Sandra Bezic

2.1K posts

Sandra Bezic banner
Sandra Bezic

Sandra Bezic

@SandraBezic

Producer, Director, Choreographer, Mom

Toronto Katılım Nisan 2009
191 Takip Edilen17.2K Takipçiler
Sandra Bezic retweetledi
Ryoma Sato
Ryoma Sato@joisino_en·
Model merging lets you combine fine-tuned models via simple parameter arithmetic (no extra training). I tried to demystify model merging with a theory-backed overview: why just parameter averaging can work. data-processing.club/merge/
English
0
7
187
416.6K
Sandra Bezic retweetledi
The Associated Press
Former U.S. competitive ice dancer Jordan Cowan is the first camera operator on figure skating ice in Olympic history, capturing intimate moments that the overhead or sideboard cameras cannot.
English
35
470
4.3K
464.6K
Sandra Bezic
Sandra Bezic@SandraBezic·
This is also cyclical - has happened time and time again when technical boundaries are pushed. Then a season comes along when they all hit their jumps. The tension between artistry and technical prowess is the heartbeat of figure skating. The balance is our ideal we must protect
Canadian Skate Fan@DelilahSkate

This tells us a lot about what's wrong with men's figure skating today. These programs (each with multiple major errors and falls) can be considered "good" because we're so desensitized to everyone falling all over. #FigureSkating #MilanoCortina2026

English
8
23
193
16K
Sandra Bezic
Sandra Bezic@SandraBezic·
One more note - my experience producing TV productions requiring music clearance has been in North America. I’m sharing what I understand from this practical experience only.
English
1
0
16
1.4K
Sandra Bezic
Sandra Bezic@SandraBezic·
Yes it has - but a caution - over the years tracks not registered on a PRO have slipped through on the blanket coverage. Now there is more awareness and scrutiny.
Jeanette.G@musicislove127

@SandraBezic I'm pretty sure the song has been used for exhibition programs before

English
0
0
4
1.6K
Sandra Bezic
Sandra Bezic@SandraBezic·
Finally (for today) it has been my experience that artists are usually thrilled their music is being used for skating. (They don’t always hold all copyrights). The artists who decline usually make that choice on principle, and that is to be respected. There are few “bad guys”.
English
0
3
27
2.1K
Sandra Bezic
Sandra Bezic@SandraBezic·
It may be legal from the music industry’s POV but not the IOC’s if they are asking for commercial clearance. Which is the IOC’s right I suppose. In my world it’s the producer’s responsibility to clear with a PRO blanket fee for a live event or full commercial use for taped. 2/2
Brent Wolgamott@OneLuckyGay

@cranberrycurd Sandra said the track is fine for a live performance. He didn’t edit it. He just played the song he owns and skated to it. He’ll be fine. x.com/sandrabezic/st…

English
0
2
9
2.1K
Sandra Bezic
Sandra Bezic@SandraBezic·
I THINK - I don’t know for sure. But if you go to Songview.com you can check. Hunting down a track to see if it’s registered is also a challenge. They may not be posted on the site. If it’s not there, it could still be register. At that point use a professional 1/
Brent Wolgamott@OneLuckyGay

@cranberrycurd Sandra said the track is fine for a live performance. He didn’t edit it. He just played the song he owns and skated to it. He’ll be fine. x.com/sandrabezic/st…

English
1
1
10
1.9K
Sandra Bezic
Sandra Bezic@SandraBezic·
Editing - music registered on a PRO - allows for edits “within reason” such as shortening to time, building an ending etc. This is expected. Commercially - a complicated layered edit usually requires the copyright holders to sign off. I would not use ClicknClear.
Jodi Beggs@jodiecongirl

@SandraBezic from the skaters' perspective, my confusion comes when we are told that we need to go through clicknclear or whatever it's called, so we are essentially being told that we need editing rights for a public performance (also thank you for this explanation!)

English
1
5
15
3.2K
Sandra Bezic
Sandra Bezic@SandraBezic·
And then there’s editing… and there’s Grand Rights. Two more complicated layers to add to commercial music copyright laws.
English
1
1
11
1.3K
Sandra Bezic
Sandra Bezic@SandraBezic·
When you clear music for commercial use - track by track must be cleared for each country it will be aired in. This is why most TV shows do not cross borders. It’s simply too expensive.
English
0
2
17
1.3K
Sandra Bezic
Sandra Bezic@SandraBezic·
My knowledge is basic after producing TV specials for decades We always have a professional to clear music. But I would assume music registered on any PRO from any country is legal for live event.
Jodi Beggs@jodiecongirl

@SandraBezic do these events get SESAC licenses too? at smaller events we're told that only ASCAP and BMI are relevant but there are a number of high-profile artists (eg. Adele) that use SESAC as their PRO

English
0
0
14
1.9K
Sandra Bezic
Sandra Bezic@SandraBezic·
It is important for artists and copyright owners to maintain control and also profit from their creativity - which is why the PROs were created. It’s also important that we respect their rights. Music copyright is so complex and this is a simplified explanation. 9/9
English
0
5
25
1.6K
Sandra Bezic
Sandra Bezic@SandraBezic·
Also one track from an artist may be registered to a PRO while another isn’t. It is always the copyright holder’s right to deny, or pull approval, even if they’re registered to a PRO , if they don’t like how their music is being used - such as at a political rally. 8/
English
0
5
17
1.5K
Sandra Bezic
Sandra Bezic@SandraBezic·
However, typically Prince, now the estate, almost always denies commercial use. So if you try to actually clear his music you’ll likely get a denial. Therefore, a track may be legal for the live event use, but unclearable for commercial use. 7/
English
0
5
20
1.7K