
The Wrathful Proser 🖊️ ⚖️
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The Wrathful Proser 🖊️ ⚖️
@WrathfulProser_
🦴Forensic Storytelling Anthropologist 📖 karma and justice ⚖️ YouTuber💀 I H8 BLAKE LIVELY FOR FREE #mommysleuth #anthropologist #truecrime #truthteller 🖤


Blake Lively Vows To Fight On After Baldoni Sexual Harassment Claim Dismissed: "Don't Be Distracted By The Digital Soap Opera" deadline.com/2026/04/blake-…







Blake Lively pleaded for recognition in intense letter bragging of ‘immense’ power trib.al/RGr86kU




The July 13, 2024 text from Ryan Reynolds to WME’s Patrick Whitesell shows he was very vocal behind the scenes against Justin Baldoni, calling him an “inexplicably toxic mess,” a “thoroughbred, predatory fraudster,” and saying no one had ever reached “the empyrean heights of vile” the way Baldoni had. This occurred months before WME dropped Baldoni on December 21, 2024 — literally the day after Blake Lively filed her complaint. It demonstrates that influence from a major client was present in the period leading up to the decision. This appears to conflict with WME’s public statement that there was “no pressure from Reynolds or Lively at any time” to drop Baldoni as a client. By comparison, Diddy — who was also represented by WME — had been arrested on serious federal charges in September 2024, yet did not face the same immediate, publicly announced termination of representation. In my opinion, the available evidence does not strongly support WME’s “no pressure at any time” position, and I suspect many people familiar with the case would agree. Ultimately, this raises bigger questions: - How is WME shaping the industry through its growing consolidation and influence? - Has this power imbalance made aggressive PR tactics more necessary for talent to protect themselves? - And how does it affect the choices available to artists in an increasingly concentrated talent representation landscape? This situation real just highlights real power dynamics in the talent industry. With increasing consolidation at agencies like WME (now WME Group), top clients appear to receive faster and stronger support, which can force artists into more aggressive PR and legal strategies just to protect themselves. It raises questions about how much real choice and fairness exists for talent when such imbalances are at play. storage.courtlistener.com/recap/gov.usco…







@schatow You realize that this dismissal had absolutely nothing to do with whether what Blake alleged was true?

















