Spectre

🍰Yo! Call me Damien/ Spectre. I'm a Creative Director working in VFX and CG animation. My top 3 anime are: Ghost in the Shell, Neon Genesis Evangelion, Darker than black, FMA: Brotherhood instagram.com/damighost behance.net/SPECTRE spectreworks.net #PortfolioDay #3D

@akiman7 Happy birthday, Akiman! Your artwork capture my heart and mind from the first moment i saw it when i was 5 years old.

今日から62歳になりました。お弟子のたぬきちさんから色々沢山物品を頂いてしまって逮捕されそう ちなみにこの色紙は、アナログの練習として描いていただきましたが、一発目から素敵すぎてやばい 誠にありがとうございました(ﾟﾟ)(｡｡)ﾍﾟｺｯ

@D_studioproject @higgsfield_ai Please share the final Claude prompt.

Step 1: Connect Claude to the Higgsfield MCP workspace. Step 2: Find any product reference you want. Upload it and ask the agent to create a product reference sheet using that product as the reference. Step 3: Tell the agent to create a clean 3x3 storyboard for a fnb commercial using the product reference sheet. Step 4: Tell the agent: "Create a cinematic 15-second milku day brand commercial inspired by the idea that represents family gathering" Use the product from the reference sheet as the main product throughout the film.

Making a milk ad using Claude x Seedance 2.0 4K on Higgsfield MCP Workflow⬇️

@pabloprompt @xdownloaderbot

Todos íbamos con Japón 😔🇯🇵

@RohanCreates I started watching it for this reason. Its VERY heavily incfluenced by PTA. The cinematography breakdowns of the show are really nice.

Never seen Euphoria but the cinematography looks amazing

@RohanCreates Did the same with Noroi.

Watched half of it, at night, like an idiot. Couldn't sleep. Still haven't gotten around to finishing this movie 😅

@blauereiter I really admire your career. Thanks for all the cool inside info.

Throwback to some #SpiderMan : Homecoming shots that I worked on ( #VFX lighting ). It was my first ever Spider-Man film and I was really pumped. 😆 I've had the good fortune to work on 5 Spider-Man titles since, including #SpiderVerse & the upcoming Spider Noir series. 🕷️

Sure, your eyes aren’t tricking you. That clip looks better than the new trailer, and the reason has nothing to do with talent. The VFX supervisor on Amazing Spider-Man 2 in 2014? Jerome Chen. The VFX supervisor on Brand New Day? Also Jerome Chen. Same person. Completely different system around him. In 2014, Chen had 50 effects artists at Sony Imageworks, the largest VFX crew the studio had ever put on a single project. They handled about 1,000 of the film’s 1,600 VFX shots on a $255 million budget. The crew shot on real film (not digital), on location in actual New York City, scanned Times Square with 36,000 photographs of over 100 billboards, and built physical lighting rigs on set so the CGI would match the real world. Now look at how Marvel makes Spider-Man movies. No Way Home had 2,500 VFX shots spread across 12 studios and about 3,000 artists. The budget was $200 million, $55 million less than TASM2 despite having 56% more VFX shots. Digital Domain, one of the VFX vendors, was delivering final shots days before the December 17, 2021, release. They kept reworking shots into mid-January, after the movie was already in theaters. Zoom out, and the math gets worse. Marvel released 6 films between 2008 and 2012. From 2023 to 2025, they pushed out 7 films and 7 TV shows. The Hollywood union representing VFX workers reported that Marvel pays artists about 20% below industry average and staffs one person where other studios hire three. Artists described 64-hour weeks and breakdowns on the job. Then, in February 2025, Technicolor, the parent company of MPC (three-time Oscar winner for Life of Pi, The Jungle Book, and 1917), collapsed almost overnight. 4,500 jobs gone globally. The studio had been actively working on Disney and Paramount films when the lights went out. Brand New Day has four months before release, and trailers routinely show unfinished shots. But the gap between a 2014 Spider-Man and a 2026 Spider-Man has nothing to do with technology going backwards. The industry has been asked to do three times the work for less money per shot while its biggest studios are going under.

@lazaro45ive Great work man. Love the planet atmosphere, clouds and storm.

I spent 20 days creating these 20 seconds

Just saw some rando shitting on this. Why ?

@BradeskoUrban U da real fast moving explosion.

fast moving explosions with a lot of velocity. not a problem anymore.

@chrizmillr Finished the book just in time. cannot wait to watch this on the biggest screen!

All new PROJECT HAIL MARY trailer!!! This is a very special film. In theaters and IMAX on March 20, 2026.

@ddcuevat @blauereiter 'no one gets out alive' also on Netflix

@blauereiter I wish Hollywood would try more creatures like this

Jotunn, a splendidly grotesque creature #vfx from the 2017 horror film 'The Ritual' created by Nvizible. Sadly the film is a Netflix release, or I would have loved to pick it up on physical media.

@blauereiter Have you seen 'no one gets out alive' by the same author. (also on netflix)

@blauereiter 57! ive only bought 3.

I just updated my Art Books Review page - 57 titles so far for 2025, 1070 in total since 2009. Here are some of the latest reviewed titles; link to full list in comments below 👇

@blauereiter haha yes i had the same happen when i rewatched 'Firefly'

This is a most excellent movie, but something that will always amuse me is the part where Louise speaks to the general near the end of the film, and what is supposed to be Mandarin Chinese is...utter gibberish. Amusing since she is supposed to be an exceptional linguist. 🤣

@MattiaMerenda2 Now youre talking. keen to see.

H21, let's test MPM for blood and gore

@blauereiter Forgot its available to watch!

Yep, that's how insanely good the #vfx work is, esp the fluid sims. Naysayers be like 'bahh the movie has little cultural footprint', but for those of us working in VFX & know just a wee more about how challenging/difficult this is, it's like voodoo magik good. Docu is on D+.

@TSoS_ he is absolutely incredible in 'the king'. i feel like he got the Dune role because of it.

@blauereiter Took my mom to see it!

LOVE this movie ( Underwater / 2020 ). Great #vfx, creature/costume/suit designs, art direction. Hoping there'll be a 4K UHD upgrade.

@billyjarrettugh This movie and an article i read when i was like 6 scared me so damn much. I spent the longest time worrying this would happen.

Bringin’ this back