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With the latest Toshiaki Toyoda film Transcending Dimensions out on May 25, let’s look back at one of his greatest films: Blue Spring #青い春 from 2001
Also on bluray from us, along with almost the entire @toyodatoshiaki filmography!
thirdwindowfilms.com/director/toshi…
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Espero @BanalPodcast haga un Episodio sobre esta "visita" @WilliamBrinkman
Pablo Ferri @ferritortola.bsky.social@Ferritortola
Para algo sirvió el viaje. ¡Ya escribe México bien! 👏👏👏👏
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There's a movie out today called SILENT FRIEND that's 2.5 hours long and is primarily about Tony Leung befriending a tree. It's extraordinary. vulture.com/article/in-mes…
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@WilliamBrinkman @BanalPodcast No a ella,sino a la gente en MX que la recibe..
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@aateemooc @BanalPodcast No hay que darle bola a esa idiota
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’80s REMAKES (AND THEIR ORIGINALS!) 🎞️ 📼 Coming to @criterionchannl on May 1! bit.ly/4vPjhY2
As a new generation of movie-mad directors emerged in the 1980s, they drew direct inspiration from the films they grew up watching and obsessing over. The result was a striking run of idiosyncratic Reagan-era remakes in which filmmakers such as John Carpenter, Paul Schrader, and Jim McBride breathed new life into familiar stories. Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.
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¿Quieres conseguir un ejemplar de la nueva edición de mi libro MONSTRUOS GIGANTES DEL CINE JAPONÉS? 📕🐲
Para participar:
1. ➡ Sígueme a mí y a @Diabolocomics
2.🔁Retwittea este mensaje
¡Tienes hasta el 16/04/2026 a las 22:00 para participar!

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@RModulada @pazespa @jjnegretec A mi un chango en el tianguis me robó mi cóctel de frutas recién comprado. #Derretinas
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A new documentary centred around the UK's "rave revolution" of the late '80s is set to premiere this month 📺
mixmag.net/read/documenta…
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The Prodigy’s ‘Firestarter’ turns 30 today 🖤
Released on XL Recordings in 1996, the track became one of the defining records of the decade. Its iconic video, directed by Walter Stern and filmed in a disused London Underground tunnel, remains one of the most recognisable visuals of the 90s.
The stark, black-and-white shoot wasn’t the first video made for the track. An earlier, higher-budget version had already been filmed but was ultimately scrapped, leading the band back to a stripped-back concept that placed Keith Flint front and centre and captured the performance that would come to define the record.
Firestarter went on to top the UK charts for three weeks and became a worldwide hit.
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