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Tim Grierson
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Tim Grierson
@TimGrierson
Senior U.S. Critic for @Screendaily | Often at @latimes, @rollingstone and @ebertvoices | Author of THIS IS HOW YOU MAKE A MOVIE | [email protected]
Los Angeles Katılım Haziran 2009
500 Takip Edilen8.6K Takipçiler
John Carney's POWER BALLAD starts off so promisingly. But, boy, does it go off the rails. screendaily.com/reviews/power-…
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Tim Grierson retweetledi
Screen International’s critics pick out some of the standout films from this year’s Cannes Film Festival, from key titles in the competition to hidden gems in the sidebars
More: buff.ly/anA1nYO
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"Not owning any Sonny Rollins records is like not owning any Aretha Franklin records--his sheer physical presence is something no aural sensualist should live without." -- Robert Christgau.
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I long to one day see James Gray's original cut of AD ASTRA that, at the very least, would not include that unfortunate voiceover narration. variety.com/2026/film/news…
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Cristian Mungiu has had five films play in Competition at Cannes in a row. During that time, he's won two Palme d'Ors, a Best Screenplay prize and a Best Director prize. That's a hell of a run.
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@Brian_Tallerico Very happy to have seen THE DEVILS together.
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So much love to all the people who took time to chat with me in Cannes this year. It was one of the best fests I’ve ever had in that regard. Appreciated so many great conversations. Thanks if you were a part of one.
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@rilaws Celebrating my return from Cannes in the only fitting way possible: Sunday morning/afternoon double feature of GROGU and BOOSTERS. (Sorry not to see you at the festival, Richard.)
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I know you were worried about this so just to ease your nerves, yes I *am* seeing Grogu's Day Out at 11am the day after I get back to the United States
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Here's the final @Screendaily Cannes Jury Grid. Maybe this year's Competition wasn't as strong as recent editions, but we did end up with four films averaging 3.1 stars or better (out of four), which is rare: screendaily.com/cannes-jury-gr…
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Another Cannes is in the books. Here is my ranking of everything I saw at the festival, as well as some thoughts on a "down year" and what I'm predicting will win the Palme d'Or. timgrierson.blogspot.com/2026/05/cannes…
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With only two Competition films left, here's where things stand with @Screendaily's Cannes Jury Grid. screendaily.com/news/la-bola-n…
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Tim Grierson retweetledi
‘Coward’ Cannes review: Two Belgian soldiers are drawn together amid the horrors of war in Lukas Dhont’s intimate queer drama. By @TimGrierson #Cannes2026 screendaily.com/reviews/521710…
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For @Screendaily, here's my review of Lukas Dhont's COWARD, a different kind of World War I love story. screendaily.com/reviews/coward…
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Twelve years ago, when Stephen Colbert was announced as David Letterman's replacement, I wrote a piece for @RollingStone about why he was the perfect pick. Sadly, I don't think Colbert ever fully lived up to that promise. For posterity, here’s my essay. rollingstone.com/culture/cultur…
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Tim Grierson retweetledi
‘I’ll Be Gone In June’ Cannes review: A German exchange student navigates post-9/11 America in modest, engaging Wim Wenders-produced debut. By @TimGrierson #Cannes2026 screendaily.com/reviews/ill-be…
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Tim Grierson retweetledi
Ira Sachs is why I go to the movies. Can't wait for his latest after these great Cannes reviews!
Tim Grierson@TimGrierson
THE MAN I LOVE: For a third straight film, Ira Sachs creates an atmosphere of electric immediacy that makes you think anything could happen at any moment. These people lived, loved, struggled and made art, and then they were gone. Sachs refuses to let them be forgotten. Stunning.
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THE MAN I LOVE: For a third straight film, Ira Sachs creates an atmosphere of electric immediacy that makes you think anything could happen at any moment. These people lived, loved, struggled and made art, and then they were gone. Sachs refuses to let them be forgotten. Stunning.
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@martin7o2o @Screendaily The film is a co-production between France, Latvia and Germany, so those are the countries that could submit it. (But, definitely, if it wins the Palme d’Or, it’s automatically eligible.)
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@TimGrierson @Screendaily Rooting for Minotaur specially since now the Palme Winner can go without a country not selecting it which could be likely for a russian language film.
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The latest edition of @Screendaily's Cannes Jury Grid is now live. And we have a new film in second place. screendaily.com/cannes-jury-gr…
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Tim Grierson retweetledi
‘Diamond’ Cannes review: Andy Garcia directs and stars as a noirish detective in disappointingly superficial LA story. By @TimGrierson #Cannes2026 screendaily.com/reviews/diamon…
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