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Starting tomorrow, I'll be sending out a piece on nonfiction cinema on the last day of every month. If you would like to read them, sign up here tinyletter.com/doctooth
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Sophie Brown
308 posts
Sophie Brown
@SBrown400
Writer. Documentary Programme Advisor for BFI LFF. Writes about film/art/music/writing. @astra_mag @SightSoundMag @Dazed @theQuietus
Katılım Haziran 2011
286 Takip Edilen725 Takipçiler
I loved being submerged in Amina Cain’s words for @astra_mag
Not pictured: my well-worn galley copy that travelled through four countries. astra-mag.com/articles/priva…
Astra Magazine@astra_mag
“Fictional figures have a presence in Cain’s perception as real as nonfictional friends — they are all here, in conversation with her daily habits.” @SBrown400 on Amina Cain’s A Horse At Night astra-mag.com/articles/priva…
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Sophie Brown retweetledi
In June we travelled to @showroomcinema to explore 1980s British feminisms w/ Carry Greenham Home + A Question of Choice - big thx to our panellists + @SBrown400 for your power Greenham words:
clubdesfemmes.com/portfolio-item…
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Beautiful writing here - @yosoymojo translates a series of poems by Wayuu-Colombian poet Vito Apüshana. ❤️Jieyuu-wuchiirua/Mujeres-aves /Bird Women❤️anmly.org/ap35/maurice-r…
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Olivia Howe@LiviHowe
Tickets for #LFF2022 went on general sale today! My top tip is Ahsen Nadeem's transformative personal journey, CROWS ARE WHITE. Said beautifully by @SBrown400 "a film about embracing our contradictions & the messy parts where our beliefs, values, truths and desires converge"
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They were lining up, but I always knew Brooke Shields would play me.
A Castle For Christmas | Official Trailer | Netflix youtu.be/T_JbFba2i6s via @YouTube
YouTube
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@DanGreen1986 😂 the weird thing is, I had been thinking, once I completed my Creative Writing program, that I might move to Scotland, where my gran is from. Looks like Netflix called it.
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NYC, don’t miss the chance to see Zia Anger’s My First Film! spectacletheater.com/my-first-film/
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Hoping that film organisations and institutions will also be loud and clear in their solidarity with Palestine against the settler colonialism that continues to oppress, dispossess and destroy.
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These films made me think a lot about consent & boundaries in nonfiction filmmaking and beyond...
Sight and Sound magazine@SightSoundmag
Speaking truth to cameras: from Guido Hendrickx’s A Man and a Camera to Alison Kuhn’s The Case You, three new docs at @cphdox cast cold light on the presumption of the cameraman’s licence to probe, writes @SBrown400 ☞ buff.ly/3hDgOMR
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Sophie Brown retweetledi
“The Annings’ reticence suggests the guardedness that comes with a hard life.” @SBrown400 on Kate Winslet’s fossil-collector and her mother, making like Grey Gardens’ two Edie Beales in @strawhousefilms’s lovely #Ammonite ☞ buff.ly/39ciSpU
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Sophie Brown retweetledi
We close our #Sundance coverage with round-ups of the best of the fest: @kelli_weston on US dramas, @SBrown400 on US docs, @thomasflew on world dramas and @csaquinlan on world docs. PLUS over 40 capsule reviews on our blog. Until next year @sundanceorg! bfi.org.uk/sight-and-soun…
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Sophie Brown retweetledi
Cusp #Sundance first-look review: "What Cusp captures is the confusing hinterland between childhood and adulthood, but also the shocking, widespread sexual assault that most of them have experienced and come to accept as the norm." – @SBrown400. Read more: bfi.org.uk/sight-and-soun…
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Sophie Brown retweetledi
#Sundance first-look review: "All Light, Everywhere sits with the dissonance between expectations, as it invites the viewer to consider the appearance of things." – @SBrown400. Read the latest first-look reviews from #Sundance2021: bfi.org.uk/sight-and-soun…
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