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NUEVO VIDEO: Soberbia en la Producción de Remakes y Secuelas [Un Argumento Espiritual] [魂]. Un video que tomó más tiempo del que debería y de cuya recepción depende mi permanencia en YT. Vayan a verlo!! youtu.be/Arxe79TpYco [ESTRENO]

A los ojos de los gringos, el inglés es este idioma tan esotérico y rico en capas de significado por cada palabra escrita que no puede ser traducido a ningún idioma conocido de manera fiel.

Ha pasado de todo

Argumentarán hasta el hartazgo que la traducción debe ser mu' fiel cuando se trata de un juego de putas Toby Fox, pero se harán de la vista gorda cuando te quejes una localización pedorra en juegos con diálogo más pesado.

It's so funny to see someone new watching the "one pace" version because you expect them to lose their mind during a top tier moment and they don't tweet about that moment at all, why? Because that project removed it because of their 1:1 terrible mentality Examples from 1100👇

What if Demon’s Souls was an AI game? AI Tools: Midjourney + Nano Banana 2 + Kling 2.5 Note : Let's be clear, this is just an experiment, light years away from the masterclass that is true AI gaming.

Another win for Expedition 33, can't believe it

Video games will never be taken seriously as an art form because neither the industry nor the audience treats them as art, and the audience is the larger part of the problem. Games are treated as products to be made fast, sold loud, consumed, discarded, and replaced. That is why Call of Duty and FIFA sell in the billions, not because they endure, but because they are disposable and familiar. This has nothing to do with graphical fidelity, art style, music, voice acting, or budget, even though players insist otherwise. For most people, “artistic merit” means how flashy, pretty, and expensive a game looks. Spectacle is mistaken for depth, and production value is confused with meaning. Games are not built to be evergreen because the audience does not want evergreen. The people who revisit old titles, engage deeply with systems, or approach games patiently are a minority. Most want the new release, the hype cycle, and the spectacle, then move on as soon as something shinier appears. This is the same reason Avatar makes a billion dollars per film yet leaves almost no cultural footprint. Audiences want stimulation for a few hours, then the exit. Art requires patience and trust, and games demand both. They ask players to learn systems, accept friction, and think. The audience rejects this. Anything slow, strange, or uncomfortable is dismissed as boring or pretentious, so risk is punished not just by publishers, but by players themselves. Because of this, metrics replace meaning. Engagement time, retention, and monetisation become the measure of success, because that is what the audience rewards. Art asks what something is saying. Products ask how long you stayed logged in. Games suffer most here because their greatest strength, player agency, is treated as an inconvenience rather than an opportunity. Legacy is impossible without permission to fail, and the audience does not allow failure. A bad novel does not kill literature. A bad film does not kill cinema. A bad game can kill a studio, because players demand perfection, constant novelty, and infinite support while rejecting experimentation. So the ceiling stays low by choice. Not because games cannot be art, but because an audience trained on disposability, spectacle, and instant gratification will not tolerate sincerity, patience, or risk. What survives is not what lasts, but what sells loudly and disappears quietly.

Al contrario: Decir que SOTC es bueno “porque parece cine” es el verdadero insulto a Ueda. Tener “buena composición” es un concepto de las Artes Visuales (Pintura, Fotografía), NO exclusivo del cine, y aún así, tienen la osadía de decirle cine a todo.

Le llamas “esencia de cine” porque te falta vocabulario. Eso se llama Dirección de Arte. El cine no inventó la música, ni la escenografía, ni la belleza visual. Dejen de subordinar los videojuegos a las películas para validarlos

¡NUEVO VIDEO! Esta vez, nos detenemos a reflexionar sobre los aciertos y desaciertos de Lies of P, uno de los Souls Like más aclamados de los últimos años. Pero, ¿Es Lies of P realmente el MEJOR Souls Like? youtu.be/H0MGAASHVfY

when you go to the rpgmaker function and u ask where the space funeral and hylics is at but they only got "mogeko castle" "wadanohara and the great blue sea" and "the coffin of andy and leyley"

Elden ring fans

Yeah... Trata de hablar bastante con los veteranos por que hay un montón de info que no encuentras en internet. Te convendría tener amigos para jugar regularmente también por que la gente suele ser muy avanzada. Eso, y que el juego no está completamente traducido.

do I even gotta say it

If you have no appreciation for art or audio direction sure

physical media >>>>

I’m begging Expedtion 33 fans to not turn this game into The Last of Us of RPGs

Cambio de miniatura para: youtube.com/watch?v=gF9OTR…