from a cartoon I made and saying "wow this guy's a moron." It shouldn't matter. Why should I care? But I guess I just have to admit that I do care sometimes, and it just kinda bums me out. I cared a lot about game design back then. It wasn't as prevalent as it is now. It was all dry GDC talks (which are, of course, wonderful). I found it really exciting to bring game design to light in a fun way for people that don't usually think about it. I hope I succeeded in that. But if I could go back, I think the in-your-face hyperbolic know-it-all character would go the way of the dodo. I suspect that aspect of it may have done some harm for game design discourse. And that sucks. For the record, the waiting in Ocarina barely frustrates me. I think it's appropriate at times. The game feeling larger and more cinematic just kind of lends itself to moments of pause. Enemies are more sparse so making them "last longer" just kind of makes sense. Did I feel this way back then? I'm sure I did feel stronger that "waiting" was more frustrating... but not to the level in this clip, by any means. That's just being young and insecure, I guess. I felt like I had to beat my chest in order for anyone to listen or be interested in what I had to say.

This puzzle game tests your pattern recognition abilities and social skills! youtube.com/watch?v=DbMHkw…