ColeSmithWrites

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ColeSmithWrites

ColeSmithWrites

@WritesCole

Author: Waiting for Jacob, Ursula Spark and the Fourth Frankenstein, Writers Write Workbook Blogger: ColeSmithWrites Creative Vision Strategist

West Virginia, the best Virginia! Katılım Ocak 2018
647 Takip Edilen367 Takipçiler
ColeSmithWrites
ColeSmithWrites@WritesCole·
Do you say Happy Memorial Day? Somber Memorial Day? Reflective Memorial Day?
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Surtsey
Surtsey@SurtseyAna·
@WritesCole Again, I use loose scene building. Jo flicked the button on the kettle. Bob hopped onto the stool by island counter. Jo turned. "Cream & sugar?" Bob responded with an enthusiastic *thumbs up*.
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ColeSmithWrites
ColeSmithWrites@WritesCole·
For a long time, I struggled to MOVE characters around in space. Crossing the room. Driving around town. Not teleporting, somehow. It bored me to write those sections. If it's boring to me, it's boring to the reader, so I cut them and let the reader's brain move the characters.
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Armand Morelon
Armand Morelon@ArmandJville·
@WritesCole It's hard for the writer to trust the reader. It helps if he can remember his own reading experiences, but even those can be misty enough to mislead him. If the reader is right for your book, you can trust him. If he isn't? That's where my wisdom runs out!
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ColeSmithWrites
ColeSmithWrites@WritesCole·
For me, it was probably one more way that fear/doubt manifested as writer's block. "Gotta get this scene PERFECT with each character's movements!" It's been interesting to get feedback from readers and hear how their imaginations fill in the blanks. Co-creators.
Armand Morelon@ArmandJville

@WritesCole That is generally the best approach. It's applicable far more often than not.

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ColeSmithWrites
ColeSmithWrites@WritesCole·
@SurtseyAna The danger is there, but I think I was just overdoing and overthinking. Now I defer to the beta readers. If it trips them up, I fix it.
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Nitin Raghuwanshi
Nitin Raghuwanshi@nitinauthor·
@WritesCole That's actually the right choice, it sometime feel bored to read and even write because those scenes are repeated and have no goal, and yeah, I understand they are necessary for the story, but I think the decision to cut them is actually the right decision.
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🪶
🪶@Penjammin·
@WritesCole I love these tidbits ya drop. 👍
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ColeSmithWrites
ColeSmithWrites@WritesCole·
If your ideal reader was to wander into your brainstorming session, would he or she be able to follow the logic of your plot? What would that reader want? More thrills? More mystery? Add it in, now. Then write that content as fast as you can.
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ColeSmithWrites
ColeSmithWrites@WritesCole·
The tidbits I've been dropping are actually a case study for my masterclass. But I've been enjoying the process and connection and plan to continue 💜 Link to class and all the bonuses below 👇
🪶@Penjammin

@WritesCole I love these tidbits ya drop. 👍

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Lu for Alaska
Lu for Alaska@luinalaska·
My husband stole my laundry basket and I’ve just figured out why.
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ColeSmithWrites
ColeSmithWrites@WritesCole·
@CPT_Jack_Wigal Now if I can just keep them from leaning: against the doorframe, forward in the chair, back in the chair, forward again in confidence. No one's spine supports good posture, apparently.
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ColeSmithWrites
ColeSmithWrites@WritesCole·
Get a stack of 3×5 cards or sticky notes and cover your coffee table or a section of wall. Write the major plot points of your novel and assemble them in order. Take a bird’s eye view. What needs to happen to connect those events?
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ColeSmithWrites
ColeSmithWrites@WritesCole·
excellent tip
Surtsey@SurtseyAna

@WritesCole I tend to use the *trigger* method. If you remind them of a cafe they've visited, the reader will build the scene from there. Noting the yellow *wet-floor* a-frame, Jo proceeded gingerly to the counter.

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ColeSmithWrites
ColeSmithWrites@WritesCole·
Your description of that cafe in chapter three? Fudge it. No reader cares if you spent an hour and a half on Google, zooming in on maps of your setting’s real-life inspiration, just so you can nail “the ambience”. You’re a fiction writer–make it up and keep moving.
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