Yugen Studio ~ 幽玄スタジオ

RT @cats_downstairs: 報名表正在準備中… 8月7日星期五 來自義大利米蘭 「幽玄之縛」 Bound In Yūgen @Rope_Tales @MartaTenshiko @YugenStudioIT 哇啊啊啊啊啊啊 https://t.co/AyV7…

RT @nawanaka1mon: Rope Tales is honored to present an online class with Naka Akira. This class is conceived as a moment of direct encounter…

RT @MartaTenshiko: Don’t miss the last number of YSM yugenstudio.it/product/yugen-… @YugenStudioIT Model Aurorainropes, rigger Gordias https://…

RT @MartaTenshiko: YSM in out!!! yugenstudio.it/shop/ @YugenStudioIT

RT @yasashiichiaki: The older I get, the less interested I become in performative dominance. What interests me now is nervous system hones…

One thing I learned from studying psychotherapy: People often call something “submission” when they actually mean relief. Relief from decision-making. Relief from hypervigilance. Relief from constantly performing a self. Sometimes what we eroticize is not power itself, but the temporary permission to rest our nervous system inside another person’s structure. That deserves more honesty than most conversations allow.

RT @MartaTenshiko: Ready for YSM @YugenStudioIT @NayraPetrini

RT @mistresshua: My Instagram was suspended! If you are on a IG please can you help report a problem to help me get my account back! If an…

このZINEの翻訳者Annaさんの仕事はとても丁寧で、大きな労力を要したと思う。 例えば緊美研の会員の中に、名前の音読みが駄洒落になっている人がいた。 その駄洒落が彼のフェティシズムを表しており、Annaさんはそんな複雑なところまで質問して理解してから翻訳してくれた。 頭が下がります。

This is the rare memoir of a man who rebuilt his life through rope. I wrote it hoping those questioning their existence will read it. And, I believe readers will sense the atmosphere of Japan's Heisei-era bondage scene. Gratitude and Respect for Akira Naka and Yugen Studio🙏

A must-have for those who wish to better understand the roots of Akira Naka’s aesthetic, his heritage, and the quiet intensity behind his ropes. Text: Tsubaki Kanda Publisher: King Koala Curation and editing: Yūgen Studio Translation: Anna

Printed on natural usomano paper, this edition preserves the tactile quality of traditional Japanese publishing. With just over 25 pages, the volume blends personal reflections, historical insight, and cultural context, a rare window into a world usually hidden behind curtains.