Sights Films

@azed_ai Lovely stuff

Seedance 2.0 prompt share 👇 Created on Dreamina

@minchoi @Feeltheghostcat Robocop!

T800 robot patrolling with SWAT in China… We are cooked 💀

This reel is pure excess-energy storytelling. Here are the exact Veo-optimized prompts per shot 👇

@CharaspowerAI @runwayml Emotion is strong here 💪

Even after weeks… Seedance 2 still impresses me on VFX. Made in @runwayml

They told us what happened. We’re not sure we were meant to hear it. SIGNAL 
A short film about a doomed space mission. Made in @Kling_ai

Invasion time

@beholdthe84 This is beautiful in the best way 💎 really nice work

We don't come in peace

@kurupuri0 Shock me till I’m done 😆

@johnAGI168 So smooth with it , this hits different

12 星座时尚穿搭指南，太多文字生成的话会乱码，可以不生成文字然后改成后期添加文字效果就更好👌

@NEXUS_TO_NOVA @XichengYe This is beautiful in the best way 🌙💎 really nice work

The Age of the True Warrior

@os_orabi @Kling_ai Okay this is CLEAN 🧼⚡️ so satisfying to watch

Wild Elegance 🐎✨ via @Kling_ai 3.0 ♥

@OlivioSarikas This goes hard 💥🖤 seriously love this

Holy shit! This is the state of AI film making today. What?!?!? 🤯 🤯 🤯

@ThoughCreator @15Bamakimbo @318shannon @aiwithaly @AIwithkhan @ananluluanan @aznbaka1 @scarlettzen1 @ScarlettEbonyCo @monicamoonx Nah this is too good 😭💫 you went crazy on this

AI Tech Cinematic Prompt A cinematic 12-second vertical video in hyper-realistic style, starting with an extreme close-up of a human hand slowly touching and revealing the heavily rusted, battle-damaged robotic arm and hand of a massive post-apocalyptic robotic knight. The robotic hand has sharp metallic spiked fingers and intricate exposed mechanical details. The camera then smoothly tilts upward and pulls back, revealing the robot’s torn dirty brown cargo pants, armored spiked shoulders, cracked and rusted torso armor with visible pistons and wiring, and finally the menacing helmet with angular visor. It continues pulling back into a dramatic full-body shot as the robotic knight stands powerfully in the middle of a destroyed industrial wasteland filled with ruined factories, smokestacks, and flying ash. The knight dramatically raises its enormous jagged serrated chainsaw sword, which glows with orange embers and sparks. It strikes a powerful battle stance, then swings the massive sword with force, creating explosions of dust, fire, sparks, and flying debris around it. Dynamic camera movement with slight cinematic shake, epic lighting with dramatic rim light and orange fire glows, thick smoke and atmospheric haze, intense post-apocalyptic mood, ultra-detailed 8K, photorealistic textures on rust, metal, and fabric, high motion, epic scale, masterpiece quality.

@MrDasOnX Incredible work here, this really stands out

No more running… this ends now! Prompt: 15 seconds multi-shot cinematic sequence with smooth transitions, consistent character identity, continuous environment coherence Global Style: ultra-realistic cinematic sci-fi, volumetric lighting, soft motion blur, detailed textures, dynamic shadows, 4K, shallow depth of field, dramatic atmosphere Main Character (consistent across all shots): A lone survivor wearing a dark torn cloak, metallic mask, glowing blue visor, subtle facial structure visible under mask, same proportions and outfit in every shot [Shot 1 | 0–3s | Establishing] Camera slowly pushes forward through a ruined futuristic city overgrown with vegetation, broken skyscrapers, dust floating in golden sunset light Motion: smooth dolly forward Audio: wind ambience + faint distorted radio signal whispering Dialogue (faint, glitchy): “...anyone… still there…” [Shot 2 | 3–6s | Character Reveal] Seamless transition into medium close-up of the survivor turning toward camera The glowing visor reflects movement in the sky Motion: slow cinematic pan + slight handheld realism Audio: heartbeat fades in Dialogue (whisper, clear): “It found us.” [Shot 3 | 6–9s | Threat Emerges] Camera tilts upward following the character’s gaze into the sky A massive alien structure slowly descends through thick clouds, surrounded by subtle lightning Motion: continuous upward tilt (no hard cut) Audio: deep bass rumble + distant metallic resonance [Shot 4 | 9–12s | Rising Tension] Smooth transition into tracking shot as the character starts running through debris-filled streets Background elements animate: drones flicker back to life, sparks, small explosions Motion: stabilized tracking shot with slight shake Audio: accelerating percussion + warning sirens Dialogue (urgent breath): “No more running…” [Shot 5 | 12–15s | Climactic Freeze] Character stops and raises a glowing device A visible energy pulse expands outward — everything freezes mid-motion (debris, sparks, air particles) Camera slowly orbits the frozen scene Audio: sudden silence → low resonant hum Dialogue (calm, determined): “This ends now.” On-screen text (cinematic fade-in): THIS WAS THEIR WORLD FIRST End Style Notes: smooth scene blending, no abrupt cuts, maintain lighting continuity, preserve character identity across all shots, cinematic pacing aligned with audio

@OrctonAI @madpencil_ Really love this 😮‍🔥✨ you absolutely nailed it

Where do I start? Hell is just the beginning! It's Crissy's trilogy Rock Finale. Its about the potential in us all to be Good and Evil and falling between both. Runway Seedance 2.0 Upscaled with Topaz Astra Precision 2.5 IMO the best Video I've put together. 😈🎸 🪽

@xRahultripathi @yapper_so This is seriously impressive 🔥👏 amazing work on this

Man to molten war machine in one cinematic shot watch this Made with Seedance 2.0 on @yapper_so Use Image1 as the only identity reference. Strictly preserve his real face shape, facial features, skin tone, hairstyle, and body proportions. Use Image2 as the only armor design reference. Strictly preserve the dark volcanic stone-textured mecha armor with glowing molten orange lava crack energy lines, hexagonal arc reactor chest core emitting orange-white light, battle-worn charcoal black segmented plates with angular geometric cuts, illuminated eye visor with orange-red glow, and massive bulked shoulder pauldrons with spiked protrusions. Cinematic VFX sci-fi transformation shot on Arri Alexa Mini LF with a low-angle steady-cam orbit. The scene features a rugged soldier Image1 standing in a dusty desert hangar; as he activates a wrist-mounted neural trigger, heavy volcanic dark-stone armor plates cracked with glowing molten lava veins and hydraulic pistons surge upward from his boots, encasing his body in a lava-core mecha frame. The camera circles closely as orange-lit copper wiring and obsidian-dark steel framework interlock with violent precision, capturinghis grimace of physical strain. The process accelerates with superheated steam and ember sparks venting from shoulder joints as a massive angular chest plate with a glowing hexagonal arc core slams shut. The transformation concludes with a deep volcanic resonance as a reinforced tactical helmet with burning orange eye slits locks into place. The atmosphere is gritty and visceral, driven by a rhythmic crescendo of clanking obsidian metal, crackling energy, and pressurized molten air, ending in a powerful, grounded stance with lava crack lines pulsing across the full armor silhouette

フルCG寄りのスタイルでアクションの実験したものを1本にまとめた動画です 以前の動画でプリズムの表現が個人的に面白いと思ったので今回も取り入れてみました #AIVideo #Seedance2

@MoreDhax Totally, but we’re pretty much at the point where manual editing may not be a thing :)

@SightsShorts It can’t always get it right at a go so sometimes manual editing completes the task

Same prompt. Seedance 2.0. Which result is better ? Higgsfield CapCut

@ChrisGwinnLA @dreamina_ai Perhaps you’re the AI filmmaking Argento haha

@SightsShorts @dreamina_ai Always good to hear from a fellow Giallo fan - thanks!

Giallo Girls Friday: Witnesses to a Crime. AI 1970s Giallo clip: Midjourney + Seedance 2. Made on @dreamina_ai

@yobsyobsyobs That’s why it’s good! I still prefer manual editing for long pieces 👍

@SightsShorts All clips had a huge amount of work go into them. Prompting, creating character sheets. Settings, scenes etc. Then edited using premiere. So massively manual to get the final piece.

Just finished the craziest piece i’ve ever made. No ones gonna see this but the younger me would be so proud of what i’ve achieved here and i just want to show the world. Made using seedance 2.0 on Higgsfield. Who wants to see the entire 5min cinematic?