Blockhead

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Blockhead

@OhYouBlockhead

screenwriter | author | Bellagio native

Katılım Temmuz 2017
684 Takip Edilen31.8K Takipçiler
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Blockhead
Blockhead@OhYouBlockhead·
if you don’t understand why i attack bad writers, LARPs, liars, rich kids who don’t try, or people who tell shit stories— let me tell you about my best friend Mike Neel.
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Blockhead
Blockhead@OhYouBlockhead·
You prepared for this. You didn’t shower for days, a defense mechanism to ward off others. Now you emit your musk. Sit in your natural stench. It’s time to hunt.
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Blockhead
Blockhead@OhYouBlockhead·
This is what I mean. @BootsRiley a grown man calling himself Boots on TV. this is Raymond Lawrence whose dad Walter was a civil rights attorney and whose mom ran poetry theatre. What do you know about stealing to eat? This is art from 60 year old manchildren and it shows.
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Blockhead
Blockhead@OhYouBlockhead·
This is unfortunately true and what I actively fight against. It's hard to pinpoint exactly when it happened. Comments suggest Modern Family. That overlaps with another show I think made things worse: Succession. When there is no character to see the rich through, when we're forced to call a rude mayonnaise-looking woman named Siobhan a protagonist, we've lost the plot. I don't know where the problem started but I know it's down to the root. I went to the best film school in the world. My classmates were the children of celebrities. I walked to the library and nodded to Denzel's son. I was the poorest person there. The next closest representatives of poverty were kids who grew up with divorced parents and who spent time at a poor friend's house growing up. It was brutal. In retrospect, I should've bullied these people a lot more. The problem is two-fold: not just the spread of rich kid fare but the muting of legitimate working-class shows. Take The Bear. The Bear is the biggest show about people who didn't go to Harvard-Westlake and it's written by people who did. People who don't understand trauma or poverty. When you have no legitimate options, you must watch the private school soap opera. Unfortunately, like OP says, it's only getting worse. That's why Hollywood is dying. That's why it feels like there's nothing to watch except the same one or two shows from before. The Comeback is one of the hottest shows on and it's twenty fucking years old. And I agree with the comments that the youth are worse off for all this, they only see rich without work, they think everyone has money because everyone telling stories does. But my wife suggests it's not all bad. "You used to be the only person talking about it. Now other people are talking about it, too."
Michael J. Miraflor@michaelmiraflor

Upfront thoughts. So much of “premium streaming content” is just rich people lifestyle stuff and wealth porn. Upper leg of the K-shape is where the fertile ground for scripts is right now. Remember when rich people lifestyle media was rare? Lifestyles of the Rich and Famous ran once a week and it was only a glimpse, a different planet. Most sitcom and prime time content was middle class environs. Now the default is wealth. Especially for young adult content, a ton of what I saw this week was private school rich kid fare. I get it, it makes for a lot of intrigue and the nepotism / salacious scripts are basically table stakes a this point. But I think that does something to society. We are never getting another The Wire, are we.

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Blockhead
Blockhead@OhYouBlockhead·
You can walk away from it all. Move to Saskatoon. Get a quiet job without a lot of thinking. Root for the Rough Riders. The Green Machine. Meet a girl at a bar. You can settle down with her and live a life where you— Oh. Ping on Slack. Better check that.
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Blockhead
Blockhead@OhYouBlockhead·
You can’t explain why the little streamer token pimp makes you ill. He doesn’t talk about code or projects or potential. Just yaps about drama between a rich kid TikToker and his “baddie gf” It’s like you’re watching a talk show in Hell.
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Blockhead
Blockhead@OhYouBlockhead·
A direct negative correlation between the quality of crypto community and when we started letting failson New York artists grift or even open their mouths
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Blockhead
Blockhead@OhYouBlockhead·
This one will really bait them. Tell everyone you put a great artist into AI and the painting is actually fake. That way, when people ask why you haven’t created anything of quality, you can laugh at them while still being an ironic little worm. Haha!
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Blockhead
Blockhead@OhYouBlockhead·
Don’t blame the trust funder grifting more money from the crypto community. His dad probably spent a lot on this last round of lawyers and rehab.
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Blockhead
Blockhead@OhYouBlockhead·
You’re not a filmmaker, you’re a narcissist wannabe wasting $5k in tokens for a two minute video with less plot than a car commercial
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Blockhead
Blockhead@OhYouBlockhead·
Do everything you can so you don’t have to be lectured on “taste” by New York City residents
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Blockhead
Blockhead@OhYouBlockhead·
4th box into the case, when your best hit is a Cooper Pratt Top 100 insert, you start to wonder if maybe it’s not your day
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Blockhead
Blockhead@OhYouBlockhead·
It’s not the AI builders who you doubt, it’s idiots who think they’re making anything of quality. Those aren't short films or The New Novel. It's a CGI demo with less plot than a knock-knock joke. But no one blames you, you wouldn't be telling AI stories if you could help it.
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Blockhead
Blockhead@OhYouBlockhead·
Explain this to a Founding Father
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Blockhead
Blockhead@OhYouBlockhead·
Every time I see something about this show, I’m going to post about how bad it’s going to be. It’s going to be bad because some desperate 80 year old wants a check and a Ukrainian grifter journalist wants to fuck up good stories. Also, goddamn what a bad title.
Netflix@netflix

Oscar Isaac, Betty Gilpin, Alec Baldwin, and David Costabile will star in THE ROMAN. A high stakes modern casino drama series from the creators of Billions and executive produced by Martin Scorsese.

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Blockhead
Blockhead@OhYouBlockhead·
from trading crypto to selling 1867 Abe Lincoln signed Presidential documents with authentication and provenance
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