Aldebaran

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Aldebaran

@TziBalam

Az insan,az yara...

Katılım Ağustos 2022
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Aldebaran
Aldebaran@TziBalam·
İçimizde biriktirdiğimiz sözler yüreğimizde köz oluyor usul usul kavuruyor bedenimizi yanmıyoruz tükeniyoruz kömür gibi ağır ağır kül oluyoruz farketmiyoruz ateşe alışmışız belliki. youtu.be/eBo_OEUbSfA
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Aldebaran
Aldebaran@TziBalam·
🧬Maxpein🧬@maximumpain333

“WHY DOES LIFE HURT SO MUCH?” A man asked the Buddha with eyes heavy with life. The Buddha looked at him quietly—not to answer immediately, but to understand. Then he said, “You are holding on to things that are meant to pass.” The man frowned. “Holding on to what?” The Buddha gently pointed to a nearby river. “Look at that water,” he said. “Yesterday’s river is gone. This moment’s river is already moving. If you try to hold it in your hands… it slips away. And yet, you suffer—not because the river flows, but because you wish it would stay.” The man was silent. The Buddha continued— “You cling to people… expecting them to remain the same. But people change, just like seasons.” “You cling to moments… wanting joy to last forever. But even the most beautiful sunset fades into night.” “You cling to expectations… how life should be, instead of seeing how it is.” The man lowered his head. “But why does it hurt so deeply?” he asked again. The Buddha picked up a small pebble and held it tightly. “If I hold this lightly,” he said, “there is no pain.” Then he clenched his fist hard. “But if I grip it tightly… it begins to hurt.” He looked at the man and said, “The pain is not from the stone. It is from the tightness of your grip.” The man’s eyes softened. “So what should I do?” he whispered. The Buddha smiled. “Learn to hold everything with an open hand.” “Love people… but don’t try to own them. Enjoy moments… but don’t demand they stay. Have hopes… but don’t let them become chains.” “Let things come. Let things go. And remain present with what is.” The man sat there for a long time, watching the river flow. For the first time, he didn’t try to stop it. And in that moment— a small, quiet peace found him. Because peace begins the moment you stop gripping what is already gone. ✨🙌🏾💫

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Ankor Inclán
Ankor Inclán@ankorinclan·
Hoy hace un año que nos dejó Pepe Mujica, quien dijo una vez: «La vida se te va. Lo único que no se compra es el tiempo. Por eso, gástalo en aquello que te haga feliz, en abrazar a quien amas, en luchar por lo que crees justo. No vivas para tener, viví para ser. Porque cuando te vas, no te llevás nada… salvo lo que diste.»
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Aldebaran
Aldebaran@TziBalam·
Kadınlar dövüşürken neden bu slogan yoktu?
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Aldebaran
Aldebaran@TziBalam·
Köken arayan arkadaşlar(türkçüler) işte köken,okuyun belki bakış açınız değişir(umarım) x.com/i/status/20542…
Archaeo - Histories@archeohistories

Gypsum Death Mask on a Woman's Head (3rd-4th Centuries AD), belonged to Tashtyk Culture (1st-4th Century AD), Siberia... Tashtyk Culture developed along the Yenisei valley and surrounding areas of southern Siberia from 1st to 4th Century AD, supplanting the Tagar culture. In 2009, a genetic study of ancient Siberian cultures, the Andronovo culture, the Karasuk culture, the Tagar culture and the Tashtyk culture, was published in Human Genetics. On the basis of this, Tashtyk tribes appear to be formed by a mixture of Turkish and Indo-European elements, in particular Iranians and descendants of the Afanasians. This culture has left us several settlements and hill fortifications in the Enisej region and in particular in the Sayan Mountains region, but also numerous petroglyphs. In the funeral environment, the impressive burial chambers inside the kurgans are worthy of mention, from which large quantities of clay and metal vases and ornaments come. Some of these artifacts -lacquers, bronze mirrors and the singular honorary insignia are distinguished by being imported products of Chinese origin. Some of the tombs contained leather models of human bodies, filled with grass, with heads wrapped in cloth and painted in bright colors. Inside these models were small leather bags that probably symbolized stomach and contained burnt human bones. In vicinity of the tombs, smaller-scale replicas of swords, arrows and quivers have also been identified, to which a particular symbolic value was probably attributed. Tashtyk Culture is particularly known for its richly decorated funeral masks. Despite the custom of cremating their dead, the Tashtyks used to place a funerary mask over the remains. Dr. Kiselev interprets the masks as real portraits of the dead and classifies them into three groups : • large faces with slightly pronounced cheekbones, full lips, eyes in a straight position and thin, long noses with a hump; • big, wider faces, rather full lips, straight eyes, straight noses; • thinner, elongated faces with slightly pronounced cheekbones, thin lips, eyes in a straight position, small, straight noses, slightly turned upwards. Of all these types, only the faces of the last group come close to the masks of the Tagar culture. The anthropologist G. F. Debetz argues that as a whole the masks of Tashtyk present a mix of europoid and mongoloid features reminiscent above all of the current Zori and Hakassi. In conclusion, the population carrying this culture could be interpreted as a fusion of western elements, probably Indo-European and Finno-Ugric, with oriental elements (in which Proto-Mongolians and perhaps Chinese converge) and therefore it is the natural candidate for the role of progenitor, at least in part, of the Turkish populations. (H: 23.5cm) State Hermitage Museum, St. Petersburg 🇷🇺 #archaeohistories

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