Ryan Ebert 🦈🌙🍉

11.9K posts

Ryan Ebert 🦈🌙🍉

@TheRyanEbert

13x produced Screenwriter (Shark Side of the Moon) | Writer/Director: THE JOLLY MONKEY/PREDATOR WASTELANDS | 2x pulmonary embolism survivor.

Los Angeles, CA Katılım Kasım 2010

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Ryan Ebert 🦈🌙🍉@TheRyanEbert·1 Şub

I really hate doing this, but times are tough for as all. Thinking about tiers and benefits at the moment, but for now, if I’m going to get yelled at by someone in a mansion who thinks I’m an idiot, may as well try to have some ramen to comfort me. buymeacoffee.com/ryanebert

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Ryan Ebert 🦈🌙🍉@TheRyanEbert·4h

@FinishLineScrip Writing is a marathon. Rewriting is an obstacle course. Both are hard, just in different ways.

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FinishLineScriptComp@FinishLineScrip·9h

Writing is hard. Rewriting is harder. Who agrees?

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Ryan Ebert 🦈🌙🍉 retweetledi

Layne Morgan@laynemorgan·9h

Hey friends? you know what we aren’t doing? Promoting or even talking about that woman’s new show’s trailer. Don’t need your hot takes or theories or casting opinions or any of it. Trans people deserve better than your watery ass support.

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Ryan Ebert 🦈🌙🍉@TheRyanEbert·1d

@LukeBarnett @SamWritesMovies I joke that we used to have the embarrassing titles nobody wanted on their IMDb, but I’d much rather have Sharknado than My Alpha Werewolf CEO Uncle Impregnated Me.

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ʟᴜᴋᴇ ʙᴀʀɴᴇᴛᴛ@LukeBarnett·1d

@TheRyanEbert @SamWritesMovies I have 10x more respect for Asylum movies than these.

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ʟᴜᴋᴇ ʙᴀʀɴᴇᴛᴛ@LukeBarnett·1d

This is the lowest of low, when it comes to filmmaking. Everyone has a line in the sand. Verticals called “My Step Mom Slept with My Werewolf Uncle” shooting 18 pages a day is not “the future of Hollywood”.

TheWrap@TheWrap

Inside the future of Hollywood 🎬 No trailers. No hierarchy. No wasted time. On this micro-drama set, everyone—from PA to lead—is working side by side, shooting entire storylines in a single day and turning around full series in just over a week. TheWrap's Tess Patton visited sets around L.A. to explore what this billion-dollar, phone-first industry actually looks like behind the scenes.

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Ryan Ebert 🦈🌙🍉@TheRyanEbert·1d

@LukeBarnett @SamWritesMovies “*embarrassing trash”. Autocorrect is a nightmare lately

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Ryan Ebert 🦈🌙🍉@TheRyanEbert·1d

@LukeBarnett @SamWritesMovies When The Asylum shoots 18 pages a day, it’s “embarrass trash,” but when these tech bros make it for your phones, it’s “saving Hollywood.” 🤷‍♂️

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Ryan Ebert 🦈🌙🍉@TheRyanEbert·2d

@GianmarcoSoresi Now I just want a Muppet version of Bojack where Todd is the only human character.

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gianmarco@GianmarcoSoresi·2d

I refuse to hate on live-action adaptations until after we get one of Bojack Horseman

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Ryan Ebert 🦈🌙🍉@TheRyanEbert·2d

@LukeBarnett Tech Bros and Execs love realism. They want it to be as realistic as possible. That’s the goal. They have zero artistic ambition and it sucks the soul out of everything they touch.

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ʟᴜᴋᴇ ʙᴀʀɴᴇᴛᴛ@LukeBarnett·2d

WHAT ARE WE DOING

AD@almanaquedisney

Moana e Vovó Tala na animação e no live-action Levaram toda a cor embora bicho 🫠

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Ryan Ebert 🦈🌙🍉@TheRyanEbert·2d

@amusics These movies were in New Mexico, primarily Las Cruces

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