Damian Smyth

101 posts

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Damian Smyth

Damian Smyth

@StruellWells

Downpatrick Races (00); The Down Recorder (04); Market Street & Lamentations (10); Mesopotamia (14); English Street (18); Irish Street (23); Folly Lane (May 26)

Downpatrick : Lecale Katılım Temmuz 2013
473 Takip Edilen178 Takipçiler
VisionaryVoid
VisionaryVoid@VisionaryVoid·
America's Greatest WWI Hero Went Home and Asked for a Demotion. On the morning of October 12, 1918, First Lieutenant Samuel Woodfill left his men behind and walked alone toward five German machine gun nests near Cunel, France. He killed around fifteen German soldiers over two hours, with his rifle, his pistol, and, in the final pit, a pick-axe he found lying in the dirt, before staggering into a shell crater still thick with residual mustard gas. He spent the next ten weeks in hospital. General John Pershing personally presented him with the Medal of Honor at Chaumont, France, on February 9, 1919. France awarded him the Croix de Guerre with palm and the Légion d'honneur. Italy gave him the Merito di Guerra. Montenegro added its Cross of Prince Danilo, First Class. He was promoted to Captain. He returned to Indiana, spent three weeks trying to find civilian work, failed, and re-enlisted in the Army, as a sergeant. He gave up his captain's rank without complaint. As long as he was in the Army and living quietly, he was content. Two years later, General Pershing was selecting pallbearers for the interment of the Unknown Soldier at Arlington National Cemetery. Scanning the candidate list, he stopped at one name: "Why," he said, "I have already picked that man as the greatest single hero in the American forces." That man was Samuel Woodfill, who had told no one, sought nothing, and was living as a sergeant in a quiet apartment. He died on August 10, 1951, and was buried near Vevay, Indiana. Veterans groups pushed for a proper reinterment; in October 1955, his remains were moved to Arlington National Cemetery with full military honors and placed beside Pershing's grave. Years earlier, after the battle, someone had stolen his pack and his jar of strawberry jam. A cook gave him an apple pie. He said later: "I don't think any medal I ever got pleased me half as much as that apple pie." America named him its greatest soldier. He just wanted his jam back.
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Arts Council of Northern Ireland
Arts Council of Northern Ireland@ArtsCouncilNI·
Roisín McDonough, Chief Executive of the Arts Council of Northern Ireland, attended a special cultural Tea Art ceremony at the Chinese Consulate General in Belfast this week. The Tea for Harmony Yaji Cultural Salon is a global Chinese cultural exchange event and it was held in Northern Ireland for the first time. It marked #InternationalTeaDay and included exhibitions on Chinese tea culture, tea art displays, and tastings of Anhui Teas. Read more: artscouncil-ni.org/news/arts-coun… @CCGBelfast
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dhaughton99
dhaughton99@dhaughton99·
@For_Film_Fans Just watched. Anyone recognise the copper at the end with the dog?
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Michael Warburton
Michael Warburton@For_Film_Fans·
‘The Italian Job’ without all the flag shagging. A wonderful heist-thriller with barely a frame wasted (particularly in the opening car chase), a great 'London' film, and the movie that landed Peter Yates the “Bullitt” gig. ROBBERY (1967)
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TheLastRefuge
TheLastRefuge@TheLastRefuge2·
2nd from end, far right, first row
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Mambo Italiano
Mambo Italiano@mamboitaliano__·
To all the “new money” out there Imagine being the Italian Colonna family 🇮🇹✨ One of the oldest Roman noble dynasties, dating to the 1100s, boasting 23 cardinals, a Pope, patrons, scholars, military leaders And this, Galleria Colonna, is the hall of your private residence…
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Damian Smyth
Damian Smyth@StruellWells·
Amazing allegations. Dreadful, bullying, finger-pointing crap, ascribing political motives to artistic judgement. One ganch can't even thank the @ArtsCouncilNI representatives for turning up, referencing 'army councils'. That you @dcsdcouncil? Stay classy youtube.com/live/bfs5S2Ym-…
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Roger Scruton Quotes
Roger Scruton Quotes@Scruton_Quotes·
Scruton's conversation with artist Michael Craig-Martin, from the documentary Why Beauty Matters: Scruton: "When I first entered St. Peter's and confronted Michelangelo's Pieta, for me that was a transforming experience. My life was changed by this. Do you think someone can have the same experience with Duchamp's Urinal or perhaps with your Oak Tree, which after all is a similar thing?" Craig-Martin: “When I was a teenager and first came upon Duchamp and first came upon the ready-mades I was absolutely stunned in amazement. I don't think people are overwhelmed by a sense of beauty when they see the Urinal. It's not meant to be beautiful. But that doesn't mean there isn't something about it that doesn't captivate the imagination. And I think 'captivate the imagination' is the key to what art seeks to do. Duchamp felt that art had become too interested in technique, too interested in optics. He felt that it had become intellectually and morally corrupt. His reason for making an art work that didn't fit the system was not cynicism. It was in order to say 'I am trying to make an art that denies all of the things that people say art should have because I am trying to say that the central question of art rest somewhere else.'" Scruton: "I take it that things had to change and Duchamp was trying to change them. But what was he trying to change them to?" Craig-Martin: "Well, he could never in his wildest dreams have imagined that what would happen. He himself had no idea how central the thing was he had stumbled upon—essentially that a work of art is a work of art because we think of it as such. I also think it is important to say that the notion of beauty has been extended to include things that would not have been thought of—that’s part of the artist's function, to make one see something as beautiful that no one thought was beautiful until now." Scruton: "Right, like a can of shit?" Craig-Martin: "Well, I’m not sure it's beautiful—it's not trying to be beautiful. But take as an example Jeff Koons. Some of his works are astoundingly beautiful." [Shown: Balloon Dog (2003)] Scruton: "Well, it looks like kitsch to me—with sugar on." Craig-Martin: "That's the subject of his work, not the substance of his work." Scruton: "What is the use of this art? What does it help people to do?" Craig-Martin: "I think, hopefully, it allows people to see the world in which they are living in a way that gives it more meaning to them. And it's not the world of an ideal world of some other world, some better place, but of the here and now, the world that they're in and they're trying to live more at ease in the world in which they are living."
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Damian Smyth
Damian Smyth@StruellWells·
@jdmccafferty How nice to see this image, bringing the deep and wide Catholic intellectual heritage of England into clear view. The Lord Protector may have ransacked the tomb but failed to bury the tradition, as detailed in my old prof's magisterial study.
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John McCafferty
John McCafferty@jdmccafferty·
17 June 1235: Robert Grosseteste, philosopher, theologian, scientist is consecrated as Bishop of #Lincoln #otd
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Damian Smyth
Damian Smyth@StruellWells·
What is this garbage I am watching on BBC2 NI? 'St Patrick: Born in Britain, Made in Ireland' contains the line 'where St Patrick landed in Ireland is unknown'. If this is the case, then nothing that follows is verifiable. Nothing. Dreadful stuff.
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Damian Smyth
Damian Smyth@StruellWells·
Wonderful obituary in @irish_news of Mgr Raymond Murray (1948-2025), poet, historian, human rights champion, scholar, pastor & confessor
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Robert Fergusson (1750-74)
Robert Fergusson (1750-74)@RFergussonPoet·
🌟SUBMISSIONS CLOSE TODAY!🌟 There's still time to get your poetry submission to us for our collection of poetical responses to Robert Fergusson! Info at the link below ⤵️
Robert Fergusson (1750-74)@RFergussonPoet

To give you all a little extra time, the deadline for submissions to our poetry collection 'Contemporary Responses to Robert Fergusson' has been extended to Friday 28th February 2025! More information below ⤵️ robert-fergusson.glasgow.ac.uk/legacy/submiss…

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