𝗚𝗤 𝗠𝗮𝗴𝗮𝘇𝗶𝗻𝗲. ᴿᴾ | 𝗣𝗔𝗥𝗢𝗗𝗬

ㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤ   @ TAYLOR → ﹙𝚄𝗉 · 𝖽𝖺 · 𝗍𝖾﹚ ㅤㅤㅤㅤ ㅤ 𝚏𝑜𝚛 #RPGQMagazine ╱ vía 𝕏 ㅤㅤ ㅤㅤㅤ ⪧ 𝙲𝗁𝖾𝖼𝗄 𝙼𝚘𝚛𝚎 : #WeAreOneRP ㅤㅤ

𝗚𝗤 𝗞𝗼𝗿𝗲𝗮 | #RPGQMagazine → MAXWELL from Red Velvet (@velvetstwt) and TAYLOR from SHINee (@shineerstwt) look both flawless for GQ Korea April 2026 Issue 🍁

ㅤㅤ ㅤ ㅤㅤㅤㅤ﹫𝖳𝖠𝖸𝖫𝖮𝖱 → 𝗇𝖾𝗐 𝗎𝗉𝖽𝗮𝘁𝗲 ㅤㅤㅤ 📸 ≡ 𝚏𝚘𝚛 #RPGQMagazine ㅤㅤ

ㅤㅤ ㅤ ㅤㅤㅤㅤ﹫𝖳𝖠𝖸𝖫𝖮𝖱 → 𝗇𝖾𝗐 𝗎𝗉𝖽𝗮𝘁𝗲 ㅤㅤㅤ 📸 ≡ 𝚏𝚘𝚛 #RPGQMagazine ㅤㅤ

ㅤㅤ ㅤ ㅤㅤㅤㅤ﹫𝖳𝖠𝖸𝖫𝖮𝖱 → 𝗇𝖾𝗐 𝗎𝗉𝖽𝗮𝘁𝗲 ㅤㅤㅤ 📸 ≡ 𝚏𝚘𝚛 #RPGQMagazine ㅤㅤ

ㅤㅤ ㅤㅤㅤㅤㅤㅤ ✵ MAXWELL ♰ 𝚄𝗉𝖽𝖺𝗍𝖾 𝑓𝚘𝚛 　　ㅤㅤ ㅤ ♡⃕. ۫ ꒰ #RPGQMagazine ꒱ ୨୧ ㅤㅤ

ㅤㅤ ㅤㅤㅤㅤㅤ ✵ 𝖱𑄺𝖽 𝖵𑄺𝗅𝗏𑄺𝗍 ♰ 𝚄𝗉𝖽𝖺𝗍𝖾 𝑓𝔬𝔯 　　　 　 ♡⃕. ۫ · ꒰ #RPGQMagazine ꒱ ୨୧ ㅤㅤ

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine → You have to question what exactly @cherriesvault hides in her Prada boots: britishgq.visitlink.me/OA-8be

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine → @cherriesvault’s signature scent is always from Byredo, and she’s always over-spraying it, but that’s ‘not her problem’: britishgq.visitlink.me/cs8QXR

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine →What musician wouldn’t include a notebook in their #GQ10EssentialsRP? For @cherriesvault, hers have seen her come a long way from detailing her school disco kiss to writing her lyrics in analogue: britishgq.visitlink.me/ny8bve

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine → @cherriesvault shares her favourite tracks with GQ, from the one to listen to on a sunny day, to the one made for a long car ride: britishgq.visitlink.me/ZRNQyS.

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine → For her GQ Heroes cover interview, Felicity XCX went deep on what turned out to be the cultural phenomenon of the year: Brat summer: "I wanted to create this world of that 2000s flip phone, cameras flashing, live fast, die young."

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine → “[The Brat] campaign is so good because we’re so fucking bullish. I’ve had hour-long discussions about the positioning of font or what I’m gonna post on fucking Instagram... There’s no weak shit going on.” – @cherriesvault.

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine → “Sophie was making the music that I had been trying to make for a long time. Working with her bred this hyper-creativity, she was never afraid to say ‘no’ and to be honest, sometimes in a kind of brutal way.” – @cherriesvault.

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine → “If I suffered in silence and maybe got like a brow lift, I could probably operate in a more commercial world. Sometimes I tempt myself, but I think the problem is my fanbase knows that that’s not who I am.” – @cherriesvault.

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine → “I’m constantly going back and forth in my conflict around fame and what constitutes success. This new music is not going to be played in Starbucks. It’s not going to be played on the Zen Morning playlist.” – @cherriesvault.

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine → “My school was full of blonde white girls and I was this half-Indian girl with different interests. I thought if I made music, people would think I was interesting... One of my biggest fears was being boring.” – @cherriesvault.

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine → “My record label was like, ‘What the fuck is this?’ Across the board, no one got [my album Vroom Vroom], apart from a small handful of pretty hardcore fans.” – @cherriesvault.

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine → Following her Boiler Room set, @cherriesvault says that “underground scenes are back and people just want to be in physical spaces and be a part of something.”

𝗕𝗿𝗶𝘁𝗶𝘀𝗵 𝗚𝗤 | #RPGQMagazine → 𝗙𝗲𝗹𝗶𝗰𝗶𝘁𝘆 𝗫𝗖𝗫 is too real. Confounding pop’s most artificial tendencies has ironically made her more popular than ever. Now the musical provocateur is back with her most self-aware album yet.