Studio Eshi

162 posts

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Studio Eshi

Studio Eshi

@StudioEshi

Afrofuturism I Drums as code, Chi as data | Africa's future imagined | Drummers of the Dead

Katılım Ocak 2026
30 Takip Edilen10 Takipçiler
Studio Eshi
Studio Eshi@StudioEshi·
“African aesthetics” in a sci-fi setting isn’t Afrofuturism. Mud cloth print on a spaceship isn’t Afrofuturism. Afrofuturism is when the *logic* of the world comes from African traditions.
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Studio Eshi
Studio Eshi@StudioEshi·
@nneamaka_orji Love the art work, figures like Dike Nwaàmị̀ remind us that strength and legacy have always been part of the culture.
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Agọziem-Art
Agọziem-Art@nneamaka_orji·
Have you heard of Dike Nwaàmị̀, the Ohafia Female Warriors? Legendary women from the Ohafia community in Abia State, known for their bravery, long braided hair, and their warrior skill. They are honored as part of Ohafia’s warrior heritage, representing strength, courage, and cultural pride.
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Studio Eshi
Studio Eshi@StudioEshi·
@Prophecy_Comics At Studio Eshi, we’re building our debut comic, Drummers of the Dead, set in Neo Onitsha 2187, where memory is currency and drums power a quantum network. Follow the journey of Drummers of the Dead as it unfolds.
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Prophecy Comics
Prophecy Comics@Prophecy_Comics·
If you have an indie comic Promote yourself Network here
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Studio Eshi
Studio Eshi@StudioEshi·
Most “diverse” sci-fi is still just Western sci-fi with different faces. The setting is Western. The logic is Western. The cosmology is Western. Afrofuturism isn’t about adding Black characters to a Western future.
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Studio Eshi
Studio Eshi@StudioEshi·
That’s what building this comic taught us most. Imagination isn’t about making things up. It’s about paying close enough attention to what already exists.
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Studio Eshi
Studio Eshi@StudioEshi·
Most people think making a comic starts with drawing. It doesn’t. It starts with a question you can’t stop thinking about.
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Studio Eshi
Studio Eshi@StudioEshi·
Igbo talking drums already had grammar and syntax. Nsibidi already had a logic that looked like code. Uli already functioned like an interface. We didn’t create a futuristic Africa. We just followed the thread that was already there.
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Studio Eshi
Studio Eshi@StudioEshi·
Then came the real work; Research. Months of it. Reading mythology, colonial history, postcolonial theory. You can’t build a world that feels true without understanding the one that actually existed. Here’s what surprised us; The more we researched, the less we had to invent.
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Studio Eshi
Studio Eshi@StudioEshi·
Ours was: what happens to a culture’s knowledge when someone tries to erase it? Does it disappear? Or does it find another form? That question became Drummers of the Dead.
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Studio Eshi
Studio Eshi@StudioEshi·
Case File 001. Chiamaka Okonkwo. She was raised to be precise. To observe. To process before she speaks. A woman of lineage, discipline, and control. Then something impossible happened.
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Studio Eshi
Studio Eshi@StudioEshi·
The thing about African knowledge systems is they weren’t waiting to become relevant. They were always relevant. We just stopped looking at them seriously. What’s something from your culture that got dismissed as “just tradition”,but was actually way more sophisticated than that?
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Studio Eshi
Studio Eshi@StudioEshi·
In Igboland, women painted their bodies with symbols that moved with them. Not tattoos in the permanent sense. Living marks, ceremonial, temporary and intentional. They were called Uli.
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Studio Eshi
Studio Eshi@StudioEshi·
In Neo Onitsha, Uli tattoos interface with the Chi Network. They move. They respond to data. They’re how people carry their identity in a world where identity can be stolen. We didn’t invent that function. If Uli was already a communication system, what does that become in 2187?
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Studio Eshi
Studio Eshi@StudioEshi·
When colonization hit, it got dismissed as art. Which is a clever way of making something meaningful feel trivial. “Art” means optional. Aesthetic. Something you do when nothing important is happening. What Uli actually was: a knowledge system and a living archive.
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Studio Eshi
Studio Eshi@StudioEshi·
The easy version of Uli is: ‘beautiful geometric patterns.’ The real version is more interesting. Uli was a visual language. Practiced by women who knew exactly what each mark carried; spiritually, socially, ceremonially.
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CDIESEL
CDIESEL@capdiesel24·
It’s definitely way to early to show off this issue 6 cover for Reaper. but getting a cover done for a book always gives me a burst of creative energy. Seeing my brain idea on page. Helps my brain and spirit.
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