Milo adores ADÉLA 💗

What is your favorite song on this album?

@dramaticweasel It’s worse than we say

is europe REALLY that hot rn my oomfs are acting like they are tweeting straight from the pits of hell rn😭😭😭😭😭

@chihiropastlife @tayopalitely She looks the fucking same LMAOOOOOO

@tayopalitely LIE AGAIN!!

@thecoraesthetic @Mr_Husky1 Concert tickets in Germany were between 80 and 240. if you paid more than that it was either last minute / scalpers resale or otherwise. Blame the USA—not Taylor.

@Mr_Husky1 Gee, call me crazy, but what if she had simply made her concert tickets actually affordable for her teen fans. Color me unimpressed when a billionaire gives away $3,000 - $13,000, and then is applauded for it.

It was a Monday in early August 2023. The exhausted truck drivers of Taylor Swift's Eras Tour thought they were heading to a routine production meeting before the Los Angeles shows. They had no idea what was coming. Scott Swift walked in. Taylor's father didn't say much—he just began handing out envelopes. When the drivers finally peeked inside, some thought the check said $1,000. Others read $10,000. The third driver stared at his and said out loud: "This has to be a joke." It wasn't. $100,000. Each driver. Nearly 50 of them. The industry standard bonus from the biggest stars? $5,000 to $10,000. Taylor had given them more than ten times that. But here's what made it matter most: these drivers weren't wealthy. They lived in truck cabs. They hadn't seen their families in 24 weeks. They were people who would never own homes—until now. Until that envelope. That moment of shock and tears? It was just the beginning. Across the entire Eras Tour, Taylor quietly handed out $197 million in bonuses. The dancers. The band. The riggers. The lighting and sound technicians. The caterers. Every single person who built the show—they got bonuses, handwritten notes, and wax-sealed letters. When dancers opened theirs on camera in her docuseries, they broke down crying. Some couldn't believe she was real. "If the tour grosses more, they get more," she explained simply. These people work hard. They deserve it. But the crew bonuses weren't the only quiet revolution happening. Starting in March 2023, in every city where the tour touched down, a call came to local food banks. Taylor wanted to donate. No press conference. No announcement. No photo op. One donation fed 75,000 meals. Another provided hundreds of thousands of pounds of fresh produce. Across the tour, the total reached millions of meals—possibly more—all delivered in silence. She never posted about a single one. And it wasn't new for her. In March 2020, when the pandemic locked down the world, Taylor scrolled through social media posts from fans who were breaking. A photographer about to lose everything. A person staring down eviction. She sent direct messages with rent money—$3,000 here, $13,000 there. Some fans got enough for months of bills. She read the Washington Post. She noticed the names. She helped. She never announced it. Years later, in October 2025, a two-year-old named Lilah—fighting a cancer so rare that only 58 families in America had ever known it—was filmed by her mother dancing to a Taylor Swift song. Lilah called Taylor her friend. A few days later, the GoFundMe received a $100,000 donation. The note said: "Sending the biggest hug to my friend, Lilah! Love, Taylor." Mike Scherkenbach has worked with the wealthiest people in music. He's seen the bonuses. He's seen the behavior. He's watched billionaires guard their money jealously. What he saw with Taylor was different. The biggest tour in history grossed $2 billion. The artist behind it became a billionaire from her own songwriting. And then she signed her name onto hundreds of envelopes by hand and sent enough money back to the people who built her dream that they cried opening their letters. That isn't strategy. That isn't a publicity stunt. That's what happens when someone, somewhere along the way, remembered what matters.

@gutsbian 😂😂😂😭😭

and when the cure release a song called olivia rodrigo then what

@lizzo @neoromantixcs They hated Jesus too xx

@VaelisFox You should see a psychiatrist

should i pull a Taylor and ask Olivia for credits? cuz...😭

@eternal1te wildflower IS a shit

wcbf IS a hit wildflower IS a hit tfoo IS a hit the cure IS a hit arirang is NOT a hit house tour IS a hit

@eternalsaith brain = rotten

girl… what’s going on with this era 😭 the only good part are the strings of the end

@stillswiffafboi @dltas1989 While TSMWEL is boring as fuck until the bridge, this song has interesting building and not only the Bridge/Outro is interesting but the whole song. Taylor songs always have good parts but the whole thing is interesting 10% of the time

Like it's not even bad, it's just boring af. At least a bad song is interesting and can be perceived as good by someone else, but when it's boring....it's just boring. Nothing else

@cumpetras23 @moneyisagun @slayyyter PicsFART 💜 you was ENDEDDD

@moneyisagun @slayyyter That's PicsART😘

fixed it

this ending i swear i died and went to heaven

@mazzypopstar @pushecn 😭😭😭😭😭😭

how you a showgirl but don’t wanna show up anywhere girl 😂

@ChartsOfRaini 😭😭😭😭😭😭

Ai could NEVER replace this

@aidan7501 Different notes, subtle but different and also different rhythm and instrument. There are 12 notes in the world. Coincidences happen. The songs itself couldn’t be more different.

Yo

@kimpetras @kimpetraschartz @NICKIMINAJ apologize right now ho

@kimpetraschartz :( ... wish this would feel good but it kinda doesnt lol

‘Alone’ by Kim Petras & Nicki Minaj has now surpassed 100 MILLION streams on spotify.

@BuzzingPop „I love Khia Asylum forever“

Ed Sheeran left Warner Music after 15 years: “My life is hugely different now to what it was when I was a teenager, and I’ve been feeling in my gut for a long time that a lot of things in my professional life need to change. I am, underneath it all, a singer songwriter who plays pub gigs. And I’ve sorta morphed into this pop star who plays stadiums over 15 years, it’s a super amazing thing to have happened but also a lot to get your head around […] This isn’t a ‘disgruntled artist leaves record label’ type situation. This is a boy who started as a teenager on the company with different priorities, to the father of 2 man who exists now, who feels like he needs a shift and change in the way he does things professionally. I love Ed Howard forever, I love Asylum forever, and the door is always open for the future. Thank you everyone across Warner worldwide who has worked on my projects over the last 15 years, it’s been an incredible journey.”

American are really that stupid huh

@divamcrae_ Girl… be so fr rn

who released the better song today?