PeriegesisHellados

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PeriegesisHellados

PeriegesisHellados

@PeriegesisH

Tweeting about Pausanias for the project "the Digital Periegesis", as we trace the places of his Description of Greece and the stories associated with them

Katılım Kasım 2018
49 Takip Edilen104 Takipçiler
PeriegesisHellados
PeriegesisHellados@PeriegesisH·
@dbrgeo @aboutgeo Great that you've found this interesting. We'd be delighted to hear your thoughts / talk things through with you.
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Diamond Bay Research
Diamond Bay Research@dbrgeo·
@PeriegesisH @aboutgeo The longer version is really interesting: docs.google.com/document/d/1dr… Need to think about it... one item: couldn't bird's eye view be moving through space at the same time? maybe 'synoptic' is static view of a place, and 'hodologic' is observation while passing thru?
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Diamond Bay Research
Diamond Bay Research@dbrgeo·
@PeriegesisH #fascinating events: - Topographic: a place in space / landscape, - Chronotopic: a place in time, moving thru history, - Analogic: places compared / other parts of the world, pov: - synoptic (a bird’s eye view), - hodologic (movement thru space) - focalisation (narrator or other)
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PeriegesisHellados
PeriegesisHellados@PeriegesisH·
Pausanias draws on Herodotus because it provides him with a way of creating a comprehensible, linear account that also, through the trading of one account off against another, recreates the polyphonic, chaotic world of his Greece.
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PeriegesisHellados
PeriegesisHellados@PeriegesisH·
The Histories' centrifugal scope challenges Greek mythical traditions by expanding their remit geographically; Pausanias’s centripetal narrative turns Greek traditions back on themselves to create a ‘thicker’ account by placing local accounts within a broadly Hellenic framework.
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PeriegesisHellados
PeriegesisHellados@PeriegesisH·
A thread outlining some notes on Greta Hawes's "Pausanias and the Footsteps of Herodotus", in @Brill_Classics’s 2016 Companion to the Reception of Herodotus.
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Amalia S. Levi
Amalia S. Levi@amaliasl·
Thread. Discusses new #spatialhumanities project @PeriegesisH that assumes Pausanias' narrative of Greece as his 'personal archive' blending material culture + monuments with literature, and 'translates' it into a #lodlam 'hyperbatic' narrative of space+time. (via @StuartEDunn)
Anna Foka@AnnaOFoka

Today I am finally catching up with my peers' work for @PeriegesisH. I very much agree with @CundyJody the notion of the elasticity of space as hyperbatic: often inconsistent, almost 'atmospheric' layers of information over a given location.

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Programming Historian
Programming Historian@ProgHist·
We are happy to see that @Pelagiosproject is encouraging recipients of their #SmallGrants programme to write tutorials - submit your proposals! #digitalhumanities #humanitésnumériques #humanidadesdigitales
Pelagios@PelagiosNetwork

Happy Friday! To celebrate, we're announcing our 2019 #SmallGrants programme. Read all about it, spread the news, make a submission! You might even get some funding... commons.pelagios.org/2019/03/announ…

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Elton Barker
Elton Barker@eltonteb·
As I wrote before all awards are inherently foolish. BUT WE WON! @Pelagiosproject thanks you all for voting, as well as the guy who actually does the work, @aboutgeo, and all of you who use #Recogito and help us make it better. We literally couldn't do it without you.
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PeriegesisHellados
PeriegesisHellados@PeriegesisH·
(3) Yet the Periegesis also reveals a surprisingly broad geographical scope, which is not limited to the small area of mainland Greece that comprises the itinerary. This elasticity of space—where P's vision extends to places far beyond his core focus—Jody terms “hyperbatic”.
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PeriegesisHellados
PeriegesisHellados@PeriegesisH·
(2) Pausanias consistently (insistently) represents a hodological (route-map) perspective. Even when describing hills, P focuses on the way up to / down from them; they are never used as vantage points to survey the landscape. This is an anti-cartographic viewpoint writ large.
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