Nacho Malter

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Nacho Malter

Nacho Malter

@Nalter_Nalter

Founder/Studio Director/2D Artist @bellolandia.com

Katılım Mart 2011
410 Takip Edilen158 Takipçiler
Ellen Su
Ellen Su@ellensuTV·
HELLO FRIENDS! We're making an #indieanime! Here's a little teaser of the trailer we'll be dropping on April 29 with the launch of our Kickstarter. If 90s anime, Cowboy Bebop x Mob Psycho is something you're interested in, please subscribe to our prelaunch page! Link in comments
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LCB Game Studio
LCB Game Studio@lcbgamestudio·
Cross out parts of recipes to create new ones!
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Bellolandia Studio
Bellolandia Studio@bellolandia·
Después de mucho tiempo de trabajo intensivo tenemos el catártico placer de compartirles este anticipo al primer episodio de Electro Andes, una serie sudamericana de anime de cyberpunk mitológico seteado en una versión fantástica de los Andes. En las siguientes semanas iremos compartiendo más anticipos, culminando en el Story Trailer camino a la premiere en cine y la presentación del episodio en el prestigioso festival de animación de Annecy.
Estense atentos!
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Big Brain Psychology
Big Brain Psychology@BigBrainPsych·
Alain de Botton on why the most privileged children become the most ordinary adults: In a culture obsessed with raising "exceptional" kids, de Botton flips the entire script. He argues that the goal of a truly good childhood is to produce someone who can tolerate being ordinary. He explains it this way: "The great thing about early childhood in a good and loving family is that the child is a superstar. You know, they come in, they sing a song, everyone claps, they're happy. In the morning it's like the little prince has arrived, the princess is doing a pirouette." Most people assume that treating a child like the centre of the universe creates entitlement. De Botton says the opposite is true: "Entitlement comes from deprivation. The ability to absorb an ordinary life comes from early emotional privilege." The child who is never made to feel special is the one who spends their adult life desperately seeking that feeling in status, in recognition, in the need to always be the most important person in the room. The child who was made to feel special? They already have that tank filled. "If the child is able to be the centre of the universe in the early years, they will be able to accept without too much psychological damage a subsidiary position in adult life." This reframes what good parenting is actually for. It's not about engineering an extraordinary person. It's about giving a child enough emotional security that they won't be destroyed by the humbling realities of adult life. The overlooked promotions, the anonymous commutes, the slow, quiet days that make up most of a human existence. De Botton puts it plainly: "The need to be always at the centre and always important is a compensation. It's not a sign of health." And the ultimate destination of a healthy upbringing? "To accept ordinariness which is a massive challenge. All of us are in the end ultimately ordinary." The most grounded, secure, and genuinely content adults are the ones who were loved enough, early enough, that they never needed to.
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(株)カラー 2号機
(株)カラー 2号機@khara_inc2·
先日、1年ぶりに二馬力を訪ねました。 宮さん(宮﨑駿氏)は今も元気に好きな「絵」を自由に書いてました。凄い人です。 今回も写真はナウシカからの歴戦のスタッフさんに撮ってもらいました。 最後のは途中まで見送ってくれた宮さんから「握手しよう」と言われて撮ってもらった写真です。穏やかになったなぁ。 コメント 庵野秀明
(株)カラー 2号機 tweet media(株)カラー 2号機 tweet media(株)カラー 2号機 tweet media
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Fede’s intern 🥊
Fede’s intern 🥊@fede_intern·
Like many young Westerners, I didn't fully understand what made the West unique. After traveling the world and growing older, I've come to love humanity as a whole but I do believe the West and Christianity hold a set of values and cultural traditions I find myself proud to be part of.
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OldMappleKing
OldMappleKing@OldMappleKing·
@ToonHive Anime being able to drive enough support to maintain anime-specific sub services, shows that switching to streaming didn't steal the value of Western animation. It just took the easy tv audience away. Western shows now have to fight with multiple forms of media for their audience
GIF
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Animation Obsessive
Animation Obsessive@ani_obsessive·
Satoshi Kon talks about how Requiem for a Dream took from his film Perfect Blue (1997)
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Truthstream Media
Truthstream Media@truthstreamnews·
“This is the secret war that’s been going on since the dawn of time.”
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Nacho Malter
Nacho Malter@Nalter_Nalter·
@Uber_ARG Envie un item por courier y tengo el video del punto de entrega donde se retira con dicho item. Lo contacte antes de tener el video y dijo que no lo tenia. Desde la aplicacion no puedo hacer ningun tipo de reclamo ni hablar con otra cosa que no sea una inteligencia artificial.
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