Markus Magnusson 🤝

Return of the Jedi commission

May the 4th be with you✨

A Sunday's Dream

"Life After Death" by artist Justin McElroy

There’s a brilliant seamlessness to this sequence. This is the beauty of the Rotoscoping, that the connection between two disparate existences, the animator’s line and the performer's soul, becomes something that endures forever.

@TheSketchyKori the attention economy is definitely not optimized for animators who spend several weeks (if not months) on a piece.

Creating in this era is torment istg

@pokemon_daily no character design is complete until you have at least 2 plasters

old pokemon manga

@DiscussingFilm ❤️

Stop-motion work from LAIKA's new film ‘WILDWOOD’.

@oo_kk_aa happy you’re still at it, missed seeing these for a minute

Disney color had its own distinct look, and that look can be attributed to their paint that they created in-house. Known as “cel-vinyl”, Disney would mix pigments, precipitating chalk, and a gum arabic solution to create over 5,000 different shades of color. The paint, a water-based gouache, was known for its smooth flow, thick texture, and perfect adhesion to the acetate animation cels. The ink and paint lab was half chemistry, half artistry, 100% magic.

@LostInVisionss songs from this gem are amazing.. play them regularly for my son

it’s not the arrows, it’s the man who shoots them 🦊🎯

VHSMAN!

@fleischertoons the parallax are mesmerizing on these, such a seemingly simple technique yet digital equivalents rarely capture the same magic

Would you consider this a Christmas film? #fleischerstudios

books in Disney

Music video from Swedish rapper Yung Lean and GENER8ION has an amazing choreography, created by French artist Damien Jalet.

Use arcs whenever you create a difficult movement in your animation!

@kosithecreator well put

“inspiration exists but it has to find you working”

designers after naming their layers