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Keir Starmer is a Wanker @Keir_Starmer

Keir Starmer @Keir_Starmer embodies the contemptible figure who would star in his very own Mr Men book titled Mr Wanker Nobody Likes Him. This frowning yellow character, complete with his trademark glasses, would stand there pointing accusingly while the entire nation turns away in utter disgust at the useless plank of a prime minister. He presides over a collapsing Labour Party @UKLabour that hemorrhaged more than thirteen hundred council seats in the disastrous May 2026 local elections, handing sweeping gains to Reform UK and leaving his government in complete tatters. Yet the idiot had the gall to whine about voters sending a clear message, only to promptly ignore it all. Instead of heeding the electorate, this performative fraud doubled down on the very right wing agitator style rhetoric he once pretended to reject. He issued fresh crackdowns on immigration and borders in a pathetic scramble to sound tough after months of failure and open floundering. Tens of thousands turned out in London just days ago for major protests against his rule, with far right rallies drawing crowds estimated in the tens of thousands. This highlighted the massive scale of public fury he has provoked through his two tier policing, donor freebies, and endless U turns. Far from learning anything, the creepy uncle continues his sausage gaffes, awkward storms from the dispatch box, and selective standards that shield certain groups while hammering others. All while pensioners freeze and the country descends into deeper anger and ridicule. Crowds at football grounds, darts events, and streets belt out Keir Starmer is a wanker, with sea shanties and parodies like Wan Keir Ahoy and Oh Keir you wanka turning him into the ultimate laughing stock. This leach on the public purse lectures on integrity only to pocket luxury gifts and deliver nothing but hypocrisy. He proves with every scripted nonsense that he is not a leader but a national embarrassment whose time has run out. Piss off you bloody wanker, get lost and beat it before the damage you inflict becomes truly irreversible.

Keir Starmer @Keir_Starmer stands exposed as a contemptible wanker whose empty posturing and rank hypocrisy have reduced British politics to a national embarrassment. Fresh from presiding over Labour’s catastrophic collapse in the May 2026 local elections, where his party hemorrhaged well over a thousand seats to a surging Reform UK and other rivals, this slick lawyer turned prime minister had the gall to claim that the electorate had spoken and sent a clear message demanding change. Yet true to form, the idiot promptly ignored that verdict by pivoting to the very right wing agitator rhetoric on immigration he once affected to despise, unveiling yet another crackdown complete with vows to take back control of borders and slash numbers while his government continued to flounder. This is the same man who lectures others on integrity only to pocket donor freebies, enforce two tier policing that shields certain protesters while hammering others, and deliver endless U turns that expose his total lack of conviction or competence. Starmer’s creepy uncle delivery, sausage gaffes, and awkward storms from the dispatch box merely compound the picture of a useless plank utterly out of his depth, a parasite on the public purse whose donor lined pockets and selective standards have left pensioners freezing, crowds chanting his name as a wanker at every football ground and darts venue, and the country laughing in derision at the laughing stock occupying Number Ten. Far from learning any lesson, this wanker doubles down on failure, proving with every scripted platitude that he is not a leader but a performative fraud whose time has run out, leaving Britain poorer, angrier, and desperate for anyone but him. Enjoy the peaceful protest you have going on! Piss off you bloody wanker, get lost and beat it before the damage becomes irreversible.

How do you expect to win with this production garbage. Fire your communication director, but let’s learn more about the clown that you hire for this nonsense that’s embarrassing you. @MicahGreen01 Micah Green, the embarrassing communications director for Pierre Poilievre, has a sleazy history tied to Switch Health where the company purchased cheap rapid antigen test kits from the South Korean manufacturer SD Biosensor and then flipped them to the Canadian government at prices $6.45 to $10 higher per test than equivalent kits from domestic producers like Artron Laboratories, ripping off taxpayers who funded the overpriced purchases before the kits were distributed for free. This import-and-flip scam let Switch Health land orders for 60 million tests as part of federal contracts totaling $365 million, with production costs for the overseas kits sitting dirt cheap in bulk while Green served as public affairs manager and senior adviser spinning the narrative to hide the gouging amid emergency procurement that skipped real competition. Green helped shield this racket from scrutiny while service disasters piled up with delays, botched results, and unqualified staff, and he has never been forced to explain his exact role in covering up how much Switch Health profited by buying low abroad and selling high to desperate federal buyers. Jordan Paquet, as vice president of public affairs and Green’s buddy in the scheme, joined him in defending the deals before committees alongside CEO Dilian Stoyanov, who hyped the company as a success while it relied on the markup sham that drained tens of millions extra from public coffers compared to cheaper local options that got sidelined. The entire operation at Switch Health, propped up by Green, Paquet, and Stoyanov, exploited pandemic opacity to secure the contracts, import the cheap kits, inflate the sale prices to the feds, and let taxpayers swallow the difference in a free giveaway that delivered lousy value, yet Green now spins for Poilievre without answering how much he personally pocketed from the profiteering or what strategies he used to downplay the pricing scandals exposed by investigators. Unanswered questions deserve sunlight on whether Green coordinated responses to hide the exact purchase costs from SD Biosensor versus the bloated resale figures, if bonuses tied to the $365 million haul influenced his communications, and why Poilievre would hire someone so embedded in this taxpayer-funded flip that exemplified the waste Conservatives pretend to hate, exposing a pattern of crisis insiders cashing in before retreating to political roles.

How do you expect to win with this production garbage. Fire your communication director, but let’s learn more about the clown that you hire for this nonsense that’s embarrassing you. @MicahGreen01 Micah Green, the embarrassing communications director for Pierre Poilievre, has a sleazy history tied to Switch Health where the company purchased cheap rapid antigen test kits from the South Korean manufacturer SD Biosensor and then flipped them to the Canadian government at prices $6.45 to $10 higher per test than equivalent kits from domestic producers like Artron Laboratories, ripping off taxpayers who funded the overpriced purchases before the kits were distributed for free. This import-and-flip scam let Switch Health land orders for 60 million tests as part of federal contracts totaling $365 million, with production costs for the overseas kits sitting dirt cheap in bulk while Green served as public affairs manager and senior adviser spinning the narrative to hide the gouging amid emergency procurement that skipped real competition. Green helped shield this racket from scrutiny while service disasters piled up with delays, botched results, and unqualified staff, and he has never been forced to explain his exact role in covering up how much Switch Health profited by buying low abroad and selling high to desperate federal buyers. Jordan Paquet, as vice president of public affairs and Green’s buddy in the scheme, joined him in defending the deals before committees alongside CEO Dilian Stoyanov, who hyped the company as a success while it relied on the markup sham that drained tens of millions extra from public coffers compared to cheaper local options that got sidelined. The entire operation at Switch Health, propped up by Green, Paquet, and Stoyanov, exploited pandemic opacity to secure the contracts, import the cheap kits, inflate the sale prices to the feds, and let taxpayers swallow the difference in a free giveaway that delivered lousy value, yet Green now spins for Poilievre without answering how much he personally pocketed from the profiteering or what strategies he used to downplay the pricing scandals exposed by investigators. Unanswered questions deserve sunlight on whether Green coordinated responses to hide the exact purchase costs from SD Biosensor versus the bloated resale figures, if bonuses tied to the $365 million haul influenced his communications, and why Poilievre would hire someone so embedded in this taxpayer-funded flip that exemplified the waste Conservatives pretend to hate, exposing a pattern of crisis insiders cashing in before retreating to political roles.

The Canadian Broadcasting Corporation @CBC stands at the center of a rotten and deeply unethical operation that has now been exposed for the second time in just days, revealing a much larger coordinated abuse of public trust and taxpayer dollars. What began as deceptive stings targeting academics and commentators who question aspects of the residential school narrative has escalated into systematic ambushes against RCMP veterans, all enabled by CBC Entertainment’s direct involvement in providing studios, travel funding, and institutional legitimacy, while the broadcaster’s news division pretends to keep its hands clean. The National Police Federation, representing 20,000 members, has publicly condemned the tactics, along with veteran testimonies detailing the harm, yet CBC’s response remains a weak pause for internal review rather than any admission of wrongdoing. Retired officers were lured under the fake “After the Call” documentary, pitched as an honouring of their service and post-retirement life, with even hints of royal family involvement. They were flown to CBC studios in Vancouver, asked to wear red serge uniforms, had their phones confiscated under false claims of standard procedure, and then subjected to berating over historical RCMP-Indigenous relations, with manipulative videos and humiliation. Many described it as retraumatizing, especially those already dealing with PTSD. This mirrors exactly the first wave against targets such as Frances Widdowson, Lindsay Shepherd, Jerry Amernic, Dallas Brodie, and Aaron Gunn, who were drawn in through fake companies like Heritage Figures of Canada and Forge Media, with prestige contracts, staged meetings, and symbolic props such as children’s shoes, before being ambushed on so-called denialism of Kamloops claims. Fake domains were registered in early April 2026, with one quickly removed after exposure. The exact match in tactics, from positive lures to trust-building with flights, contracts, and uniforms, then ideological confrontations, all stems from the same Borat-style laughtivism pitch made at Banff in 2024 for the production under the name Counting Coup, with working title Northland Tales, by NLT1 Productions Inc. The CBC has now paused production after the veteran backlash, with its Entertainment division reviewing footage to protect the news brand while raw material still exists and should be destroyed, exposing once again how the public broadcaster routinely shields its ideological projects behind artificial separations between entertainment and journalism. The responsible parties cannot hide behind Indigenous-led claims, and the CBC bears enormous liability as the primary enabler and co-producer that greenlit, funded, and hosted these deceptions in its own facilities, despite its long history of bias, waste, and ethical failures. NLT1 Productions Inc., based in Saskatoon and incorporated in February 2025, served as the core operator, with sole director Ryan Moccasin, a Saulteaux Anishinaabe individual, holding primary legal responsibility for the fake infrastructure, ambushes, and resulting harm, but it was the CBC that provided the platform, resources, and cover through figures like Katherine Wolfgang. Key creatives executing the hits include Dakota Ray Hebert, from English River First Nation (Dene), who played central roles in planning and on-camera confrontations; Gitz Crazyboy, from Piikani First Nations, as part of the activist trio concept; and others such as Shane Belcourt (a Métis individual), Tito Ybarra, Marlo Miazga, and Shant Joshi, all operating with the CBC’s eager participation. Tactics experts involved Igor Vamos, from The Yes Men, for hoax methods, and Molly Gore, using the alias Pam Gibson, for deceptive outreach, further enabled by the CBC’s willingness to lend its taxpayer-supported credibility to such stunts. APTN acted as a fully complicit co-producer in this scheme. Funding came through the Indigenous Screen Office and Canadian Heritage as part of the April 2025 $6.3 million batch for 28 projects, where most others delivered zero output after more than 13 months, yet this one produced active harm under the CBC’s direct oversight. This latest fiasco adds to the CBC’s already damning record of squandering over $1.4 billion annually in taxpayer funds while claiming news deserts as justification for more money, even as it faces a $192 million cut in the 2026-27 fiscal year and continues to hide subscriber numbers for its Gem platform by spending tens of thousands on legal battles. The broadcaster has repeatedly pushed residential school narratives with sloppy reporting that conflated ground-penetrating radar anomalies with confirmed mass graves, later issuing quiet corrections while aggressively labeling skeptics as denialists and amplifying calls to criminalize dissent. From greenlighting absurd content like talking testicle-shaped tomatoes delivering woke sermons to children in past shows, to selective coverage that downplays forensic gaps in Kamloops and other sites, the CBC has consistently prioritized ideological enforcement over journalistic integrity, all while demanding billions amid economic hardship, job losses, and eroding public trust. A letter has gone to Marc Miller’s office, with growing Conservative pressure for full inquiry, audit, and broader defunding of the corporation that enables such overreach. This scandal is much bigger because it confirms systemic failures at the CBC, where public funds fuel fake infrastructure and narrative policing rather than neutral content. The original domain research exposed the setups, and the veteran wave solidifies the pattern of targeting anyone challenging unverified grave narratives or defending Canadian history and institutions. Consent obtained through fraud is invalid, and this crosses into misrepresentation, privacy breaches, and potential fraud under Canadian law. Veterans who served the public deserve far better than betrayal by their own taxpayer-funded broadcaster. The same CBC that preaches reconciliation and trust has repeatedly deployed lies, manipulation, and humiliation as tools while shielding itself from scrutiny, connecting everything into one damning picture of waste and overreach, with the grant pipeline feeding directly into fake setups and narrative enforcement. The pause falls far short of justice. Footage must be destroyed, funds audited and recovered, and every approval in the CBC chain traced for real accountability, as this latest embarrassment underscores why serious reform, or outright defunding of the corporation, is long overdue.

The Canadian Broadcasting Corporation @CBC stands at the center of a rotten and deeply unethical operation that has now been exposed for the second time in just days, revealing a much larger coordinated abuse of public trust and taxpayer dollars. What began as deceptive stings targeting academics and commentators who question aspects of the residential school narrative has escalated into systematic ambushes against RCMP veterans, all enabled by CBC Entertainment’s direct involvement in providing studios, travel funding, and institutional legitimacy, while the broadcaster’s news division pretends to keep its hands clean. The National Police Federation, representing 20,000 members, has publicly condemned the tactics, along with veteran testimonies detailing the harm, yet CBC’s response remains a weak pause for internal review rather than any admission of wrongdoing. Retired officers were lured under the fake “After the Call” documentary, pitched as an honouring of their service and post-retirement life, with even hints of royal family involvement. They were flown to CBC studios in Vancouver, asked to wear red serge uniforms, had their phones confiscated under false claims of standard procedure, and then subjected to berating over historical RCMP-Indigenous relations, with manipulative videos and humiliation. Many described it as retraumatizing, especially those already dealing with PTSD. This mirrors exactly the first wave against targets such as Frances Widdowson, Lindsay Shepherd, Jerry Amernic, Dallas Brodie, and Aaron Gunn, who were drawn in through fake companies like Heritage Figures of Canada and Forge Media, with prestige contracts, staged meetings, and symbolic props such as children’s shoes, before being ambushed on so-called denialism of Kamloops claims. Fake domains were registered in early April 2026, with one quickly removed after exposure. The exact match in tactics, from positive lures to trust-building with flights, contracts, and uniforms, then ideological confrontations, all stems from the same Borat-style laughtivism pitch made at Banff in 2024 for the production under the name Counting Coup, with working title Northland Tales, by NLT1 Productions Inc. The CBC has now paused production after the veteran backlash, with its Entertainment division reviewing footage to protect the news brand while raw material still exists and should be destroyed, exposing once again how the public broadcaster routinely shields its ideological projects behind artificial separations between entertainment and journalism. The responsible parties cannot hide behind Indigenous-led claims, and the CBC bears enormous liability as the primary enabler and co-producer that greenlit, funded, and hosted these deceptions in its own facilities, despite its long history of bias, waste, and ethical failures. NLT1 Productions Inc., based in Saskatoon and incorporated in February 2025, served as the core operator, with sole director Ryan Moccasin, a Saulteaux Anishinaabe individual, holding primary legal responsibility for the fake infrastructure, ambushes, and resulting harm, but it was the CBC that provided the platform, resources, and cover through figures like Katherine Wolfgang. Key creatives executing the hits include Dakota Ray Hebert, from English River First Nation (Dene), who played central roles in planning and on-camera confrontations; Gitz Crazyboy, from Piikani First Nations, as part of the activist trio concept; and others such as Shane Belcourt (a Métis individual), Tito Ybarra, Marlo Miazga, and Shant Joshi, all operating with the CBC’s eager participation. Tactics experts involved Igor Vamos, from The Yes Men, for hoax methods, and Molly Gore, using the alias Pam Gibson, for deceptive outreach, further enabled by the CBC’s willingness to lend its taxpayer-supported credibility to such stunts. APTN acted as a fully complicit co-producer in this scheme. Funding came through the Indigenous Screen Office and Canadian Heritage as part of the April 2025 $6.3 million batch for 28 projects, where most others delivered zero output after more than 13 months, yet this one produced active harm under the CBC’s direct oversight. This latest fiasco adds to the CBC’s already damning record of squandering over $1.4 billion annually in taxpayer funds while claiming news deserts as justification for more money, even as it faces a $192 million cut in the 2026-27 fiscal year and continues to hide subscriber numbers for its Gem platform by spending tens of thousands on legal battles. The broadcaster has repeatedly pushed residential school narratives with sloppy reporting that conflated ground-penetrating radar anomalies with confirmed mass graves, later issuing quiet corrections while aggressively labeling skeptics as denialists and amplifying calls to criminalize dissent. From greenlighting absurd content like talking testicle-shaped tomatoes delivering woke sermons to children in past shows, to selective coverage that downplays forensic gaps in Kamloops and other sites, the CBC has consistently prioritized ideological enforcement over journalistic integrity, all while demanding billions amid economic hardship, job losses, and eroding public trust. A letter has gone to Marc Miller’s office, with growing Conservative pressure for full inquiry, audit, and broader defunding of the corporation that enables such overreach. This scandal is much bigger because it confirms systemic failures at the CBC, where public funds fuel fake infrastructure and narrative policing rather than neutral content. The original domain research exposed the setups, and the veteran wave solidifies the pattern of targeting anyone challenging unverified grave narratives or defending Canadian history and institutions. Consent obtained through fraud is invalid, and this crosses into misrepresentation, privacy breaches, and potential fraud under Canadian law. Veterans who served the public deserve far better than betrayal by their own taxpayer-funded broadcaster. The same CBC that preaches reconciliation and trust has repeatedly deployed lies, manipulation, and humiliation as tools while shielding itself from scrutiny, connecting everything into one damning picture of waste and overreach, with the grant pipeline feeding directly into fake setups and narrative enforcement. The pause falls far short of justice. Footage must be destroyed, funds audited and recovered, and every approval in the CBC chain traced for real accountability, as this latest embarrassment underscores why serious reform, or outright defunding of the corporation, is long overdue.