Toan

Achats du jour

FLASH SPÉCIAL/RAPPEL Tome 3 du manga Run de @YesToan to Heaven disponible chez @AnkamaEditions . Tome 2 du manga Hajime (Topher, Tiers et Teddy Riner) disponible chez @pikaedition #mangas #mangasfrançais #mangasfrancophones

Je viens de commencer le 3eme tome de «Run to heaven» de @YesToan . Que dire à part que c'est toujours aussi brillant et que j'ai déjà hâte de lire la suite ! 🔥

Retrouvez nos deux sorties du jour!✨ 📗 Le tome 1/2 de Màlphas, notre nouvelle BD humour ! Quand Màlphas débarque sur Terre, c’est rapidement l’enfer... Par Serena Meo et Moloko. 📕 Le tome 3 du manga Run To Heaven ! En courant, Fee joue sa liberté, et bien plus... Par @YesToan

Faut que j’achète run to heaven et yon c’est urgent carrément

Ce jeudi 7 mai, retrouvez en librairie et sur Ankama Shop le tome 3 de Run To Heaven, par @YesToan ! 🏃‍♀️ Allez-vous courir aussi vite que Fee pour l'obtenir ? 👀

NOUVEL ÉPISODE DE PLANCHE FANTOME avec @YesToan à 14h open.spotify.com/show/5jVHzKC1K…

@Athan0r Je viens du futur !

@YesToan On dit ça on dit ça. Mais qui nous dis que tu n'es pas un cyborg en vrai ?

C'est marqué créé avec ia mais c'est une erreur, tous les dessins sont bien de moi !

Rth 3

@Sodenn_ Il paraît 😄 lis le tu verras bien !

@YesToan Il est bien ton manga ?

Et voici le planning des dédicaces pour la sortie du tome 3 de RTH cet été 2026 !

@haltemanga Un jour j'irais !

@YesToan A chaque fois je chercher Montréal comme un idiot...

@ed_le_fou Pas encore reçu d'invitations mais ça viendra un jour j'espère 😄

@YesToan Et Marseille ?! Voilà faudra que je patiente jusqu’à Japan Expo …

@Yukaa_draw Merci ☺️

@YesToan Les effets de la ville et la composition je m'en remets pas, c'est vraiment magnifique !

La couverture de Run to Heaven T.3 et ça sort le 7 Mai 2026 !

c’est trop trop beau. je vous invite vraiment à découvrir ce manga français, et à vraiment donnez une chance à tous les manga français parce que je suis désolé de vous le dire: vous loupez des pépites comme Run to Heaven ! Après je dis ça pour vous 👀

@Elliotlabatte Toujours ☺️

@YesToan On aura le sourire aux lèvres cette fois ? 🥹

Il paraît que c'est un chef d'œuvre alors soyez au rendez-vous 🫵

I recently heard that in some countries overseas, there are programs specifically aimed at helping artists enter the Japanese manga industry. As far as I understand, this kind of system exists in several countries. This is just one example among them. In other words, the goal of such manga education is for foreign artists to break into the Japanese manga industry. If that’s the case, then this might be an area where I know a little more than others. And it raised a few questions for me. 1. Why is entering the Japanese manga industry the top priority of manga education? Couldn’t the goal simply be to study “MANGA(漫画)” itself? Of course, I’ve heard many answers to this question over and over again. One of the most common is: “There is nowhere else to publish manga except Japan.” 2. Does that mean there are people who actually know how to enter the Japanese manga industry? Among the educators, is there someone who truly understands that path? 3. What does it even mean to ‘enter the Japanese manga industry’? For example, if a foreign mangaka has worked with one or two magazines, then they may understand how to work within those specific publications. But does that mean they understand how to enter the entire Japanese manga industry? If someone has experience serialized in Monthly manga magazines, do they know how to break into Weekly manga magazines? If someone has worked in Shōnen(Boys’ manga) , do they know how to enter Seinen(manga for young adults)? Is there anyone on Earth who truly knows “how to enter the Japanese manga industry” as a whole? And if not, does such a method even exist? In my opinion, if you are going to teach Japanese manga, it would be better to simply call it “Japanese manga class” or just “manga education.” However, when “entering the Japanese industry” becomes the goal of education, most students are bound to fail. I’ve heard that among around 140,000 foreign aspiring manga artists who challenged major Japanese platforms, only one actually achieved serialization. That means the vast majority of students and aspiring artists will inevitably fail if that is the goal. Even winning the international manga contests and awards does not mean one has successfully entered the Japanese manga industry. Even getting a chance to announce the one-shot and mini-series serialization does not necessarily mean true success. If students fail, then an education system that sets “entering Japanese manga” as its goal also fails. And when students reflect on their experience, they may realize that there was no teacher who truly knew how to “enter Japan.” They may come to feel that their education was ultimately in vain. As it stands, these “overseas programs for entering the Japanese market” are extremely risky—they have a very high probability of failure, or at the very least, they increase that probability. 3/5