XTRA BOLD
8.2K posts
XTRA BOLD
@XTRABOLDAI
AI powered advertising and design agency
SF - LA - NY - MIAMI Katılım Ekim 2008
2.8K Takip Edilen717 Takipçiler
Prompts ⬇️
(Image1) is the young girl, preserve her exact identity: bright blue swim goggles, soaked hair, youthful face, calm deadpan expression. She remains the unmistakable focal point throughout, with natural blinking, subtle breathing, and realistic head movement. No identity drift or facial distortion.
Single-shot priority: one continuous, unbroken camera move from the first frame to the last. No cuts, no resets, no hidden transitions. The camera is already slowly pulling back and rising from frame one and never stops.
CAMERA MAP:
0.0–2.5s: Extreme macro of violent green-grey floodwater. Water churns, splashes, and ripples aggressively while the camera continuously pulls back. Heavy 35mm film grain is visible immediately.
2.5–5.5s: As the zoom-out continues uninterrupted, the girl bursts upward through the water in perfect sync with the camera movement. Water cascades naturally off her face and hair in suspended sheets, droplets exploding outward before settling. She calmly levels above the surface wearing bright blue goggles.
5.5–10.5s: The camera keeps drifting backward and upward. Panicked office workers rush through the foreground between her and the lens, throwing up huge arcs of water, diving, stumbling, and splashing while she remains perfectly composed at center frame.
10.5–15.0s: Full reveal of the flooded office breakroom. The pull-back finishes on a balanced medium-wide composition where she remains clearly readable and centered the calm eye of the storm.
Director's thesis: absurd deadpan calm surrounded by overwhelming disaster. The girl never reacts to the chaos around her; every other element amplifies the contrast.
Visual world: flooded fluorescent-lit office breakroom with seafoam-green walls, cream cabinetry, muted teal accents, harsh overhead fluorescent lighting, and violent green-grey floodwater. Floating office debris includes beige chairs, soaked paperwork, computer monitors, vending machines, and cabinets. A broken wall sink unleashes a roaring waterfall across the rear wall. Palette remains cold, institutional, and desaturated.
Shot flow:
0–2.5s: Extreme close-up of violently churning floodwater. The camera is already executing a smooth zoom-out while spray fills the frame.
2.5–5.5s: The girl rises dramatically through the surface as part of the same uninterrupted move. Water physics are completely realistic sheeting water, suspended droplets, expanding ripples, natural momentum. She immediately settles into an expressionless, completely unbothered stare.
5.5–8.5s: Foreground action intensifies. A man lunges across frame throwing a wall of water, another person dives through the flood, hands and bodies crash between camera and subject, creating constant layered motion without obscuring her for long.
8.5–12.5s: The wider room emerges. Dozens of soaked office workers scramble onto vending machines and cabinets, cling near ceiling tiles, drag furniture, haul one another through waist-deep water, and panic realistically as waves surge through the room.
12.5–15.0s: Final balanced medium-wide. The girl remains normal human scale, centered, calm, and sharply readable while chaos continues everywhere around her. The shot holds briefly for a seamless loop.
Performance rules: the girl maintains complete emotional neutrality, never frightened or surprised, never exaggerating movement. She blinks naturally, breathes subtly, and remains physically believable. Every surrounding person displays convincing panic, urgency, and realistic body mechanics.
Continuity: same girl, same blue goggles, same flooded office, same fluorescent lighting, same debris, same crowd throughout the uninterrupted shot.
Physics & realism: natural dynamic water behavior with believable weight and momentum. Waves surge continuously, spray hangs realistically, reflections shimmer beneath harsh fluorescent lighting, debris drifts naturally, and every splash feels physically accurate. Human motion is grounded with proper balance, inertia, and interaction with the flood.
Quality bar: cinematic disaster-film realism captured as a single photorealistic take. Heavy coarse analog 35mm film grain baked into every frame, thick and consistent from start to finish. Crisp 4K ultra-high-definition rendering with razor-sharp water detail, anatomically correct faces, stable identities, no warping, no melting, no uncanny artifacts, no AI gloss, and no digital smoothness.
English
Higgsfield has just dropped an open-source project behind their top original shots 🤯
Seedance 2.0 on Higgsfield now lets you study the exact prompts and assets used to create some of the platform's most cinematic viral videos.
We're still so early, but the pace of innovation in motion design right now is genuinely hard to comprehend.
Here's the full open-source prompts & assets below 🔽
English
@gregisenberg Tag myself
I teach AI all day everyday and I would like to demo some TV commercial tricks 😎
English
Who wants to come on my podcast this week?
2,000,000+ listens per month.
1. You teach one AI tool, skill, or framework that helps people build a business
2. You can have 1 follower or 1M, doesn't matter
3. You come prepared
Tag someone or tag yourself.
Lets go.
English
Hollywood studios think we're insane for doing this.
We're now putting out weekly episodes WHILE we begin production on a full-length feature film.
This week's Nexus episode is crazy 👇
Even more so because we got to use Seedance 2.0 4K in CapCut Video Studio.
4K is wild!
English
Out of almost 117,000 accounts following me I often wonder how many of you actually exist and are human
Say hi or drop an emoji if you are not a bot
English
