Chemobagg Yo

Did Tommy Shelby invent aura farming? Who in modern television has aura farmed more than he?

“THE POWER OF THE DOG” REVIEW: boxd.it/dAXx0T

are you climbing a mountain for the world to see you or for you to see the world?

@dallas11961404 @22ndJim @berner415 What time stamp ?

S/O @berner415 for saying he bumping 1Umbrella on NoJumper, shits 🔥I looked em up after interview

@Amoody408 @Weartivist @JohnBonham1983 @deevesiah Get on letterboxd brother we neeed u

“Sorry, Baby” is a beautiful mess… not sloppy, not accidental. Controlled chaos. The kind that tells the truth. No clean arcs, no fake redemption. Just life as it actually hits you. Hard, uneven, and sometimes absurd as hell. 🎭 Eva Victor doesn’t sell you trauma as a product. No glossy “survivor” narrative, no applause lines. The violence isn’t spectacle. It’s almost invisible… and that’s the point. What you feel is everything after. The doctor who doesn’t care. The institution that shrugs. The silence that lingers longer than the act itself. 🕳️ This film lives in fragments. Years stitched together by moments that shouldn’t matter… but do. A sandwich. A stray cat. A half-finished sentence. A panic attack in a parking lot. Random? Yeah. Real? Too real. That’s how memory works when something breaks inside you. 🍂 Agnes isn’t your typical “strong female lead.” No slogans. No forced empowerment. She’s awkward, detached, darkly funny in a way that feels almost wrong to laugh at… until you realize that humor is survival. 😶‍🌫️ Victor plays her like a quiet storm. Internal damage. No theatrics. Just weight. And the world around her? It doesn’t rush in to save her. That’s the indictment. That’s the whole system exposed. A society that watches you fall and debates procedure instead of reaching out a hand. ⚖️ But here’s the twist… the resistance isn’t loud. It’s small. Intimate. Human. A friend who stays. A neighbor who doesn’t ask too many questions. A random act of kindness that hits harder than any speech. Naomi Ackie’s Lydie doesn’t “fix” Agnes… she just understands her. And sometimes that’s the closest thing to salvation you get. 🫂 The film moves like a Kendrick verse… nonlinear, layered, doubling back on itself. Pain sitting next to humor, sitting next to silence. You laugh, then feel guilty for laughing. Then realize that’s the whole design. 🎤 “Sorry, Baby” rejects the lie that trauma makes you stronger in some cinematic, digestible way. It changes you. Period. But it also refuses to let that be the only definition. That tension… that contradiction… that’s where the film breathes. No victory lap. No neat ending. Just continuation. Survival without a speech. And somehow, that hits harder than any story about “overcoming” ever could. 🖤 7.5/10 An Arman Barandaaaz Review .

@itsme_devonte You can order it extra crispy? I didn’t even know mcds could make modifications like that lololol

Yes. Filet o fish extra crispy, extra tartar sauce with a medium fry. Actually get 2 of em cuz they smaller now 🤝

I’ve never had a filet o fish Im tweakin?

SINNERS: THEY REENACTED MY LEAST FAVORITE SCENE LIVE AT THE OSCARS 🤢

THE SECRET AGENT: MAKE SURE TO WATCH WITH SOMEONE SMARTER THAN U

ONE BATTLE AFTER ANOTHER: TYRIQ WITHERS SAID THIS JUST “FINDING NEMO” FR

TRAIN DREAMS: “MANCHESTER BY THE TREE” LOLOLOL

SENTIMENTAL VALUE: THERES VALUE IN THE SENTIMENT

HAMNET: HUSTLE AND IAMBIC PENTAMETER

MARTY SUPREME: WE HAVE “WHITE MAN CANT JUMP” AT HOME

FRANKENSTEIN: THEY TELLING U ITS DEL TORO, IM TELLING U ITS DEL TALAPIA

BLUE MOON: KINDA GAY, AND IM ROCKIN WITH IT

BUGONIA: SCARE THE HOES, BUT MAKE IT #ART

F1: STRESSFUL AND KINDA CHEEKS

THREAD: 2026 BEST PICTURE NOM REVIEWS

ETERNAL SUNSHINE OF THE SPOTLESS MIND: boxd.it/deq0w9