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smh
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day 246 of taking 15 sol -> 1000+
+0.00 sol
I didn’t trade today. Market was slow, but I can’t lie there were a few cooks I missed. I was busy with other things for the majority of the day, and by the time I got back on late night, volume was dead.
$Chungus hit a new ATH of 1.45m and is going higher. The community is super strong, there’s an account pumping out content daily, the meme is constantly being used on CT/TikTok, and it’s genuinely one of the best memes we’ve ever had.
Overall, going to try and be more active tomorrow since even though market was down, there were still opportunities to make money. Hopefully majors pick up soon.
Inshallah we keep getting better.

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#uever wake up n the middle of da night and think about a girl u like or startin to like and sit at da edge of the bed n say damn i want her
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why is jared mccain bench pressing 2.5lb plates

Philadelphia 76ers@sixers
how we feelin' about these? @cryptocom
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Send this shit to zero, hope everybody who trades this loses money.
Stalkchain@StalkHQ
$CHARLIE is the runner of the day
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so basically milady maker is a collection of 10000 generative pfpnft's in a neochibi aesthetic with randomized cosmetics inspired by 00's tokyo street fashion designed to be fashion-minded and genuinely good social media avatars and an invitation into their personal aesthetic world milady invokes a calming ethereal white-hearted angelicism in a blend of western and japanese aesthetics this is style weve taken to calling neochibi being a contemporary take on the chibi aesthetics once explored by artists like takashi murakami a part of a larger wave of avant-anime art being explored by digital artists such as mara barl qingxu and rednbou milady maker as a project aimed to both explore and evolve the field of pfpnfts fixing certain problems identified in earlier designs while approaching the novel space with an experimental ethos the development of a generative nft is something that cannot be separated from its financialization its future aftermarket is an intimate motivation at every aspect of the design inseparable from the uneven rarities that drive speculative interest in the art and the art itself is generate by the process of it being purchased rendered into and transferred as a financially valued asset its odd to us that this aspect has been rejected and shied away from by generative nft artists in this space apparently ashamed of the inherent commercialization of their work we find this attitude demure and misguided and one that prevents real exploration of the medium because it ignores half the conceptual interest in a generative project large series generative nft do not necessarily need to follow the holy trinity of magic value creation theyve inadvertently stumbled into but they do because it produces genuine markets virtual scarcity induced by an artificial total on-chain supply variable scarcity induced by uneven rarity distributions o create variable scarcity underpriced (no-price discovery) sale on an unknown/lottery basis each of these elements together produce a market where buyers can get in at a low price have a chance to obtain highly rare nfts that can be worth more than their purchase virtual conditions similar to a collectable card game but innovative (and profitable) for its transparency and efficiency this is a novel financial sector that happens to share confluence with artists as the lead directors of what is realistically an investment asset it is only natural as artists we would want to experiment with and explore every element that underpinning this medium which means recognizing the power our design has to control and define a microcosmic financial market its an exciting opportunity the design decisions described in this document can be understood as motivated by this excitement on one hand and on the other by being in a position to intervention as aesthetes the last motivation driving the decision to make milady is that its not just easy to us its a lot of fun and were addicted to having fun an interesting unplanned development in generative nft projects is buyers using the works as profile pictures on online communities in retrospect this makes sense as the field operates almost entirely by word-of-mouth from digital networks unfortunately this is not something that most of the earlier generative nft projects have designed with in mind miladys were designed to be great profile pictures from the start with a higher vertical ratio so that a square crop will be a perfect zoom to convey emotional expressiveness while still retaining the space to show off full accessories and the scoring overlay the design of the accessories also intentionally lent high-value rarities to larger or more distinctly colored pieces with the intention that a valuable milady can be read as such even as a thumbnail this is also why an nft header add-in is planned as the gen 2 production to cement our recognition of the unique relationship between generative nfts and online spaces - perhaps as an early organic structure for ethereum based identities assets were carefully curated to ensure good outfits despite being randomly distributed the chain algorithm was also added to lend the generated works more aesthetic coherency something that seemed missing in earlier generative nft projects which followed more straight-forward rng a major motivating factor for this design was also the desire for relative value to be intuitive without knowing the meta of the milady market one can ascertain higher or lower value miladys at a glance by appraising their drip this is achieved understanding the direct relationship between rarity and secondary market value distribution rates were decided by first assessing each accessory by its drip making the highest drip accessories most rare and thus most valuable with milady maker we were interested in approaching the generative art space from an angle of sartorialism by using the milady as a template for fashion accessorization the thematic cores were chosen around a loose narrative of throwback tokyo street fashion as seemed suited to miladys fusion neochibi aesthetic fruits magazine was a primary reference fruits was a very influential fashion photomagazine documenting subcultural street fashion in tokyo through the late 90s and 00s we chose to place the emphasis in rarity generation on cosmetic accessories rather than the base racial traits of the avatar achieved by having even distribution for most facial expressions/hair/race etc the initial plan was to have an even distribution of skin tone - pale peach brown and black - with extra-rare species - elf vampire etc however noticing that this was a standard in other humanoid pfpnft projects and that it resulted in a racist price floor with the black-skinned nfts being valued lower compared to tokens of otherwise same rarity see cryptopunks meebits rarity is a lever we can pull to predictably control future price speculation so we decided to buck the trend and make black miladys a rare trait ensuring a high value for these visually distinct miladys and they do simply look good accentuating the japanese ganguro aesthetic we began by defining the 5 cores to be covered under our thematic accessories gyarou harajuku prep hypebeast lolita each of these are distinct unmistakable style tribes in tokyos street fashion scene but were also chosen for the eclectic style clashing produced by the random generation resulting in interesting fits that work every hat and shirt accessory is defined under one of the five cores an algorithm was introduced to give a slightly higher likelihood for the second of the two primary accessories (hat/shirt) to be of the same core as the first to weight the scale in favor of aesthetic coherency we gathered up a moodboard of inspiration for each core mainly of street fashion shots and then had milady sonora simply draw up five to ten fits on top of a base milady template under each core all the items were prepared on separate layers so it was trivial to then pool together the complete set of accessories a curation process was then applied with the final list of assets based on the random generation that was produced and items that clashed too strongly - looking good only in its own perfect fit but not in other contexts crossed with other cores - were thrown out next we individually went through each accessory and gave it a 1-5 grade by its drip a gut feeling is it eye-catching is it cool and is it either expensive or take a lot of confidence to pull of this drip grading was then used to apply the rarity distribution for each accessory such that the most dripped cosmetics = most rare = most valuable milady a drip grade is tied to every accessory and trait but weighted in the final sum according to the visual prominence of the slot a rare earring is worth less than a rare hat finally a small bonus is given to miladys whose shirt and hat fit the same core to honor their coherent fit the drip grading is designed to accomplish two goals rarity can be immediately and quickly assessed based on the actual drip of the milady without needing to refer to any rarity chart the highly valued miladys which will ultimately come to represent the project in the aftermarket are rightfully those which look best a drip rank is applied based on the drip score ranking miladys into buckets from ss - s - a - b - c - normal these ranks are borrowed from standard japanese video- and cardgame ranking conventions in spirit with miladys sartorial citations the normal rank is the lowest grade one which we originally had demarcated as d but during testing our hearts melted for the drip-less miladys at the bottom of the rarity ranking we realized they held their own charm simple and sweet trying their best but not try-hard and couldnt bring ourselves to label them d instead we dropped the rank from their visual score card and gave them the trait normal in doing this we also hoped to produce an interesting counter-valuation at the bottom of the pool a speculative market for the most normal milady inverse to the valuation of high drip since minting has begun we have seen some speculative action on these lines the final step in milady generation is the visual score card comprised of 4 elements hat core shirt core drip grade drip rank the design was done in citation to japanese trading cards and a fun way to clearly categorize the milady traits that otherwise define them in the database beyond the actual generation of milady as an nft collection we have large plans as the worlds favorite avant net art collective tasked with saving the internet as a holy jihad which miladys sale just seeded new community tooling and spaces are being developed around the milady community to bolster it but milady as an nft functionally serves as identification card for our cult of 10000 authenticating individuals for new works new network experiments new shows and as elite aesthetes self-elected as surfers of the new wave
Gwart@GwartyGwart
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MERRY CHRISTMAS ☆ メリークリスマス!!
Shishi Santa is ready for a GIVEAWAY !
She’s gonna distribute AMAZING GIFTS to 4 LUCKY winners
☆ three Shishi NFTs
☆ one custom oh.. I’ve seen hand drawn by @shiro57102
Rules:
- retweet and like this post
- follow @shishi520_
* bonus entry if you wish Merry Christmas to Shishi *
Goid luck ٩(^‿^)۶

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