Pete Lepley (FKA Phonetic Hero)

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Pete Lepley (FKA Phonetic Hero)

Pete Lepley (FKA Phonetic Hero)

@PeteLepley

♪ Game composer & Score of the Year nominee • @Wargroovegame, @PUBGMobile, Apex Mobile, @ProjectMGame, & more • My Serum Presets: https://t.co/aL5RhkEMEE

Port Townsend, WA Katılım Ekim 2012
991 Takip Edilen1.2K Takipçiler
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Pete Lepley (FKA Phonetic Hero)
Combining forces with @MasonLieberman and @kevinpenkin on this one, a Musical Dream Team to make a soundtrack worthy of the stunningly beautiful world of The Eternal Life of Goldman. We've been having a BLAST so far, super excited to share more!
Weappy | Purchase Hollywood Animal on Steam@WeappyStudio

The Eternal Life of Goldman is a breathtaking platformer adventure in which you explore a vast hand-drawn Archipelago, inspired by ancient fables and depicted in classic frame-by-frame animation. Wishlist #TheEternalLifeOfGoldman now!

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Pete Lepley (FKA Phonetic Hero) retweetledi
Zach Fuller
Zach Fuller@zachtothefuller·
I think @maximilian_ nailed generative AI right on the head
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Alex Roe
Alex Roe@RoeTaKa·
3 weeks until GRIME 2 releases!
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Quest Master
Quest Master@PlayQuestMaster·
The Grappleshot lets you latch onto special targets and pull yourself across dungeons. More movement. More secrets. More ways to build.
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Pete Lepley (FKA Phonetic Hero)
Psyched to finally get this out there; I love getting to work with Kevin's music and it was an honor getting this theme wrangled as a team. Can't wait to show off more of this soundtrack!
Kevin Penkin@kevinpenkin

The main theme for The Eternal Life of Goldman has been released by @THQNordic. Mixed by @PeteLepley With Eli Bishop, Andrew Dunn, @MasonLieberman, @field_of_reeds and @Amanda_Achen performing! youtube.com/watch?v=W7lT9K…

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DJ Pain 1
DJ Pain 1@djpain1·
“I’m too busy to make art, so I use generative AI to bring my ideas to life” is the most pathetic way of saying, simply, “I don’t love art enough to make time for it, but I still want the social benefits of an actual hard working creative person.’
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Jamphibious 🐸
Jamphibious 🐸@JamphibiousFM·
go go gadget shun goku satsu (drawing by @SuperUltra64)
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𝄞 Esseph 🎧⭐ BGM & Vocal Mixer on VGen 𝄇
Day 2 of going to the Gym: My spaghetti arms are still spaghetti, but at least the stretching helped a lot. 🙆‍♀️ Because I walk so often, all leg stuff feels like no problem. I hope my arms get used to it soon because they're so tense it hurts even at home 🫠
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MarcoMeatball
MarcoMeatball@Marcodmeatball·
bro. Akuma is forever the goat. Just hopped back onto Street Fighter after catching the fighting game bug today with GGS. youtube.com/live/VniNtXYBG…
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Pete Lepley (FKA Phonetic Hero)
This is a part of the AI discourse I don't see often, and maybe the one I feel the most passionate about. If you bypass the artistic process, you rob yourself of the opportunity to learn and deepen your relationship not only with your craft, but with yourself and with the world
hinterlander@yoltartar

the essence of the Ghibli magic is animism, to draw that way you need a strong empathy for the living world, and using ai will not give you that there's an NHK documentary about the making of Spirited Away, which focuses on a scene where Chihiro feeds a medicine ball to Haku in the form of a dragon, Miyazaki meets with his animators to explain how it should look: the dragon should writhe desperately like an eel being killed, he should gag and bare his teeth like a dog being force-fed a pill the young animators haven't seen either of these things, so they go to a local vet clinic to videotape themselves putting their hands in the mouth of a dog, trying to understand the dog's movements so they can draw them, and it becomes apparent that Miyazaki is giving his proteges a masterclass in the perception of the living world as a result, this brief little scene is intensely alive, you can viscerally feel how much the dragon does NOT want to swallow the medicine, it embodies the spirit of an eel and a dog, but there's a deeper magic here in the way Miyazaki was teaching his way of seeing the world to the animators, who in turn helped him convey it to the audience when we watch a Miyazaki film, it's not just a product, we're seeing the result of a process and a way of seeing and that's where the magic is, if the style is divorced from that context it can only remind us of the real thing, without the foundation of the Ghibli films imprinted in our hearts to lean on, it wouldn't hit the same as another example, if you watch the two Fantasia films, the first one feels incredibly alive in a way the second doesn't, and i think it's because the animators in 1940 grew up outdoors and on farms and the ones in 1999 did not, they were deeply familiar with the forms of plants, the movements of animals, and the behavior of physical objects what's sad to me is that a lot of future media will look amazing but will lack this spirit, and most of the audience won't even notice bc their ways of perceiving are based largely on media and not the real living world, perfectly congruent with ai which has nothing but media to learn from i urge you to not take the easy way on everything, a big part of the point of art is that it forces the artist to change and grow, to look closer, to empathize more deeply, to confront the blocked parts of their soul, to absorb the spirits of the living world into their own psyche, to not just animate but to become animists

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Pete Lepley (FKA Phonetic Hero) retweetledi
hinterlander
hinterlander@yoltartar·
the essence of the Ghibli magic is animism, to draw that way you need a strong empathy for the living world, and using ai will not give you that there's an NHK documentary about the making of Spirited Away, which focuses on a scene where Chihiro feeds a medicine ball to Haku in the form of a dragon, Miyazaki meets with his animators to explain how it should look: the dragon should writhe desperately like an eel being killed, he should gag and bare his teeth like a dog being force-fed a pill the young animators haven't seen either of these things, so they go to a local vet clinic to videotape themselves putting their hands in the mouth of a dog, trying to understand the dog's movements so they can draw them, and it becomes apparent that Miyazaki is giving his proteges a masterclass in the perception of the living world as a result, this brief little scene is intensely alive, you can viscerally feel how much the dragon does NOT want to swallow the medicine, it embodies the spirit of an eel and a dog, but there's a deeper magic here in the way Miyazaki was teaching his way of seeing the world to the animators, who in turn helped him convey it to the audience when we watch a Miyazaki film, it's not just a product, we're seeing the result of a process and a way of seeing and that's where the magic is, if the style is divorced from that context it can only remind us of the real thing, without the foundation of the Ghibli films imprinted in our hearts to lean on, it wouldn't hit the same as another example, if you watch the two Fantasia films, the first one feels incredibly alive in a way the second doesn't, and i think it's because the animators in 1940 grew up outdoors and on farms and the ones in 1999 did not, they were deeply familiar with the forms of plants, the movements of animals, and the behavior of physical objects what's sad to me is that a lot of future media will look amazing but will lack this spirit, and most of the audience won't even notice bc their ways of perceiving are based largely on media and not the real living world, perfectly congruent with ai which has nothing but media to learn from i urge you to not take the easy way on everything, a big part of the point of art is that it forces the artist to change and grow, to look closer, to empathize more deeply, to confront the blocked parts of their soul, to absorb the spirits of the living world into their own psyche, to not just animate but to become animists
hinterlander tweet mediahinterlander tweet mediahinterlander tweet media
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Pete Lepley (FKA Phonetic Hero)
REMINDER that all Serum 1 patches are compatible with Serum 2! I made a bunch of really sick ones you can get on my gumroad while I work on some new banks for Serum 2 ✌️
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Pete Lepley (FKA Phonetic Hero)
@TrashCamell @Polaapaan @raphael_erba Was just about to post something to this effect; AI allows people to completely bypass the artistic process, which is a journey that's FULL of self-discovery as a result of its highs and lows. When you finish a piece of art, you end up with much more than just the piece itself
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