Slant

Christian Petzold’s 'Miroirs No. 3' is a sneakily trenchant commentary on How We Live Now. Read our review. slantmagazine.com/film/miroirs-n…

Even in such close proximity to 'Frankenstein' and 'The Bride!,' DEAD LOVER still feels like nothing else. Read our review. slantmagazine.com/film/dead-love…

From 1927's WINGS to last night's ONE BATTLE AFTER ANOTHER, we've ranked every Best Picture winner! Which is your favorite? slantmagazine.com/film/oscar-bes…

BLACKPINK's 'Deadline' EP is built around compulsive chains of interlocking parts, executed with factory precision. bit.ly/BlackpinkReview

The low-grade euphoria that @Harry_Styles's 'Kiss All the Time. Disco, Occasionally." conjures is more akin to a runner’s high than an MDMA trip. Read our review. slantmagazine.com/music/harry-st…

Daniel Radcliffe performs a brilliant Broadway magic trick in EVERY BRILLIANT THING. Read @DanRubinsTweets's review! slantmagazine.com/theater/every-…

From Donna Summer's "Love to Love You Baby" to Rihanna's "We Found Love," check out our list of the 100 greatest dance songs of all time! 💃 #ThrowbackThursday slantmagazine.com/music/100-grea…

In its second season, Netflix's #OnePiece continues to embrace theatricality and artifice on a grand scale. Read our review! slantmagazine.com/tv/one-piece-s…

Phil Lord and Christopher Miller put a comedic spin on Andy Weir’s more straightforward 2021 novel PROJECT HAIL MARY, recasting the author’s hopeful vision of productive communication with extraterrestrials as an unlikely buddy comedy. tinyurl.com/3h77cmzw

Sofia Coppola’s MARC BY SOFIA spotlights the humanity and hard work that inform the look of luxury. Read @media_marshall's review. slantmagazine.com/film/marc-by-s…

PRETTY LETHAL is lean, mean, and feisty, even if it doesn’t quite stick the landing. Read @OneBigWiggle's review! slantmagazine.com/film/pretty-le…

LATE SHIFT depicts time and mortality, rather than class structures, as antagonists. Read our review. slantmagazine.com/film/late-shif…

The Oscars In Memoriam ignored him but I cannot. He was my friend. I put him in five films. In early January I buried James “PJ” Ransone after he committed suicide… He was a complex, funny, talented, and undeniably reckless person. He was wildly alive and deeply loved. I know he said some infuriating things online, but the last time I saw him, he cried with regret for all of that. “I didn’t mean to hurt anyone’s feelings,” he said. Please don’t trash him here. He is dearly missed.

That time Liz Phair and Jewel went pop and rock critics lost their minds. slantmagazine.com/features/pop-c…

Thierry Frémaux, director of the Cannes Film Festival, discusses the importance of the Lumières to cinematic history. slantmagazine.com/film/thierry-f…

'Lumière, Le Cinéma!' exalts pioneers of cinema without resorting to lazy hagiography. Read @media_marshall's review. slantmagazine.com/film/lumiere-l…

We chatted with 'Dry Leaf' director Alexandre Koberidze about why he’s fascinated by pixelated images and where he finds the rhythm of his work. slantmagazine.com/film/alexandre…

DRY LEAF’s tableaux are impressionistic in ways that recall Claude Monet’s plein air landscapes. Read @zwlws's review. slantmagazine.com/film/dry-leaf-…

READY OR NOT 2 is a retread of things that the first film pulled off with more deliciously cartoonish energy. Read our review. slantmagazine.com/film/ready-or-…

The long-awaited third and final season of 'The Comeback' feels less like comedy and more like dystopian horror. Read our review. slantmagazine.com/tv/the-comebac…