OLA WITH THE MOST

Does anyone else know an album so well that you already know the next song that’s coming on before it starts playing???😭😭

I'd like to appreciate every artist on this list for making beautiful music. You're responsible for the current state of my mental health and have inspired me more than you can imagine.

Sometimes, not naming an album after the right theme of the music could make an 8/10 feel like a 5.5/10. You can mess up the listeners experience because of wrong thematic appropriation. Was the rollout good? Yes, a 10/10 in both idea and delivery. Was the music good? Yes, a 7.2/10 Did the game ‘NEED’ another project like this? Not really. And that’s where the disconnect between the music and the expectation becomes an issue. This is a Bnxn project, we already had a Bnxn project last year it’s not giving what the soundscape is lacking (except the game here means something else) Observe that of all Sarz collaborations, this is the least interesting, sound wise. There was a project with Wurld, a project with ObongJayar, a project with Lojay, some here and there with Asake and even his solo project as a producer with little vocals (SINYM) and Sarz was always able to surprise your ears, especially with how well he’s able to synch with the aforementioned artist and push them to another level sonically. This project felt like he was wearing baby gloves, not because of lack of skill but the artist couldn’t ride that kind of wave. ‘Emotional high’ showed an attempt at pushing boundaries with vocals, it could sound like something else to most, but big ups to that attempt. There’s also something about the mix though. Especially with the song and snippets released before the full project drop. When you listen to BNXN you can feel yourself telling him to open his mouth. Could that be intentional? Nice to see all those involved having fun. The project is still great and kudos on the nerve to continue to collaborate. Back outside is a really outstanding record.

Sometimes, not naming an album after the right theme of the music could make an 8/10 feel like a 5.5/10. You can mess up the listeners experience because of wrong thematic appropriation. Was the rollout good? Yes, a 10/10 in both idea and delivery. Was the music good? Yes, a 7.2/10 Did the game ‘NEED’ another project like this? Not really. And that’s where the disconnect between the music and the expectation becomes an issue. This is a Bnxn project, we already had a Bnxn project last year it’s not giving what the soundscape is lacking (except the game here means something else) Observe that of all Sarz collaborations, this is the least interesting, sound wise. There was a project with Wurld, a project with ObongJayar, a project with Lojay, some here and there with Asake and even his solo project as a producer with little vocals (SINYM) and Sarz was always able to surprise your ears, especially with how well he’s able to synch with the aforementioned artist and push them to another level sonically. This project felt like he was wearing baby gloves, not because of lack of skill but the artist couldn’t ride that kind of wave. ‘Emotional high’ showed an attempt at pushing boundaries with vocals, it could sound like something else to most, but big ups to that attempt. There’s also something about the mix though. Especially with the song and snippets released before the full project drop. When you listen to BNXN you can feel yourself telling him to open his mouth. Could that be intentional? Nice to see all those involved having fun. The project is still great and kudos on the nerve to continue to collaborate. Back outside is a really outstanding record.

Sarz and Bnxn I’m not sure the game needed this o