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So at peace with myself that you have to explain to me that you're angry with me... #SorryNotSorry
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@RSTARpluzONE
... the #pluzGuy with the #pluzVibes ๐ฏโก Brand Guru โข Content Dev. Manager โข A&R โข Serial Entrepreneur โข Fashionista โข OAP โข V/O artiste โข everything PR
Abuja, NIGERIA Katฤฑlฤฑm Aralฤฑk 2009
5.1K Takip Edilen2.2K Takipรงiler
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The video I watched every morning At 4am for 6 months
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39 minutes or 1-2 hours nap during the day โ hours of sleepless at night ๐
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One day, we're gonna figure all this shii out, and have a good laugh.
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@endAmanl @yabaleftonline You get, structure EME gave Wiz was a nitro boost he had to thrive upon. The structure Vido had with his team which he learnt from having done homeboi with some A-list before he blew up. Same with Badoo, Cabasa's coded tunes made him envisioned having his own structure and team
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@yabaleftonline The reason we know MANYEWU today was cos of bank W
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โIf Asake didnโt have YBNL structure, he wouldnโt get to where he is today. Artistes make mistakes and think they donโt need structure. Think of artistes that have left Don Jazzy, they are not where they used to beโ โ Dayo D1
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@yabaleftonline This big record labels give artist the structure they need to succeed. But most artist think it's by there strength
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@yabaleftonline An artiste been talented and having the structure work together to elevate them
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@Peace_Ezej @yabaleftonline The ones that thrive did so coz they created a structure for themselves, stacks of structures sef which kept the engine running. Meanwhile the ones that didn't often think their talents and established names they had wit prime years of their stardom could sustain them.
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@yabaleftonline Some artiste are very lucky when they leave record label they will even go higher and higher,while some fade away once they leave the label
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@yabaleftonline Artist talent alone isnโt always enough having the right team, guidance, and platform can make or break an artistโs career. Leaving a strong label without a plan often comes with risks. Ask lyta ๐
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@yabaleftonline I would say before an artist leave a structure, they need proper plans and a good team on standby to do the things the record label was doing for them and even more! They shouldnโt relent because theyโre independent, most artists that left the so called structure become lazy.
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@yabaleftonline They all want to rush the process, they feel it takes too long. And while they might be one or two lucky ones, statistics show that being in a structured environment is very important for artistes
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@Naija_RealTalk @yabaleftonline Spot on fact
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@yabaleftonline Structure doesnโt make stars โ it reveals them.
Plenty left โstructureโ and fadedโฆ not because they left, but because they were the structure.
Some artists arenโt independent โ theyโre unsupported.
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@mr_chiboi @yabaleftonline That "independent" that Kizz Daniel signin wt Empire is structure. Tiwa Savage signin big deals is due to structure. Asake signin wt Gamma/ Empire is structure. Else how would they so get their music to yu if they don't have structure backing. The game is beyond just uploading
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Dayo D1 has a point sha, structure matters a lot in this industry, distribution, promo, connections, all that backend stuff labels like YBNL and Mavin provide can launch you fast. Asake blew up crazy quick because of Olamide's platform, no cap.
But let's keep it real: plenty artists leave and still thrive or even level up. Wizkid left EME and became a global king, Kizz Daniel fought G-Worldwide, went independent and still drops hits consistently. Tiwa Savage left Mavin, signed big deals abroad and her career didn't crash. Even Asake himself left YBNL (bought out his contract around 2025), signed with Gamma/Empire or whatever new distro, launched his own thing, and he's still packing arenas and charting, no signs of "falling off" yet.
Some do struggle after leaving (Reekado, Crayon, a few others quiet now), but it's not automatic "you go die". Depends on if the artist has real talent, good team, business sense, and luck. Not every label exit is a mistake, sometimes it's the next smart move.
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@mr_chiboi @yabaleftonline One thing you should know is these artistes you mentiond achieve their successes and got the accolades of their talents on structures they thrived upon, both the ones they had as aftermath (stardom) from their previous label and new structures that put things in place BTS
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If e easy, blow from your house.
The structure is the springboard, the pillar, the ground that produces the room to see a bigger picture. If you eventually found it and decide to run it your way, you will still need a structured distribution company. You canโt do it by yourself. You can say itโs a symbiotic relationship, fair but if e easy, run am yourself make you know how far
Olu Olabode@OluOlabode_
This is the kind of industry talk that quietly insults the artistโs own talent. Asake did not become Asake because of structure alone. He blew because he is gifted, distinct, and impossible to ignore. Label structure can amplify you, yes, but it cannot manufacture that kind of star power.
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You can have attention and still lack direction.
The system will always invest heavily in a select few. You need management, and yes youโre free to change management. Youโre not trapped like artists used to be.
Sign favorable deals. Involve your lawyer.
Understand what youโre getting into. And if you blow instantly, accept it with humility. Itโs not only your grace carrying you. Donโt let greed scatter your foundation, then come online looking for sympathy.
People like @iamDo2dtun have seen this game from the ground up and when they speak on structure, it aligns with what I know from experience. #BillyDJ
Do2dtun Energy gAD@iamDo2dtun
If e easy, blow from your house. The structure is the springboard, the pillar, the ground that produces the room to see a bigger picture. If you eventually found it and decide to run it your way, you will still need a structured distribution company. You canโt do it by yourself. You can say itโs a symbiotic relationship, fair but if e easy, run am yourself make you know how far
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@MedinaMedi52581 @Boy_TwiTwi @KunnujiC @oluwamedina @peculiarcutz @OlumideFdrl_Esc @Jeffosky1 @MarvelChidi @Topzycut @tronicscut @smilecutloading Magic finger .. super creative Medina
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I always give my clients every reason to smile and am grateful to God for the opportunity, putting me in a position where I can make a positive impact with my profession ๐ will be posting more of my works, i pray God gives me the grace to always keep up. ๐
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This is what I mean when I say producers are the original A&Rs just the way sky bisons are to airbenders
I don't think there's a lot of producers that can do what this kid is doing here. Any A-lister would actually want to work with him
Bob Ngene@bobbyceezar
A solid hack for getting more high ticket clients as a producer Post that BTS..and in that BTS make sure you are really positioning yourself as a music director not just someone who understands DAWs and how to use them Just saw a video of a kid running this p..Too mad๐ฅ๐ฅ๐ฅ๐ฅ
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