Raz Cunningham

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Raz Cunningham

Raz Cunningham

@RazCunningham

Cultivating creative communities that honor the past and craft better futures. Writer + Cosmic Castaway.

5 Miles South of the Universe Katılım Haziran 2010
3.2K Takip Edilen916 Takipçiler
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Ford News
Ford News@FordJohnathan5·
🚨 #BREAKINGNEWS Its appears Speaker Mike Johnson caught on hot mic that The Save Act would result in 12% to 18% voter turnout. Saying that would be huge for the Republican Party. The Save Act is a voter suppression bill. Not elections security.🚨
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Marlin, Esq
Marlin, Esq@nostalgiafkninc·
we were left ruins
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Raz Cunningham
Raz Cunningham@RazCunningham·
@otokyo__ I have. Many times. Sometimes it’s fine and exactly what I needed. Other times it’s a mixed bag
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Tokyo
Tokyo@otokyo__·
single men's over 30 — Honest question. Could you travel alone for a week with no friends, no partner, just you?
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Reads with Ravi
Reads with Ravi@readswithravi·
“I am too smart to read books.” - Andrew Tate “You don't have to burn books to destroy a culture. Just get people to stop reading them.” - Ray Bradbury
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Michael J. Miraflor
Michael J. Miraflor@michaelmiraflor·
Project Hail Mary is anti-slop. And everyone loves it.
Anish Moonka@AnishA_Moonka

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

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dhwani
dhwani@dhwanisaraiya_·
guys my god. I went to my local farmer’s market and this guy built a bookstore in the back of a truck. this is the coolest guy of all time.
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Tuki
Tuki@TukiFromKL·
🚨 Do you understand what this man just pulled off.. > a guy from North Carolina used AI to generate hundreds of thousands of songs.. uploaded them to Spotify, Apple Music, Amazon.. then botted billions of streams on his own tracks and walked away with $8 million > 660,000 fake streams per day.. spread across thousands of AI songs so nobody noticed.. $1.2 million a year.. for music no human ever actually listened to real artists are out here grinding for 0.003 cents per stream.. promoting on TikTok.. begging for playlist placements.. and this guy just had AI make the music AND the audience first-ever criminal streaming fraud case.. he's paying back $8 million.. but the playbook is out there now.. and AI just got better since he started the music industry spent 10 years fighting piracy.. now they have to fight songs that don't exist being listened to by people who don't exist.
FearBuck@FearedBuck

The first criminal case of streaming fraud where a North Carolina musician who used AI to make songs, then streamed them billions of times himself making $8 million

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Culture Explorer
Culture Explorer@CultureExploreX·
We don’t because we stopped treating art as something that forms the soul, and started treating it as content to be consumed. Edmund Burke warned that a civilization survives not by innovation alone, but by preserving what refines human taste, judgment, and imagination. Hand-drawn animation carried discipline, patience, and a sense of beauty shaped over generations. When that disappears, it’s not just a style that fades. It’s a way of seeing the world.
James Lucas@JamesLucasIT

We grew up watching hand drawn Disney and now it's just gone. We don't talk about this enough.

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Whale.Guru
Whale.Guru@Whale_Guru·
🚨 NOBODY IS TELLING YOU HOW FUCKED REGULAR AMERICANS ARE RIGHT NOW. Not the news. Not your politicians. Not Trump. So I will. Three weeks ago — February 28, 2026 — Trump launched a war on Iran. That same day, your wallet started bleeding out. Here's every price that's gone up on you since then: ⛽ GAS Before war: $2.93/gallon Today: $3.91/gallon That's +$0.98 per gallon. +33%. In 20 DAYS. ⚠️ 🛒 GROCERIES Perishables going up first — dairy, fruits, vegetables, fish Beef already at multi-year highs (smallest herd in 75 years) Food transport costs rising DAILY as diesel spikes 💀 🏠 RENT & HOUSING Mortgage rates JUMPED the week war started "Undoing progress in housing affordability" — CNN Average rent in a mid-tier city: $2,000+/month ⚠️ ✈️ FLIGHTS Airlines will raise fares as jet fuel costs explode 💀 🏥 HEALTHCARE Interest rates frozen — no Fed relief coming ⚠️ 🌊 THE STRAIT OF HORMUZ 25% of all global seaborne oil trade passes through it. It's effectively closed. The IEA called it the LARGEST OIL SUPPLY SHOCK IN HISTORY. 💀 ⚠️ For context — the 1973 oil crisis caused a recession, fuel rationing, and ended a presidency. That impacted roughly 7% of global oil supply. This impacts 25%. Now. They're showing you maps of Iran. They're NOT showing you the math. $300 million. That's what American families are paying EXTRA every single day just to fill their tanks. Not to fund missiles. Just to drive to work. Drive their kids to school. Exist. First week of the war? $11 BILLION. Out of American pockets. Gone. $220 million a day goes to Operation Epic Fury. Every second of that spending = 577 school lunches. But there's "no money" for school lunches. There's "no money" for healthcare. There's "no money" for student debt. There's "no money" for veterans. They found $200 BILLION overnight for bombs. Meanwhile: 💀 – Lockheed Martin stock: UP 34% in 2026 – Northrop Grumman: UP 25.8% – Raytheon (RTX): UP 9.7% – Huntington Ingalls: UP 26.7% – Defense giants total profit surge: $30 BILLION while bombs were falling Your gas went up 33% so Lockheed could gain 34%. You're getting robbed in real time and CNN is showing you drone footage. 66% of Americans were already living paycheck to paycheck before February 28. Consumer confidence just hit its LOWEST point of 2026. The Fed won't cut rates. Inflation is about to spike. Groceries are about to get worse. JD Vance told you to "find comfort" that our allies are "suffering more than we are." That's the plan. You suffer. They profit. In 6 months, if the Strait stays closed, economists say food and fuel inflation could hit double digits. Your paycheck will not keep up. This is not a foreign policy disagreement. This is the most expensive wealth transfer in American history. And nobody is talking about it. Prepare accordingly. 🚨🚨🚨
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Raz Cunningham
Raz Cunningham@RazCunningham·
@CalltoActivism The corruption is astounding. We know it happens with this orange man every day, but the sheer volume of it never ceases to amaze me.
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Raz Cunningham retweetledi
CALL TO ACTIVISM
CALL TO ACTIVISM@CalltoActivism·
🚨HOLY SH*T: Mark Kelly just showed Tulsi Gabbard a Trump email to donors promising he’d let them in national security briefings for cash. "Do you think (his) supporters should be able to pay and receive private national security briefings?" Gabbard: …
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Anish Moonka
Anish Moonka@AnishA_Moonka·
You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.
DiscussingFilm@DiscussingFilm

‘PROJECT HAIL MARY’ is Ryan Gosling's highest rated film on Rotten Tomatoes at 95%. Read our review: bit.ly/DFMary

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Aakash Gupta
Aakash Gupta@aakashgupta·
Let me explain exactly why every new subdivision in America looks like the top photo, because the math is wild. A mature tree increases a home's value by 7 to 19 percent. On a $400,000 house, that's $28,000 to $76,000. A single shade tree produces the cooling equivalent of ten room-size air conditioners running 20 hours a day. One tree on the west side of a house cuts energy bills by 12 percent within 15 years. The bottom photo is worth more, costs less to live in, and sells faster. This has been documented by the University of Washington, Clemson, Michigan State, and the USDA. The data is not in dispute. Removing those trees saves the builder roughly $5,000 per lot. Concrete trucks need twice the dripline radius of every standing tree. Utility trenches need flat ground. A bulldozer flattens 200 lots in an afternoon. Preserving trees adds weeks and thousands per home. So the developer pockets $5,000 in savings and the buyer eats $50,000 in lost value for the next two decades. The person making the decision and the person paying for it have never been in the same room. The Woodlands, Texas is the proof of what happens when they are. George Mitchell bought 28,000 acres of Houston timberland in 1974 and preserved 28% as permanent green space. He forced McDonald's to build behind the tree canopy. That McDonald's became one of the highest-volume locations in Texas. The first office building, designed to reflect the surrounding forest so you couldn't see it from the street, leased completely. The Woodlands median home price today: $615,000. Katy, a comparable Houston suburb that clear-cut: $375,000. Named #1 community to live in America two years running. Fifty years of data. The trees are worth more than removing them saves. Developers clear-cut anyway because they sell the house once and leave. You live in it for 30 years.
bitfloorsghost@bitfloorsghost

we ruined such a good thing

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