Adrian Wilson

Snooker Loopy…. since the 70’s From Pot Black to Ronnie O’Sullivan: Why Snooker Hooked Me and Never Quite Let Go Direct answer: Snooker got its hooks into a generation through short, dramatic television like Pot Black, then kept people watchi @ade_mcfade rfr.bz/t6bdccb

Stock Photos vs Professional Photography | Which Is Better for Your Brand? Stock Photos vs Professional Photography: How to Choose Images That Truly Represent Your Brand Direct answer: A stock photo is a pre-made image that any business can li @ade_mcfade rfr.bz/t87acde

The One Thing Camera Brands Hope You Never Realise Stop Feeding the Kit Delusion New gear won’t make you a better photographer. More shots will. Here’s why the upgrade treadmill is the most seductive trap in any hobby — and how to step off it. @ade_mcfade rfr.bz/t1f9a35

Wind, Waves and a Lime Kiln: Our First Nidderdale Photography Workshop Yorkshire Dales Photography Workshop: Wind, Waves, Lime Kilns and a Proper Chippy So what actually happened on our first Nidderdale workshop in February 2026? In short: bru @ade_mcfade rfr.bz/t252afe

Linear Profile Repository: Use Linear Profiles in Lightroom (LR) Mastering the Linear Profile in Lightroom: How a Camera Profile Can Transform A Photographer’s Work Most photographers accept whatever profile Lightroom or Camera Raw applies by @ade_mcfade rfr.bz/t51eb01

Bradford for Street Photography – A Return To West Yorkshire’s Second City Street Photography in Bradford: A Practical Walk Through the City With a Camera If you’re wondering whether Bradford is worth photographing, the short answer is yes — b @ade_mcfade rfr.bz/tb0b480

Are We All Watching a Different Movie? Is This Why People Disagree More Than Ever? Are we all watching a different movie? It’s a question I keep coming back to. How can people have such wildly different views on politics, countries, war, sport @ade_mcfade rfr.bz/t37b18d

Why Photographers Are Odd: 7 We’re Terrible at Switching Off We’re Terrible at Switching Off Most people finish work and stop thinking about it. Photography doesn’t really allow that. Not because it’s stressful. Quite the opposite. It’s becaus @ade_mcfade rfr.bz/t2e868b

Why Photographers Are Odd: 5 We Use Software You’ve Never Heard Of We Use Software You’ve Never Heard Of Clients don’t pay for software. They pay for results, delivered on time, without fuss. The reason those results look the way they do is be @ade_mcfade rfr.bz/t2fa5ef

Why Photographers Are Odd: 4 We Buy Gear You Never Asked For We Buy Gear You Never Asked For Most clients never ask what gear I’m using. And that’s exactly how it should be. But what’s less obvious is how much kit photographers buy that no cli @ade_mcfade rfr.bz/t203517

Why Photographers Are Odd: 3 Personal Projects Are Professional R&D Personal Projects Are Professional R&D Most industries have a thing called research and development. It’s budgeted for. It’s planned. It’s justified in meetings. Photography h @ade_mcfade rfr.bz/t32e3d5

Why Photographers Are Odd: 2 We Use the Same Camera for Work and Fun We Use the Same Camera for Work and Fun Most jobs have a clear line between work tools and personal life.   Photography doesn’t. If you’re a lawyer, you don’t spend your Sund @ade_mcfade rfr.bz/ta815b0

Why Photographers Are Odd: 1 – Photography Doesn’t End at 5pm Photography Doesn’t End at 5pm (And that’s why the results are better) Before photography, I spent 13 years as a software engineer. And here’s the honest truth: the second I left th @ade_mcfade rfr.bz/t8e7784

A very impressive 0.92 at the @PremiereinnCom It took about 20 minutes for the adverts to load before I could do the speed test. Is there a way of finding out how fast the paid broadband is, before actually paying??

Street photography is about telling a story in a single picture. It doesn't have to be a big, dramatic story. It can be a quiet one. A look between two people, a funny sign, the way someone is standing. Your job is to spot these little moments and capture them. Ask yourself, 'W

Outdoor shoots teach you to adapt. Light shifts, things change, nothing stays perfect for long – and that’s the point. You learn by doing. Especially with folks like @nicolapaparazzo. rfr.bz/tf065cc

So, you've shot your anamorphic photo and now you're at the computer. The first thing you have to do is 'de-squeeze' it. Every editing program is different, but you're basically looking for the pixel aspect ratio settings. You'll need to tell it what your lens's squeeze fa

Don't just take one photo of a scene and walk away. Work it. Move your feet. Get closer, step back. Crouch down, stand on a bench. Shoot a wide shot, then a detail. The first photo you take is rarely the best one. It's usually just a starting point. By spending a few minutes in

If you're not enjoying your shoot, you're doing it wrong. The best stuff usually comes when you're just messing about a bit. Thankfully @nicolapaparazzo gets it. rfr.bz/t09f122

One thing to watch out for with anamorphic lenses is distortion. Because you're squeezing and stretching the image, things can look a bit... weird. Especially at the edges of the frame. It's part of the charm, but it's not always what you want. Portraits can be a problem. If y