The Gallery

Painted by Tidemand (the figures) and Hans Gude (landscape)

"Bridal Procession on the Hardangerfjord" (1848) by Adolph Tidemand (Norwegian, 1814-1876) and Hans Gude (Norwegian, 1825-1903)

@MuseeLouvre schongauer is so underrated. his engravings are unreal

🇫🇷 PROCHAINEMENT : exposition "Martin Schongauer. Le bel immortel" 🌹 Du 8 avril au 20 juillet 2026, découvrez l’œuvre de Martin Schongauer, l’un des artistes germaniques les plus importants et les plus populaires de la fin du Moyen-Age. L’exposition présente une large sélection de son œuvre gravé et dessiné et pour la première fois, la quasi-totalité de ses peintures de chevalet et retable, dont la « Vierge au buisson de roses » de 1473, son seul panneau peint daté. 👉Plus d'informations : louvre.fr/expos.../expos… ∴ 🌎COMING SOON: exhibition "Martin Schongauer. The beautiful immortal".🌹 From April 8 to July 20, 2026, discover the work of Martin Schongauer, one of the most important and popular German artists of the late Middle Ages. Born in Colmar around 1445, he established himself as a painter but owed his fame, even during his lifetime, to his work as an engraver. - The exhibition presents a wide selection of his engraved and drawn works and, for the first time, almost all of his easel and altarpiece paintings, including the "Virgin of the Rosebush" from 1473, his only dated painted panel. 👉More informations : louvre.fr/en/exhibitions…

@womensart1 a cow. they gave them a cow. 1882 was wild

Pennsylvania Academy,1882, female students were not allowed a nude human model to improve anatomical knowledge in a modelling, sculpture class, so were given a cow instead #WomensArt #WomensHistoryMonth

@metmuseum this show opens saturday?? need to be there

Discover the geniusness of Raphael in just three artworks! Opening on March 29 at The Met, “Raphael: Sublime Poetry” showcases masterpieces that reveal the remarkable breadth of his creativity—from lifelike sketching and classical inspiration to his pioneering role as an artist-entrepreneur. Read more in The New York Times about how three experts reveal why Raphael is just as significant as Leonardo da Vinci and Michelangelo → met.org/3PrCJJR

"A Church in Dubrovnik" (c. 1920s) by Alexei Hanzen (Russian, 1876-1937)

"Interior View of the Colosseum in Rome" (1804) by François-Marius Granet (French, 1775-1849)

"Vue d'Amalfi" (1859) by Alessandro La Volpe (Italian, 1820-1887)

"The Passage of the Bride" (1857) by Anton Dieffenbach (German, 1831-1914)

"Tannenwald (The Fir Forest)" (1888) by Anton Dieffenbach (German, 1831-1914)

"Italian Landscape with Figures" (1872) by Hermann August Krüger (German, 1834-1908)

"Henry VIII's First Interview with Anne Boleyn" by Daniel Maclise (Irish, 1806–1870)

"The Mussel Pickers" by Benito Rebolledo Correa (Chilean, 1880-1964)

@cartoonbarrel Thank you ❤️

@TheGalleryDaily Love your channel. If I ever walk away from what I do, painting is exactly where I'd be going.

"Low Church Devotion" (1848) by Adolph Tidemand (Norwegian, 1814-1876)

"Hunting in the Woods" (1879) by Ivan Pavlovich Pokhitonov (Russian, 1850-1923)

"Emigrants on Larsens Plads" (1890) by Edvard Petersen (Danish, 1841-1911)

"Midsummer Water Lilies" by Henri Biva (French, 1848-1928)

"The Capture of Carthage" (1725-29) by Giovanni Battista Tiepolo (Italian, 1696-1770)

"The Jolly Boat" by Albert Lynch (Peruvian, 1851-1912)

"Ruins of the Temple of Bacchus, Baalbek" (1840) by David Roberts (Scottish, 1796-1864)