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I watched “Star Wars: The Mandalorian and Grogu”in IMAX. Back in 2019, I had only seen the opening of The “Mandalorian” while examining the LED-shot “virtual production” technology, but this time I had no problem diving in. Action, car chases, close-quarters combat, sword fights, gun battles, death matches, aerial combat, giant monsters, giant mechs. A complete “everything versus everything” showcase. CGI, puppets, special makeup, animatronics, stop motion. Even the behind-the-scenes craftsmanship feels like it has everything packed in. X-Wings, AT-ATs, AT-RTs, speeders, stormtroopers, droids. Nearly every element from across the entire history of the Star Wars saga is in as well. An entertainment spectacle made with craftsmanlike skill by Jon Favreau.

Project Rabbit is an Extraction Soulslike Action RPG inspired by Alice in Wonderland 🔹Built for Co-Op gameplay with "Duo-Skills" and a revival system 🔹Use dodges, parries, and a variety of combat skills to battle against beings consumed by madness 🔹Multi-layered skill tree and weapon mastery system 🔹Discover hidden treasures and forgotten secrets buried deep within the Abyss 🔹Multi-phased bosses 🔹5 biomes, each with its own guardian 🔹Not only creatures consumed by madness in the Abyss, but also other survivors 🎮Developed and published by Novaflare Games

La mujer que conoces en tu boda el día que te casas

El martes que viene ponen en PsPlus un juego que sufrió la tasa Ubisoft. 🪐 STAR WARS: OUTLAWS Un juego que si viniese con el sello de cualquier otra compañía sería alabado como ocurre con muchos juegos con una estructura MUY a este, pero como es de Ubi, “Es más de lo mismo” Un juego donde que se nota que se esforzaron en hacer las cosas bien, en no llenar el mapa de iconos y 100 tareas innecesarias. Cierto es que pudo salir mejor pulido, pero no salió roto y ahora mismo el juego no da ni un solo problema más allá de los puntuales que da cualquiera. Es uno de los mejores videojuegos de Star Wars, la ambientación es una locura (algo que jamás se le podrá criticar a Ubi) Las mecánicas de infiltración y sigilo molan y pasear por los planetas, por el espacio y montado en el speeder es una pasada. Si tenéis PsPlus y os llama mínimamente la atención, os lo recomiendo mucho. Igual descubrís que no hay que hacerle tanto caso a los que lo critican sin jugarlo solo por qué leyeron a alguien (que tampoco lo jugó) criticarlo. Ojalá una segunda entrega algún día 🙃

It would be fair to say that there was a fairly big disconnect between the game I wanted to make and the game EA Marketing wanted me to make when we were developing Madness Returns. The marketing team felt strongly that a Hard M title focused on gore, horror, and featuring a "psychotic" Alice was what audiences would respond to best. I did NOT want portray Alice as a psycho, cover her in blood, or "make things more sexy" (yes, that was a request). Famously, I pasted dildos onto the head of a giant snail in response to the "sexy" request and emailed that to the Marketing team. They stopped making those requests 😂 That I was even able to say "no" to any of this was a function of the finance deal that underpinned the project. It wasn't EA that funded the project - it was a bank in Los Angeles. And the deal was structured as film production deals are structured, via something called bond finance. This meant that so long as we stayed on schedule and budget, we maintained complete autonomy in relation to the design, story, and production. We had to stick to the original design and script that we submitted after the end of pre-production. And we did. For the entire project, we never missed a milestone. And as a result, we could say "no" to any and all requests or demands from EA. This setup was fantastic until it wasn't. When we got to end of the project, I knew we needed another 30-60 days for polishing (the game felt overly long in some places - editing was needed). EA, probably a bit out of spite, said, "no." Fair play. And so, we delivered the game precisely on budget and schedule without interface from EA. But also without the ability to request and receive a final month or two of editing. We made history in relation to all this. Madness Returns wasn't just the first AAA game fully developed by a Chinese team. It was also the first ever game to be bond financed in China. We were also the first team ever to tell EA gyf and (kinda) get away with it 😂

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