The Credits

“Does this sound Prada?” From Gaga to Madonna to breakout voices, music supervisor Julia Michels crafts the sonic identity of “The Devil Wears Prada 2”—where every track has attitude. motionpictures.org/2026/05/from-g…

“The confluence of beauty and terror—let them meet.” In “Is God Is,” Aleshea Harris turns revenge into something mythic, molten, and unforgettable—Kara Young, Mallori Johnson & Sterling K. Brown caught in the fire. motionpictures.org/2026/05/is-god…

Stephen Colbert said goodbye to “The Late Show” the only way he knew how—with sharp wit, big-hearted reflection, and a stage full of stars. motionpictures.org/2026/05/the-la…

Finneas O’Connell approached “Beef” season two as more than a scoring assignment—he saw the music as a parallel narrative engine. “The music should be a narrative tool that’s doing its own leg of storytelling,” he says, describing a score designed to track shifting perspectives.

“The confluence of beauty and terror—let them meet.” Writer/director Aleshea Harris on forging the fierce vision of her directorial debut, “Is God Is,” starring Kara Young, Mallori Johnson & Sterling K. Brown—where revenge, faith, and fire collide. motionpictures.org/2026/05/is-god…

“Sometimes we didn’t even know cameras were rolling,” says “Lord of the Flies” star David McKenna. Inside the jungle-set shoot where McKenna, Winston Sawyers & Ike Talbut found real chemistry—and raw, unfiltered performances. motionpictures.org/2026/05/lord-o…

“They want the spectacle…humor, gore, crazy heroics, and last stands.” Screenwriter Jeremy Slater takes us inside “Mortal Kombat II,” from crafting Karl Urban's wisecracks as Johnny Cage to shaping the epic character arc of Adeline Rudolph's Kitana. motionpictures.org/2026/05/mortal…

“These projects speak to humanity on different levels.” — Cinematographer Ashley Connor on crafting the intimate, grief-stricken world of Sally Field’s “Remarkably Bright Creatures” and the paranoid visual language of Tim Robinson’s “The Chair Company.” motionpictures.org/2026/05/from-o…

“Does this sound Prada?” — music supervisor Julia Michels built “The Devil Wears Prada 2” around icons & rising stars alike. From Gaga to Ledisi’s “Daydreaming,” Sienna Spiro’s “Material Lover,” & Madonna’s “Vogue,” here’s how she found the film’s sound. motionpictures.org/2026/05/from-g…

“‘We were just a bunch of kids trying to make something." Writer/director Curry Barker's stunning shocker "Obsession" became a TIFF bidding-war breakout—and a reminder indie horror can still shake the system. Barker reveals how he pulled it off. motionpictures.org/2026/05/curry-…

A new era of Bond begins now. Oscar-nominated casting director Nina Gold is searching for director Denis Villeneuve’s 007, launching a high-stakes hunt for cinema’s most iconic spy. motionpictures.org/2026/05/the-hu…

“Somebody elegant and beautiful but also filled with such desperation—that’s what Emily Blunt captures so well." Screenwriter Aline Brosh McKenna on writing Blunt's hard-charging, high-strung character in “The Devil Wears Prada 2.” motionpictures.org/2026/05/fashio…

"A fun, action-packed, heartwarming return to the big screen for #StarWars." First reactions to “The Mandalorian and Grogu” say Jon Favreau’s film brings Pedro Pascal and Grogu roaring into theaters—with charm, action, and a gladiator Hutt. motionpictures.org/2026/05/the-ma…

“The search for the next James Bond is underway.” Oscar-nominated casting director Nina Gold is already auditioning actors to step into 007—now under Denis Villeneuve’s watch. The stakes couldn’t be higher for one of cinema’s most iconic roles. motionpictures.org/2026/05/the-hu…

“She uses her dress to disarm people. It’s her Trojan horse.” Here’s how costume designer Daniel Lawson turned Carrie Preston’s #Elsbeth into a technicolor sleuth—and why NYC lets her style (and strategy) shine. motionpictures.org/2026/05/how-co…

“The goal was to advance the story with a look as real as possible.” DP Charlie Gruet on building a docu-style world that lets Tracy Morgan’s comedic genius feel raw, immediate, and unpredictable in NBC's hilarious “The Fall and Rise of Reggie Dinkins.” motionpictures.org/2026/05/how-dp…

“You don’t want to feel sorry for her. You want to join her.” That ethos shaped DP Tari Segal’s intimate, buoyant work on Apple TV's “Margo’s Got Money Troubles,” starring Elle Fanning, Michelle Pfeiffer, Nick Offerman, and Nicole Kidman. motionpictures.org/2026/05/how-dp…

Christopher Nolan explains the immersive vision behind “The Odyssey,” in which Lupita Nyong’o plays both mythic characters—the iconic Helen of Troy and her sister, Clytemnestra. motionpictures.org/2026/05/christ…

Sinqua Walls is headed to Metropolis. The “Friday Night Lights” and “The Blackening” star has joined James Gunn’s “Superman: Man of Tomorrow,” now filming in Atlanta—where heroes, villains, and the future of DC collide. motionpictures.org/2026/05/james-…

"One of the directives was to make sure the girls in the school felt like little girls and felt quite small." Martha Sparrow on designing Agnes' world, including Aunt Lydia’s school, and the terrifying elegance that defines #TheTestaments. motionpictures.org/2026/05/design…