Michael Cruz

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Michael Cruz

Michael Cruz

@MikeCruzable

Head of Development for MrBeast. Friendly Neighborhood screenwriter. Views mine.

NY / LA Katılım Haziran 2009
3.6K Takip Edilen1.7K Takipçiler
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Michael Cruz
Michael Cruz@MikeCruzable·
We cannot let the perfect be the enemy of the good.
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The Figen
The Figen@TheFigen_·
Japanese actor Hiroyuki Sanada spoke about the contradictions of human nature: “Some people dream of having a swimming pool at home, while those who have one hardly ever use it. Those who have lost a loved one feel a profound sense of loss, while others often complain about their living relatives. Those without a partner long for one, while those who have one often don't appreciate it. The hungry would give anything for a meal, while the satiated complain about the taste of their food. Those without a car dream of owning one, while those who have a car are always looking for a better one.” The key to happiness is gratitude: truly seeing and appreciating what we already have, and understanding that somewhere, someone would give anything for what we take for granted.
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Science girl
Science girl@sciencegirl·
South Korea's giant dachshund sculpture, nicknamed Sunshine, is a hyperrealistic, ‘breathing’ art installation
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Sarah Everett
Sarah Everett@goddammitsarah·
I LOVE CINEMA I LOVE PRACTICAL SETS AND EFFECTS I LOVE RYAN GOSLING
Anish Moonka@AnishA_Moonka

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

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DiscussingFilm
DiscussingFilm@DiscussingFilm·
Phil Lord and Chris Miller say they’re developing “extraordinary” new ways to animate Spot in ‘BEYOND THE SPIDER-VERSE’. “It’s going to take you to places of abstraction that I think are going to be really special.” (Source: @Variety)
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Clix
Clix@Clix·
Feastables just partnered with the Super Mario Galaxy Movie! 
Grab the new themed Feastables at Kroger, 7Eleven, Five Below, and Walmart locations nationwide! #FeastablesPartner
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DiscussingFilm
DiscussingFilm@DiscussingFilm·
The first trailer for ‘SPIDER-MAN: BRAND NEW DAY’ has been released. In theaters on July 31.
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All day Astronomy
All day Astronomy@forallcurious·
🚨: Screen time destroys toddler's brains. For every 30 minutes, the risk of speech delay increases 49%.
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RYAN OTTLEY
RYAN OTTLEY@RyanOttley·
Wild.
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yeahcat03
yeahcat03@yeahcat03·
Every time I watch a catfu video it makes me laugh. Even my kids are completely obsessed with it. I’m officially nominating Catfu as meme of 2026.
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Mark Gadala-Maria
Mark Gadala-Maria@markgadala·
We have reached peak AI. Someone made an entire short film "Harry Potter by Balenciaga" Credit: demonflyingfox on YT
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