Capitán_Doomer

@franffigueroa Sí totalmente es más. Que muchos, tiene más títulos y un montón de cosas más

me van a decir nenazo, pero Charles Aranguiz esta en el top 5 de los maximos idolos en la historia del club.

@barometro Y todos eran manfinfleros jaajaj predijeron el manga jajajaj

biejoserdismos aparte, portada culia increíble, la perspectiva, la composición, los personajes, el robot mismo…..themo es y será el más grande

>Nunca es ridiculizado y hace todo bien. >Poderoso. >Voz y diseño genial e intimidante. >Cada vez que aparece sabes que se jodió todo. >Historia de origen interesante. No existe ni jamás existirá otro villano como Vader, el cabrón es el ejemplo del villano perfecto.

@Sebanteunox @k4v3zetayque Hermano del Ñuble PAL sur la wea está trigida, que decir en puerto hermano está fuera de control, cosas que uno no veía en Valdivia por ejemplo

Están reapareciendo especies de pasteros que no se veían desde los 90

Las personas que dicen más palabrotas tienden a ser menos mentirosas y más honestas.

@rrorock Sí pero en esto tiene razón, ni en AEW tiene peleas memorables, creo que sus momentos peaks son el feudo con gargano y Ciampa y la pelea con Cody hasta que el codyverso lo enterró

Booker T es capaz de decir que Dragunov o GUNTHER son malos luchadores con tal de seguir chupándole el pico a WWE

@FufaCobain @CinemarkChile Wn si porfa! Basta de la dictadura del analfabetismo

oeeeeeee @CinemarkChile hasta cuando con las peliculas dobladas csm

Senado aprueba en general proyecto de ley que tipifica como delito el ingreso clandestino a Chile latercera.com/politica/notic…

Am I missing any? • Postmodern "deconstruction" of a genre that thinks it's more clever than it really is. • Everything is ironic because they're afraid attempts at sincerity will be seen as cheesy. • Bathos (when something serious happens but the drama is immediately undercut by a joke). • Fucked up moral lessons such as portraying selfishness as good. • Aversion to heteronormative romance. • Unlikable "strong female character" who talks down to everyone. • Fetishism masquerading as progressivism. • Villain is a thinly veiled stand-in for the writer's dad. • If it's a sequel, prequel, adaptation, or remake, then it's written less like a story set in that universe, and more like a metacommentary about the franchise where creative decisions are based not on what's natural or logical, but on audience expectations or the subversion thereof. • Protagonist was always perfect the way they are and they just had to learn to unleash themselves instead of improving or overcoming weaknesses. • "This is a good character because they're really powerful." • Conflating high stakes with high drama. • Soapboxing. • "It's sci-fi/fantasy, so it doesn't have to be consistent with its own internal logic or established rules!" ("space wizards" argument.) • "Who cares whether or not it makes sense! What matters is how it makes you feel!" Because these things are mutually exclusive somehow. • Female villain is only evil because of something a man did to her. • "The man-eating, soul-stealing, vampire rapist spider people are just misunderstood. Humans are the real monsters." • "Capitalism bad. Now here's a thing we included just so we could sell toys of it." • Pop cultural references. • "LOL drugs." • "Isn't it funny that we're drawing attention to this trope we're doing? We're so much smarter than those other shows and movies that do the same thing because at least we're self-aware!" • Ugly on purpose for no real purpose. • Snarky and irreverent protagonist who quips and has a witty retort for anything said to them. • Sexualizing women bad, sexualizing men good. • Safe-edginess that's just casual bigotry toward acceptable targets such as straight men, French people, American southerners, etc. • Old IP "reimagined" for the "modern audience". • Protagonist is a shameless self-insert. • "Humor" is "person I don't like dies." • "Muh realistic anxiety attack!" • Someone told them "write what you know" and what they know is coffee shops and porn. • Cute, child-like thing is evil. • "Traditionally heroic virtues are bad, actually." • "I may be a cannibal who burns down orphanages, but at least I'm not a racist!" • "Morality is subjective! Unless you disagree with my politics, in which case you're objectively evil!" • Thinks they can make a scene "emotional" by simply showing a character crying when they haven't done anything to earn that emotional moment. • Dialogue has a lot of "ums" and "yeeeahs". • Memes in the place of jokes. • "Creative" insults that are just swear words combined with other words, like "fuckstick", "shitballs", or "bitchmuffin". • Adult characters talk like teenagers. • Characters use internet slang in real life. • All male characters are stupid, evil, or both. • Baby talk combined with excessive profanity. • Male protagonist gets pushed aside for a female character. • All characters who oppose the protagonist (and therefore the writer's ideals since the protagonist is the writer) are strawmen because the writer cannot model other people's minds. • "Why tell a timeless story that will resonate with future generations when I can make it about my pet political gripe of the week?" • "How can I show that this character is unique and rebellious? I know! I'll give her blue hair and a side-shave!" • Sexual preferences/gender identity is a character's entire personality. • Stupid gotcha argument presented like it's profound wisdom and always goes unchallenged. • "It's a made-up story, so we can do whatever we want with our adaptation! Who cares about the author's intent or the reasons they wrote it how they did?" • Performative support for whatever happens to be the current political issue of the moment that no one will care about in five years.

A Hank me lo bajan de la mesa: él mismo descubrió todo el imperio de Gus Fring y fue el único en creer que todavía había alguien moviendo los hilos luego de su muerte. El punto de la historia es que no podía sospechar de Walter por el prejuicio de que no cumplía el perfil.

Veo completamente normal la tasa de svicidi0s en hombres. La mayoría de nosotros somos carne de cañón en términos legales. No le importamos a nadie. Esto abre las puertas del infierno.

En buen resumen; Chile no alcanzó a salir al desarrollo, estuvimos en la antesala del mismo, pero el voto voluntario y la abstención pusieron al PC y al FA en el Gobierno, y en 4 años, estas blasfemias destruyeron la economía, las instituciones y lo hundieron en la inestabilidad.

La vida si no hubiera sido tan cobarde y me mataba a los 12 años:

@efeortega A no jajajaj seguramente usaste un palantir para una reflexión tan profunda ajaajaj

Hace unas semanas escribí aquí que se venía el desembarco de Chile Vamos para salvar la administración Kast y me llené de trolls… Hoy radio Agricultura, La Metro y Sin Filtro casi lo confirman.

El único tonto re hueón eres tú.