Jenefaisquepasser

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"Il y a des gens qui mentent tellement mal qu’on a envie de les aider." (Jules Renard)

@RJSUCH1 @AstroSterone @VictorSinclair3 Vous avez sûrement découvert les paroles. Oui, c'est un chant guerrier.

@AstroSterone @VictorSinclair3 je pense que dès qu'on aura éliminé la crapules du château, il faudra changer d'hymne national. Perso, je ne siffle pas la marseillaise, mais je commence à ne plus l'aimer ...

La bonne nouvelle de l’élimination des bleus, c’est qu’on va pas se taper le petit dictateur qui viendra rouler des grosses galoches a MBappe pour faire son petit malin devant les caméras du monde entier. Il doit être vert de rage le petit. Et rien que pour ça, je suis content…

@AstroSterone @VictorSinclair3 Tout à fait d'accord avec vous :) Après, rien ne prouve qu'ils soient français ou même qu'il y en ait plus de 10, 20 voir 100 personnes pour être large sur cette plate-forme ^0^

@VictorSinclair3 Impressionant cette détestation de tout ce qui est français. Ça en devient maladif de vomir sur tout, sous prétexte qu'on aime pas Macron. Vous avez tous sifflé la marseillaise aussi?

@JFBoilley Mdr

@GrandSachoir Il est d'un populisme désespérant.

Alexandre Jardin avait appelé au boycott du défilé du -4 juillet. Il n’a pas été écouté. Mais il a une explication avec une source fiable : lui-même. Les 50000 personnes présentes étaient des touristes qui ne parlent pas français. Juste assez pour demander leur Qrcode.

@Misterbeans2R @landofhop Quel rapport avec les canadaires ?

@landofhop Superbe

Époustouflant !! Les mecs sont de monstres Merci les gars !!!

Alex doesn't experience Beethoven as something that civilizes him. He experiences it as fuel. He puts on his beloved Ludwig van, and the music doesn't soften him. It sends him into ecstasy. His face changes, his body reacts, his imagination cracks open. And what pours out isn't beauty. It's hangings, explosions, Alex himself as a vampire. Kubrick said it plainly: he wanted Alex picturing the most inappropriate images a person could think of while listening to the Ninth. That's the whole provocation. Kubrick takes one of the great symbols of high culture and refuses to treat it as morally clean. The music is magnificent. Alex's relationship to it is monstrous. He doesn't love the Ninth because it makes him better. He loves it because, in his head, it lends grandeur to the evil already in him. The editing makes it physical. The close-up on good old Ludwig van, the flash of images, the four dancing Christ statues in his room that seem to move with the music. His bedroom becomes a private cathedral of corruption, and there's nothing reverent about it. Sacred imagery and slaughter collapse into the same fever dream. So this is more than "Alex likes Beethoven." It's Kubrick showing you something frightening: art doesn't redeem whoever consumes it. A violent mind can take something beautiful and use it to make its own violence feel holy. Which is why Beethoven matters so much later. When the state conditions him against the Ninth during the Ludovico treatment, the punishment isn't only physical. It destroys the one thing he ever felt as pure, uncomplicated pleasure. The irony is brutal. Alex used beauty to glorify his violence. Then the state used that same beauty to break him.

Happy 65th Birthday to Forest Whitaker!

Remembering Harry Dean Stanton, born 100 years ago today ~ Paris, Texas (1984) #botd

Until 1984, Harry Dean Stanton had never appeared in a lead role in a movie. One day, Stanton met Sam Shepherd, had a couple of drinks and told him that he was sick of playing heavies and losers and trash. Stanton further told Shepherd that he would love to play a character with some love and decency to it. Sam Shepherd listed patiently. Two weeks later, Shepherd called Stanton and offered him the lead role in Wim Wenders' "Paris, Texas" (1984). Stanton later said, “For the first time, I was allowed to get the girl (with emphasis). That’s such sacred territory in the business, a primitive battle over the female.” ("Harry Dean Stanton on Paris, Texas: For the first time, I got the girl", Mark Matousek, Interview Magazine, 2018)

Boris Karloff in The Mummy(1932) Universal

@MichelF29015597 C'est plié

Non mais oh, c’est quoi cette équipe de France ce soir ?

Trainspotting (1996) dir. Danny Boyle

@joaodos0212335 @Carene1984 Bien sûr, c'est tellement plus commode.

@Yep521 @Carene1984 Et toi tu a de la merde dans les yeux

Sous les applaudissements, grandes embrassades de Brigitte Macron avec les Zelensky sur les Champs-Élysées. Le niveau de familiarité est impressionnant. « Ils nous auront tout fait », vraiment

@MarcelGonzalvez @briceculturier D'où sort cette théorie ? Ça fait 2 ans que je l'entends et rien ne va dans ce sens pour le moment.

@briceculturier Non la guerre, il s’en fout ! Mon opinion c’est que ce serait un beau prétexte pour sortir l’article 16 et rester président.

Emmanuel Macron n'écarte pas la possibilité que la France puisse se défendre. C'est donc un "va-t-en guerre"...

Harry Dean Stanton & Nastassja Kinski 'Paris,Texas'

isabelle adjani on the set of possession (1981)

Roy Batty in Blade Runner (1982) isn’t wrong to rage against a system that treats replicants as disposable products with built-in expiration dates. His rebellion is justified. The murders he commits in pursuit of it are what turn a victim into a villain.

ONE FLEW OVER THE CUCKOO’S NEST turns 51 today. Jack Nicholson lived in the Oregon State Hospital before filming, eating meals & spending time with patients to prepare. Many of the hospital’s patients appeared in the film alongside the actors.

Preparing Godzilla, models and set to film the first Godzilla movie (1954)