𓆩Chūn-chūn𓆪

I watched Elsa Majimbo rise right in front of me during the pandemic. As someone with a keen eye for influence, media manipulation, power dynamics, global structures, and hidden networks, I saw exactly how it happened. People were empty, locked down... fed controlled narratives, and desperate for anything real. Her crisp-munching, glasses-on comedy was pure authenticity in a moment when the world needed laughter. She blew up organically because she filled that psychological void perfectly... the same way Jerusalema or any viral moment did back then. But then she got ahead of herself. She shifted from creating engagement to chasing dominance in influence and fashion. It was no longer about making people laugh and connecting... she wanted to be seen as a superstar, a model, and a serious player, forcing her way into spaces that required real power structures behind them. She didn’t have the networks, the institutional backing, the aspirational pull, or the strategic patience to support that move. That’s not the lane that built her. Naomi Campbell, an absolute institution with 30 plus years in the game, someone who deeply understands media, influence, the real networks operating behind the scenes, and the darker currents that run through them, tried to bring her in and open doors. Naomi was riding Elsa’s wave but also offering genuine access. When she saw how naive Elsa was and that she didn’t understand the game at all, she dropped her. Elsa got angry and tried to blast Naomi publicly. Big mistake. Naomi is untouchable in this arena. Elsa messed up badly. She betrayed the very authenticity and the people who uplifted her in the first place. Now she’s pretty, but nobody’s aspiring to her look enough for designers to pay top dollar. She’s hit rock bottom with unrealized potential. I believe she’ll try coming back to the crisps and glasses, but you can’t run the same trick twice after you’ve shown the game and turned on those who helped you. The whole saga is a clear lesson in social psychology, media influence, pandemic-era power dynamics, and the fragility of viral fame... when the world is hungry and empty, authenticity wins fast. But trying to flip that into dominance without the right structures, support, self-awareness, or long-term vision... It collapses. Stay in your lane, protect your core, or watch it all fade.

The only time Jesus got angry was on moneylenders.

I love when they be clocking shit on TikTok

It's even more painful seeing that a draw would have made us qualify, I mean a Draw. God

They don't know. He's trying to prove something to himself and everyone with his work there. Inter wanted him and he said no.

It's even more painful seeing that a draw would have made us qualify, I mean a Draw. God

Election is next year, impeccable timing and genius choice of director - I will not ask foolish questions that will divert hate to his tribe, instead, I will rightfully focus all my hate at BBC as we all should.

Nearly 60 years after the Nigerian Civil War, the BBC is set to release "Surviving Biafra," a documentary by Grammy-winning Nigerian director Meji Alabi. According to the BBC, the film features accounts from soldiers and civilians on both sides of the conflict. Out June 1. 🎬

Nearly 60 years after the Nigerian Civil War, the BBC is set to release "Surviving Biafra," a documentary by Grammy-winning Nigerian director Meji Alabi. According to the BBC, the film features accounts from soldiers and civilians on both sides of the conflict. Out June 1. 🎬

Mahdi Shehu on Alleged 1995 U.S.-Backed Plot Against Abacha Mahdi Shehu’s account of the 1995 Durbar Hotel bombing speaks to foreign interference, regime change politics, and the hidden hands that have shaped Nigeria’s political history. According to Shehu, a U.S. Embassy political officer approached him in Kaduna, offered him money, and asked him to drop a parcel at the Durbar Hotel as part of what he described as a campaign against the Abacha government. Shehu says he refused, only for the hotel to be bombed shortly after, with journalist Bagauda Kaltho later linked to the incident. This story forces a larger question: how many times has Nigeria’s instability been engineered, sponsored, or encouraged by foreign powers, only to be later presented to us as our own failure? This is why Africans must pay closer attention to the history we are told, the history that is hidden, and the people who benefit from our chaos.