REALTIME

We're incredibly proud to have worked on Rogue Trooper, an animated sci-fi feature created entirely in Unreal Engine, directed by Duncan Jones, based on the iconic 2000 AD comic. Check out the new teaser: 👇 youtu.be/byd5PRryi_Y?si…

Excited to share our latest automotive reel! Featuring everything from high-end CG brand films to real-time 3D configurators - here's a snapshot of some of the work we've created for our clients recently.

Constantly creative. Relentlessly curious. 30 Years. This is REALTIME.

We partnered with Princess Yachts to build their industry-first 3D yacht configurator. Discover how it's revolutionising the Yacht-Buying Journey👉 bit.ly/3OaFGxK

Closing out our #DirectorSpotlight series, we sit down with #Animation Director Nico Seck. With a background in graphic novels, Nico brings a striking visual storytelling style to animation, blending dynamic performance direction with a deep understanding of character nuance ✨

Steel Hunters may be over, but the love, creativity, and passion our team put into this trailer will live on ❤️ Sit back and enjoy the full cinematic trailer as we honour this amazing project! Huge thanks to @wargaming_net for letting us be part of this incredible journey 🙏

We’re thrilled to be nominated for the Broadcast Tech Innovation Awards in the Excellence in VFX category for Lockerbie: A Search for Truth! Huge thanks to VFX Supervisor Sue Land, our brilliant team, and our wonderful clients at @skytv and Carnival Films for making this possible.

We had an incredible time at Equinox Toronto last week! 🙌 Huge thanks to everyone who joined our sessions with Sam Taylor and Abe Coyne. If you missed the talks (or just want to revisit them), good news, they’re now available on the SideFX YouTube channel. Project Violet: KineFX + MetaHumans in Production: bit.ly/43ai7tq

Continuing our Director’s Spotlight series, we sit down with Ian Jones 🎥 Ian’s directing style is grounded in real-world camera work, bringing a visceral authenticity to every frame. His recent projects include @EASPORTS F1 25 Braking Point 3 and a series of trailers for @RareLtd 's Sea of Thieves.

We’re excited to be at Equinox Toronto this week! Make sure to stop by our sessions presented by Sam Taylor & Abe Coyne 🎤 Project Violet: Ironing Out the Wrinkle in Cloth Workflow 📅 Wed, Sept 24 | 9 AM–12 PM | Room 1 Project Violet: KineFX + MetaHumans in Production 📅 Thurs, Sept 25 | 1:40 PM EST See you there! 🙌 #Houdini #EquinoxToronto

Here's a teaser of the world’s first 3D yacht configurator, created in partnership with Princess Yachts. More coming soon!

Big news from Cannes Yachting Festival! ⛵ Paul McSweeney joined Princess Yachts to announce our partnership to deliver the world’s first 3D configurator for the yachting industry. Huge thanks to BOAT International Media for having us on board. youtube.com/watch?v=s4keE1…

Introducing our new Director's Spotlight series, kicking off with Stu Bayley 🎬 A talented writer and director, Stu brings his roots as a concept artist into every frame. His recent work includes launch trailers for @wargaming_net's Steel Hunters and @SaberGames Jurassic Park: Survival, blending cinematic storytelling with a striking visual style.

We had a blast teaming up with @Obsidian once again to craft the opening cinematic for Grounded 2! 🐜

Go behind-the-scenes of Jurassic Park: Survival, featuring some making-of content from our launch trailer! @SaberGames & @UniversalPics🦖 youtu.be/u4eXQMah9C4?si…

Imagining Steel Hunters: Stu Bayley and Nicolas Seck discuss the 2.5D pre-vis approach for the announcement trailer - A special project with our friends at @wargaming_net !

Go behind the scenes with the cast & crew of F1® 25’s Braking Point 3 to see how the performances were brought to the life in this dramatic new chapter!

We're thrilled to be named finalists at the AEAF Awards for our work on Lockerbie: A Search for Truth. Huge congratulations to our talented team and wonderful partners Universal, Carnival Films & Sky. #AEAF

Thrilled to share that we’re supporting the amazing Lightspeed L.A. on three hours of cinematics for their highly anticipated AAA game, Last Sentinel!

Our F1 25 Sizzle Reel is here!🔥 Featuring some of our favourite moments from over 50 minutes of cinematic cutscenes we created for Braking Point 3. #F125