Swallowski retweetledi
Swallowski
36.9K posts

Swallowski
@Swallowski
Girl Dad. Nashvillian. Love my Vols, Titans, Braves, USMNT, Nashville SC, Preds & Man United. Below avg golfer. Lover of music. Always be ready. Never go quiet.
Nashville, TN Katılım Eylül 2011
2.2K Takip Edilen747 Takipçiler
Swallowski retweetledi

Tennessee CB Colton Hood after Pro Day:
"I’d say to any recruit out there, you give your all for Rocky Top, they’re going to love you back."
rockytopinsider.com/2026/04/03/col…
English
Swallowski retweetledi
Swallowski retweetledi

Swallowski retweetledi
Swallowski retweetledi
Swallowski retweetledi

@TypicalTuffyFan @JordaGainey You got a dog and a good one. Big loss for my Vols. 🫡
English

Swallowski retweetledi
Swallowski retweetledi

There have been 12 seasons in DI history where a player's hit 100+ threes on 40% shooting, while also shooting 50%+ from 2 and 90%+ from FT.
Tyler Lundblade has 2 of the 12.
Matthew Winick@matthewwinick
Tyler Lundblade is the best shooter Rick Barnes has ever had. He may be the single-best movement shooter in the country. And it’s still at least possible this won’t work because of the physical tools. Inevitably, you have to take a chance on a mega-elite skill here.
English
Swallowski retweetledi
Swallowski retweetledi
Swallowski retweetledi
Swallowski retweetledi

This is the shot you can’t get from the press site. This camera was sitting a few football fields from the SLS rocket at Pad 39B for days before launch, baking in the Florida sun, surviving rain, humidity, and whatever else the Cape threw at it. No photographer behind the viewfinder. Just a camera, a sound trigger, and a bet.
The way pad remotes work: you set your camera up days in advance, dial in your composition, lock everything down, and walk away. You don’t touch it again until after the launch. The shutter fires on sound activation
with a @MiopsTrigger smart+ trigger. With SLS, the four RS-25 engines ignite six seconds before the solid rocket boosters, so the camera is already firing before the vehicle even leaves the pad. You get home, pull the card, and find out if you nailed it or if a bird landed on your lens two days ago and left your a present and you got 400 photos of soemthing crappy.
There’s no formula for protecting your gear this close. Some photographers build wooden boxes with doors that pop open. Some use plastic bags and tape. Some do plastic or metal barn door rigs on hinges. I tend to leave mine open just in plastic rain covers because boxes limit my composition and setup time, but that means your cameras are more exposed to the elements and whatever energy and debris comes off the pad. You’re basically gambling a camera body every time you set one.
That’s what I love about this genre. There’s no playbook. You make it up as you go. Every time is an adventure.
📸 credit: me for @SuperclusterHQ - Artemis II pad remote | ~1,000 ft from Pad 39B | Kennedy Space Center

English
Swallowski retweetledi
Swallowski retweetledi

















